{"id":90630,"date":"2017-02-21T19:50:50","date_gmt":"2017-02-22T00:50:50","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=90630"},"modified":"2017-02-21T19:50:50","modified_gmt":"2017-02-22T00:50:50","slug":"refugees-is-timely-timeless-in-telling-of-human-stories","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/02\/21\/refugees-is-timely-timeless-in-telling-of-human-stories\/","title":{"rendered":"‘Refugees’ is timely, timeless in telling of human stories"},"content":{"rendered":"
\"\u201cThe<\/a>
\u201cThe Refugees\u201d (Grove Press), by Viet Thanh Nguyen (Photo: Viet Thanh Nguyen\/ Facebook<\/a>)<\/figcaption><\/figure>\n

\u201cThe Refugees\u201d (Grove Press), by Viet Thanh Nguyen<\/p>\n

Viet Thanh Nguyen’s new book, \u201cThe Refugees,\u201d is both timely, given the current debate about refugees in America, and timeless in its exploration of universal human struggles.<\/p>\n

This gorgeous collection of short stories recalls Jhumpa Lahiri’s \u201cInterpreter of Maladies,\u201d but with Vietnam as the loose centre around which the richly drawn characters orbit. There’s Liem, a newly arrived refugee whose \u201chabit of forgetting was too deeply ingrained, as if he passed his life perpetually walking backward through a desert, sweeping away his footprints.\u201d There are longtime residents Mr. and Mrs. Khahn, distant from their American-raised children, as well as those who stayed behind, like Phuong, wistful for a different future. And there’s Claire, an American transplant with no familial ties to the southeast Asian nation who explains to her incredulous father that she has a \u201cVietnamese soul.\u201d<\/p>\n

Nguyen convincingly takes on the voices and lives of these myriad characters, whose stories highlight not only the unique horrors that drive people to become refugees, but also the universal experiences that affirm their humanity _ from the transformation of a 13-year-old \u201cbrave enough to say what I had suspected for a while, that my mother wasn’t always right\u201d to the heartbreak and turmoil of a woman losing her husband to the fog of dementia.<\/p>\n

Nguyen won the Pulitzer Prize for fiction for his 2015 novel \u201cThe Sympathizer.\u201d The writing in \u201cThe Refugees\u201d is resonant and evocative, abounding with delightful descriptions: \u201ctears of rust streaking the walls,\u201d \u201ca countertop with black veins in the grouting,\u201d \u201ca white Toyota Land Cruiser speckled with measles of rust.\u201d<\/p>\n

Above all, the mark of a good short story is a reader’s investment in the characters within pages of meeting them \u2013and sadness at having to let them go shortly thereafter. This reader felt that over and over in \u201cThe Refugees.\u201d It is a must-read.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cThe Refugees\u201d (Grove Press), by Viet Thanh Nguyen Viet Thanh Nguyen’s new book, \u201cThe Refugees,\u201d is both timely, given the …<\/p>\n","protected":false},"author":33,"featured_media":90632,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[15567,15157],"class_list":["post-90630","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","tag-the-refugees","tag-viet-thanh-nguyen","mauthors-rasha-madkour","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/90630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=90630"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/90630\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/90632"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=90630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=90630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=90630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}