{"id":91378,"date":"2017-02-26T21:42:10","date_gmt":"2017-02-27T02:42:10","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=91378"},"modified":"2017-02-26T21:42:10","modified_gmt":"2017-02-27T02:42:10","slug":"montreal-sound-editor-sylvain-bellemare-wins-oscar-for-arrival","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/02\/26\/montreal-sound-editor-sylvain-bellemare-wins-oscar-for-arrival\/","title":{"rendered":"Montreal sound editor Sylvain Bellemare wins Oscar for &#8216;Arrival&#8217;"},"content":{"rendered":"<figure id=\"attachment_91379\" aria-describedby=\"caption-attachment-91379\" style=\"width: 960px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/16996070_1359874267410213_5677357375709636258_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-91379\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/16996070_1359874267410213_5677357375709636258_n.jpg\" alt=\"Montreal's Sylvain Bellemare has won the best sound editing Oscar for \u201cArrival.\u201d (Photo: The Movies Addict\/ Facebook)\" width=\"960\" height=\"960\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/16996070_1359874267410213_5677357375709636258_n.jpg 960w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/16996070_1359874267410213_5677357375709636258_n-150x150.jpg 150w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/16996070_1359874267410213_5677357375709636258_n-300x300.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/16996070_1359874267410213_5677357375709636258_n-768x768.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><figcaption id=\"caption-attachment-91379\" class=\"wp-caption-text\">Montreal&#8217;s Sylvain Bellemare has won the best sound editing Oscar for \u201cArrival.\u201d (Photo: <a href=\"https:\/\/www.facebook.com\/themoviesadd\">The Movies Addict\/ Facebook<\/a>)<\/figcaption><\/figure>\n<p>LOS ANGELES \u2013Montreal&#8217;s Sylvain Bellemare has won the best sound editing Oscar for \u201cArrival.\u201d<\/p>\n<p>He won in a field that also included teams from \u201cDeepwater Horizon,\u201d \u201cHacksaw Ridge,\u201d \u201cLa La Land\u201d and \u201cSully.\u201d<\/p>\n<p>Quebec&#8217;s Denis Villeneuve directed \u201cArrival,\u201d which stars Amy Adams as a linguistics expert who tries to communicate with aliens that have landed on Earth.<\/p>\n<p>Jeremy Renner plays theoretical physicist Ian in the Quebec-shot film, which also stars Forest Whitaker as a military leader.<\/p>\n<p>Earlier this month, Bellemare \u2013 along with two \u201cArrival\u201d sound mixers \u2013 won a trophy from the British Academy Film Awards.<\/p>\n<p>Bellemare&#8217;s previous credits include Villeneuve&#8217;s 2010 drama \u201cIncendies,\u201d which was nominated for an Oscar for best foreign-language film.<\/p>\n<p>His other films include \u201cIt&#8217;s Not Me, I Swear!\u201d and \u201cMonsieur Lazhar\u201d by Quebec director Philippe Falardeau.<\/p>\n<p>For the heptapod aliens in \u201cArrival,\u201d he found inspiration in Pink Floyd&#8217;s music.<\/p>\n<p>He said echoes and other noises from the psychedelic rock era helped him create the sound of alien movements.<\/p>\n<p>Bellemare was also a contributor to the creation of the aliens&#8217; language, which was inspired partly by a melange of animal sounds.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>LOS ANGELES \u2013Montreal&#8217;s Sylvain Bellemare has won the best sound editing Oscar for \u201cArrival.\u201d He won in a field that &hellip;<\/p>\n","protected":false},"author":33,"featured_media":91379,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[15827,740,15826],"class_list":["post-91378","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","tag-best-sound-editing","tag-oscars","tag-sylvain-bellemare","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/91378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=91378"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/91378\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/91379"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=91378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=91378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=91378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}