{"id":90048,"date":"2017-02-17T11:54:16","date_gmt":"2017-02-17T16:54:16","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=90048"},"modified":"2017-02-17T11:55:52","modified_gmt":"2017-02-17T16:55:52","slug":"three-filipino-films-to-compete-in-portugal","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/02\/17\/three-filipino-films-to-compete-in-portugal\/","title":{"rendered":"Three Filipino films to compete in Portugal"},"content":{"rendered":"<p><span style=\"font-weight: 400\">Avid Liongoren\u2019s \u201cSaving Sally\u201d, Roderick Cabrido\u2019s \u201cTuos\u201d and Eduardo Roy Jr\u2019s \u201cPamilya Ordinaryo\u201d will \u00a0be competing for the 37th Oporto International Film Fest, also known as \u201cFantasporo\u201d in Oporto, Portugal on February 24-March 4.<\/span><\/p>\n<p><span style=\"font-weight: 400\">All three films will be competing for top honors in the major category and in the Orient Express category, while Eduardo Roy Jr. is included in the Director\u2019s Week Category.<\/span><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_90049\" aria-describedby=\"caption-attachment-90049\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/Untitled.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-90049\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/Untitled-300x157.png\" alt=\"(Photo: screenshot of Avid Liongoren's Youtube Video)\" width=\"300\" height=\"157\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/Untitled-300x157.png 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/Untitled-768x402.png 768w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/Untitled-1024x536.png 1024w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/Untitled.png 1351w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-90049\" class=\"wp-caption-text\">(Photo: screenshot of<a href=\"https:\/\/www.youtube.com\/watch?v=n_jMCYdnOYA\"> Avid Liongoren&#8217;s Youtube Video<\/a>)<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">Saving Sally is a romantic live-action animated film that revolves around a man\u2019s unrequited love to a girl who once saved his life.<\/span><\/p>\n<figure id=\"attachment_90050\" aria-describedby=\"caption-attachment-90050\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/tuos.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-90050\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/tuos-300x158.png\" alt=\"(Photo: a screenshot of Cinemalaya Foundation Inc's Youtube Video) \" width=\"300\" height=\"158\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/tuos-300x158.png 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/tuos-768x405.png 768w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/tuos-1024x540.png 1024w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/tuos.png 1357w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-90050\" class=\"wp-caption-text\">(Photo: a screenshot of <a href=\"https:\/\/www.youtube.com\/watch?v=Gz6KzrkZo74\">Cinemalaya Foundation Inc&#8217;s Youtube Video<\/a>)<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">Tuos is a film that stars Nora Aunor as the center of a story that struggles to continue a mysterious century old tradition and legacy that is facing possible extinction.<\/span><\/p>\n<figure id=\"attachment_90051\" aria-describedby=\"caption-attachment-90051\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/Pamilya-ordinaryo.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-90051\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/Pamilya-ordinaryo-300x169.png\" alt=\"(Photo: screenshot of Film Police Reviews Youtube Video)\" width=\"300\" height=\"169\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/Pamilya-ordinaryo-300x169.png 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/Pamilya-ordinaryo-768x432.png 768w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/Pamilya-ordinaryo-1024x576.png 1024w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/02\/Pamilya-ordinaryo.png 1366w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-90051\" class=\"wp-caption-text\">(Photo: screenshot of <a href=\"https:\/\/www.youtube.com\/watch?v=2YhEN1ET1hk\">Film Police Reviews Youtube Video<\/a>)<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">Pamilya Ordinaryo is a glimpse of an impoverished young family wandering the streets of the capital.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Industry trade paper Variety ranked Fantasporo as one of the 25 leading festivals of the world.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Avid Liongoren\u2019s \u201cSaving Sally\u201d, Roderick Cabrido\u2019s \u201cTuos\u201d and Eduardo Roy Jr\u2019s \u201cPamilya Ordinaryo\u201d will \u00a0be competing for the 37th Oporto &hellip;<\/p>\n","protected":false},"author":33,"featured_media":90051,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,9094,46],"tags":[15396,15395,1762,15393,15394],"class_list":["post-90048","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art-and-culture","category-human-interest","category-entertainment-ph","tag-fantasporo","tag-pamilya-ordinaryo","tag-portugal","tag-saving-sally","tag-tuos","mauthors-phoebe-balubar","mauthors-philippine-canadian-inquirer"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/90048","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=90048"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/90048\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/90051"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=90048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=90048"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=90048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}