{"id":92587,"date":"2017-03-05T20:46:41","date_gmt":"2017-03-06T01:46:41","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=92587"},"modified":"2017-03-05T20:46:41","modified_gmt":"2017-03-06T01:46:41","slug":"blue-is-the-colour-of-the-season-at-paris-fashion-week","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/03\/05\/blue-is-the-colour-of-the-season-at-paris-fashion-week\/","title":{"rendered":"Blue is the colour of the season at Paris Fashion Week"},"content":{"rendered":"<figure id=\"attachment_92588\" aria-describedby=\"caption-attachment-92588\" style=\"width: 639px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/03\/13442357_1142763182422172_339975439299168401_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-92588\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/03\/13442357_1142763182422172_339975439299168401_n.jpg\" alt=\"It's no secret that politics infuses fashion \u2013 and some critics are interpreting the current mania for blue at Paris Fashion Week as a statement of \u201cthe blues\u201d about the perceived rise of nationalism across Europe and America. (Photo: Paris Fashion Week\/ Facebook)\" width=\"639\" height=\"960\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/03\/13442357_1142763182422172_339975439299168401_n.jpg 639w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/03\/13442357_1142763182422172_339975439299168401_n-200x300.jpg 200w\" sizes=\"auto, (max-width: 639px) 100vw, 639px\" \/><\/a><figcaption id=\"caption-attachment-92588\" class=\"wp-caption-text\">It&#8217;s no secret that politics infuses fashion \u2013 and some critics are interpreting the current mania for blue at Paris Fashion Week as a statement of \u201cthe blues\u201d about the perceived rise of nationalism across Europe and America. (Photo: <a href=\"https:\/\/www.facebook.com\/pfwcollections\">Paris Fashion Week\/ Facebook<\/a>)<\/figcaption><\/figure>\n<p>PARIS \u2013It&#8217;s no secret that politics infuses fashion \u2013 and some critics are interpreting the current mania for blue at Paris Fashion Week as a statement of \u201cthe blues\u201d about the perceived rise of nationalism across Europe and America.<\/p>\n<p>Here are some highlights from Sunday&#8217;s fall-winter womenswear shows in Paris.<\/p>\n<p>BLUE IS Colour OF SEASON<\/p>\n<p>While its exact symbolism is up for debate, one thing is certain: blue is the colour of the season.<\/p>\n<p>France&#8217;s culture minister told The AP this week that the Parisian fashion industry \u2013 that relies on foreign talent \u2013 is under threat owing to the rise of nationalism.<\/p>\n<p>A host of designers have all used the symbolically-charged hue in their fall-winter collections being shown at Paris Fashion Week.<\/p>\n<p>Those included Briton Phoebe Philo at Celine, Italian Maria Grazia Chiuri at Dior, Japanese Yoshiyuki Miyamae at Issey Miyake, Georgian David Koma at Mugler, Lebanese Elie Saab and French Columbian-born Haider Ackermann.<\/p>\n<p>\u2013<\/p>\n<p>VALENTINO RAVISHES<\/p>\n<p>What do you get if you combine Victorian-era styles with those of Italian Postmodern design?<\/p>\n<p>Designer Pierpaolo Piccioli gave us a pretty good idea in his gentle and thoughtful Valentino collection Sunday that took both for inspiration.<\/p>\n<p>His high 19th-century collars fused with the geometry of the Memphis Group, a design and architecture group founded in Milan that created furniture, fabrics and objects in the 1980s. Silhouettes were softly geometric and hung loosely from the shoulder.<\/p>\n<p>Colours were also gentle \u2013 raspberry, sage green, turquoise, sheeny black with white. A stylish flash of Cadmium yellow blossomed on a standout silken dress.<\/p>\n<p>An ethnic, multicolored patchwork coat was handled with subtlety \u2013 while long, soft pleats gently lined some of the most beautiful gowns seen this season.<\/p>\n<p>\u2013<\/p>\n<p>IVAN, THE 9-YEAR-OLD FASHIONISTA<\/p>\n<p>Valentino&#8217;s illustrious guest list normally causes a stir for its famous attendees.<\/p>\n<p>But Sunday&#8217;s romance-inspired fall-winter collection had heads turning for a different reason: Ivan, 9, whose feet didn&#8217;t touch the floor as he sat front row at Valentino&#8217;s show in the gilded salon of the Hotel Salomon de Rothschild in Paris.<\/p>\n<p>Ivan sat in a mint green fur coat, Gucci slippers and shades admiring Pierpaolo Piccioli&#8217;s soft geometric designs.<\/p>\n<p>He didn&#8217;t let his age or the famous attendees \u2013 actresses Kate Mara, Kristin Scott Thomas and model Natalia Vodianova \u2013 intimidate him, and snapped studiously as the collection went by.<\/p>\n<p>\u201cI&#8217;m Ivan. I&#8217;m nine. I designed the capsule collection for my mom who&#8217;s a designer, Natasha Zinko,\u201d he told The Associated Press, before defending his choice to wear shades on a drizzly day. \u201cIt was sunny when I came here.\u201d<\/p>\n<p>He added he&#8217;s been following fashion \u201cnearly a year maybe,\u201d and has enjoyed attending collections by Dior and Haider Ackermann.<\/p>\n<p>His mother said she brought him because she couldn&#8217;t find a nanny.<\/p>\n<p>\u201cHe was (at shows) last year a few times, but this time there was no one to stay at home with him, so I brought him with me,\u201d Zinko said. \u201cHe&#8217;s enjoying the weekend in Paris. And, now he&#8217;s going back to London to school.\u201d<\/p>\n<p>\u2013<\/p>\n<p>HONEY, I SHRUNK THE CELINE MODELS<\/p>\n<p>Designer Phoebe Philo seemed to shrink the models in her inventive, proportion-play of a Celine show.<\/p>\n<p>A gargantuan knee-length white necklace accompanied a 1-meter (3-foot) long canary yellow handbag, a cape made of oversize sleeves, a 2-meter (6 1\/2 foot) emerald green scarf-like garment and huge blown-up prints.<\/p>\n<p>Later, oversize tailored menswear jackets made an appearance, fusing into gathered gowns with Empire-line busts.<\/p>\n<p>One of the best looks in navy, with this Napoleon-era silhouette, was given a beautiful contemporary twist with exaggeratedly wide, long flappy shirt cuffs.<\/p>\n<p>The collection was intellectual yet highly wearable.<\/p>\n<p>\u2013<\/p>\n<p>NINA RICCI GOES WEST<\/p>\n<p>It was the Wild West \u2013 but not as we know it.<\/p>\n<p>Guillaume Henry saddled up his fashion horse and headed to America for Nina Ricci&#8217;s collection late Saturday.<\/p>\n<p>The lauded designer tamed the styles of the American cowgirl for the chic Parisian audience with a beautifully soft colour palette, with lashings of pink and peach. Skirts and coats with hip cutouts evoked cowboy chaps.<\/p>\n<p>Prints with cowboy and rodeo motifs speckled with stars followed buttoned-up shirts, belts with exaggerated silver buckles, checks and hanging pendants with cowboy- style silver clasps.<\/p>\n<p>A standout long coat-pant look toyed cleverly with the rodeo style. Feminine soft turquoise replaced blue denim, and the big Western leather collar was given a feminine twist, flopping softly and delicately.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PARIS \u2013It&#8217;s no secret that politics infuses fashion \u2013 and some critics are interpreting the current mania for blue at &hellip;<\/p>\n","protected":false},"author":33,"featured_media":92588,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,3],"tags":[16158],"class_list":["post-92587","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fashion-and-beauty","category-lifestyle","tag-paris-fashion-week","mauthors-thomas-adamson","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/92587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=92587"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/92587\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/92588"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=92587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=92587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=92587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}