{"id":9376,"date":"2014-05-08T17:56:12","date_gmt":"2014-05-08T09:56:12","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=9376"},"modified":"2014-05-08T14:57:54","modified_gmt":"2014-05-08T06:57:54","slug":"acropolis-legendary-caryatids-getting-cosmetic-surgery-under-gaze-of-tourists","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2014\/05\/08\/acropolis-legendary-caryatids-getting-cosmetic-surgery-under-gaze-of-tourists\/","title":{"rendered":"Acropolis\u2019 legendary Caryatids getting &#8220;cosmetic surgery&#8221; under gaze of tourists"},"content":{"rendered":"<figure id=\"attachment_9377\" aria-describedby=\"caption-attachment-9377\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/05\/800px-Porch_of_the_Caryatids_at_Athenian_Acropolis.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-9377\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/05\/800px-Porch_of_the_Caryatids_at_Athenian_Acropolis.jpg\" alt=\"Image of Porch of the Caryatids which is part of the Erechtheum at the Acropolis in Athens, Greece. Photo by Psy guy \/ Wikimedia Commons.\" width=\"800\" height=\"551\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/05\/800px-Porch_of_the_Caryatids_at_Athenian_Acropolis.jpg 800w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/05\/800px-Porch_of_the_Caryatids_at_Athenian_Acropolis-300x206.jpg 300w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><figcaption id=\"caption-attachment-9377\" class=\"wp-caption-text\">Image of Porch of the Caryatids which is part of the Erechtheum at the Acropolis in Athens, Greece. Photo by Psy guy \/ Wikimedia Commons.<\/figcaption><\/figure>\n<p><span style=\"color: black;\">ATHENS\u2014They\u2019re some of Greece\u2019s most celebrated beauties. And after nearly 2,500 years, it\u2019s perhaps only fitting that they\u2019re getting a face-lift.<\/span><\/p>\n<p><span style=\"color: black;\">The Caryatid statues, which until the late \u201870s propped up a section of the Erechtheion Temple on the Acropolis, are being meticulously cleansed of grime inside the museum where they\u2019re now housed.<\/span><\/p>\n<p><span style=\"color: black;\">Three goggle-wearing conservators zap away dirt from the marble maidens with custom-designed lasers, as tourists watch the operation on monitors. The restoration work is surrounded by a white fabric screen to protect visitors from laser beams, which can cause permanent eye injury.<\/span><\/p>\n<p><span style=\"color: black;\">One of the six Caryatids was removed by Lord Elgin in the 19th century and today stands in the British Museum. The other five were removed from the Erechtheion in 1979 to protect them from air pollution and acid rain, and replaced by copies.<\/span><\/p>\n<p><span style=\"color: black;\">Museum director Dimitris Pantermalis said the main reason for cleaning the sculptures on the spot was to avoid the potential hazards of moving them. But there\u2019s the additional value of offering tourists the spectacle of restoring some of the greatest glories of the ancient world.<\/span><\/p>\n<p><span style=\"color: black;\">\u201cWe want to offer visitors a backstage peek,\u201d he said.<\/span><\/p>\n<p><span style=\"color: black;\">Visitors are impressed: \u201cThe fact that it was in situ, taking place in the museum, it does bring it home to you the actual level of care that is needed to bring these back to life,\u201d said British tourist Trevor Richards, from Manchester. \u201cIt\u2019s like cosmetic surgery for statues isn\u2019t it?\u201d<\/span><\/p>\n<p><span style=\"color: black;\">It takes about seven months to cleanse each of the larger than life-sized statues, which were carved around 420 B.C. Work began in 2011, and is expected to be finished in June.<\/span><\/p>\n<p><span style=\"color: black;\">\u201cThe process removes all of the pollution, the smoke and everything that has settled on the statues for more than a century, and leaves intact the patina, that orange hue that the statues took on with the passage of centuries,\u201d Pantermalis said. \u201cIt\u2019s done with very great care to avoid any possible damage.\u201d<\/span><\/p>\n<p><span style=\"color: black;\">The Erechtheion Temple was sacred to the gods Athena and Poseidon, and associated with the first kings of Athens. In later times, it served as a church, a Frankish palace and a Turkish harem.<\/span><\/p>\n<p><span style=\"color: black;\">Although Greece\u2019s oldest examples of pillars in the human form are a century older, the Caryatids are the most famous of their kind, and were widely imitated from Roman times to Europe\u2019s classical revival.<\/span><\/p>\n<p><span style=\"color: black;\">Conservators use technology developed specially for the Acropolis sculptures by the Foundation for Research and Technology-Hellas in Crete. The technique combines two infrared and ultraviolet wavelengths, to avoid causing discoloration or abrasion.<\/span><\/p>\n<p><span style=\"color: black;\">\u201cThe laser beam hits the black crust formed on the surface of the statues over the years, and that absorbs energy and disintegrates,\u201d said conservator Costas Vassiliadis, who heads the six-strong team. \u201cThe crust has a much lower resistance threshold than the marble, which is not affected.\u201d<\/span><\/p>\n<p><span style=\"color: black;\">Laser operators spend a maximum three hours on the job every day. Sometimes they get unwelcome intrusions.<\/span><\/p>\n<p><span style=\"color: black;\">\u201cAt first we felt slightly stage-struck, we tried to avoid making any noise, and always had in mind that we might disturb visitors,\u201d Vassiliadis said. \u201cOnly it\u2019s the other way round, as visitors several times draw back the curtain\u2014which they really shouldn\u2019t as laser is dangerous for the eyes.\u201d<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ATHENS\u2014They\u2019re some of Greece\u2019s most celebrated beauties. And after nearly 2,500 years, it\u2019s perhaps only fitting that they\u2019re getting a &hellip;<\/p>\n","protected":false},"author":44,"featured_media":9377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[79],"tags":[],"class_list":["post-9376","post","type-post","status-publish","format-standard","has-post-thumbnail","category-travel","mauthors-nicholas-paphitis","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/9376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=9376"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/9376\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/9377"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=9376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=9376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=9376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}