{"id":96208,"date":"2017-04-01T03:14:24","date_gmt":"2017-04-01T07:14:24","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=96208"},"modified":"2017-04-01T03:14:24","modified_gmt":"2017-04-01T07:14:24","slug":"artist-julian-stanczak-dies-at-88","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/04\/01\/artist-julian-stanczak-dies-at-88\/","title":{"rendered":"Artist Julian Stanczak dies at 88"},"content":{"rendered":"<figure id=\"attachment_96209\" aria-describedby=\"caption-attachment-96209\" style=\"width: 480px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/04\/15203240_1257132261011373_2256511212613300741_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-96209\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/04\/15203240_1257132261011373_2256511212613300741_n.jpg\" alt=\"Julian Stanczak, an artist known worldwide for his brightly colored, geometric Op art, has died. He was 88. (Photo: Julian Stanczak\/Facebook)\" width=\"480\" height=\"720\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/04\/15203240_1257132261011373_2256511212613300741_n.jpg 480w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/04\/15203240_1257132261011373_2256511212613300741_n-200x300.jpg 200w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><figcaption id=\"caption-attachment-96209\" class=\"wp-caption-text\">Julian Stanczak, an artist known worldwide for his brightly colored, geometric Op art, has died. He was 88. (Photo: <a href=\"https:\/\/www.facebook.com\/photo.php?fbid=1257132261011373&amp;set=pb.100001438338680.-2207520000.1491030777.&amp;type=3&amp;theater\">Julian Stanczak\/Facebook<\/a>)<\/figcaption><\/figure>\n<p>SEVEN HILLS, Ohio \u2014 Julian Stanczak, an artist known worldwide for his brightly colored, geometric Op art, has died. He was 88.<\/p>\n<p>Stanczak died March 25 at his home in the Cleveland suburb of Seven Hills, Ohio, said Diane Rosenstein, whose Los Angeles-based gallery represents Stanczak. She said he died after a brief illness.<\/p>\n<p>The Polish-born artist&#8217;s work is included in the collections of more than 80 museums. He became more widely known to the public through the 1965 Museum of Modern Art exhibit \u201cThe Responsive Eye.\u201d He&#8217;d had his first major solo exhibition of his \u201cOptical Paintings\u201d the year before.<\/p>\n<p>During World War II, Stanczak was sent to a concentration camp in Siberia. There the right-handed Stanczak permanently lost the use of his right arm and had to become left-handed. After escaping from the camp, he joined the Polish army-in-exile in Persia (now Iran) and then deserted it.<\/p>\n<p>He later spent time in a refugee camp in Uganda. He began taking private art lessons there and learned to paint with his left hand.<\/p>\n<p>In 1950, he moved to Cleveland and found his artistic home.<\/p>\n<p>He received his bachelor of fine arts degree at the Cleveland Institute of Art, where he later was a professor. His master&#8217;s degree in fine arts came from Yale University.<\/p>\n<p>Over the years, Stanczak&#8217;s paintings have been included in museum collections across the United States and abroad.<\/p>\n<p>He is survived by his wife, artist Barbara Meerpohl; a daughter, Danusia M. Casteel; and a son, Krzys M. Stanczak.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SEVEN HILLS, Ohio \u2014 Julian Stanczak, an artist known worldwide for his brightly colored, geometric Op art, has died. He &hellip;<\/p>\n","protected":false},"author":33,"featured_media":96209,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[17281],"class_list":["post-96208","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-julian-stanczak","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/96208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=96208"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/96208\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/96209"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=96208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=96208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=96208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}