{"id":86859,"date":"2017-01-27T01:53:55","date_gmt":"2017-01-27T06:53:55","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=86859"},"modified":"2017-01-27T01:53:55","modified_gmt":"2017-01-27T06:53:55","slug":"pioneering-tv-actress-mary-tyler-moore-dies-at-80","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/01\/27\/pioneering-tv-actress-mary-tyler-moore-dies-at-80\/","title":{"rendered":"Pioneering TV actress Mary Tyler Moore dies at 80"},"content":{"rendered":"<p><figure id=\"attachment_86860\" aria-describedby=\"caption-attachment-86860\" style=\"width: 270px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/01\/moore.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-86860\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/01\/moore.jpg\" alt=\"Pioneering TV actress Mary Tyler Moore dies at 80  (Photo by Nick Step; cropped by Beyond My Ken (talk) 20:43, 4 April 2014 (UTC) (Mary Tyler Moore  Uploaded by maybeMaybeMaybe) [CC BY 2.0)\" width=\"270\" height=\"354\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/01\/moore.jpg 270w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/01\/moore-229x300.jpg 229w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/a><figcaption id=\"caption-attachment-86860\" class=\"wp-caption-text\">Pioneering TV actress Mary Tyler Moore dies at 80 (Photo by <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File%3AMary_Tyler_Moore_(5923384167)_crop.jpg\">Nick Step; cropped by Beyond My Ken (talk) 20:43, 4 April 2014 (UTC) (Mary Tyler Moore Uploaded by maybeMaybeMaybe) [CC BY 2.0<\/a>)<\/figcaption><\/figure>LOS ANGELES\u2014Mary Tyler Moore didn&#8217;t have it all on her 1970s sitcom, but what she had was enough.<\/p>\n<p>A husband and kids, long the stock TV recipe for female contentment, were absent from &#8220;The Mary Tyler Moore Show.&#8221; Instead, Mary Richards combined work, friends and lovers into an alternative version of a modern young woman&#8217;s full life.<\/p>\n<p>Feminism already had said it was possible. Mary made it mainstream with her charm and million-watt smile, showing America that an independent woman could be admired and embraced.<\/p>\n<p>She was so inspiring that even those lacking her perfect balance of grace and, yes, spunk, imagined themselves achieving their own success.<\/p>\n<p>Moore, who died Wednesday at 80, \u201cinfluenced my career more than any other tv role model,\u201d NBC newswoman Andrea Mitchell posted on Twitter. &#8220;She indeed turned on the world with her smile.&#8221;<\/p>\n<p>Marlo Thomas, who played another single women intent on a career in the 1960s sitcom &#8220;That Girl,&#8221; saluted Moore and their shared achievement. \u201cI&#8217;m proud that we were in that groundbreaking sorority that brought single independent women to television. She will be deeply missed,\u201d Thomas in a statement.<\/p>\n<p>In downtown Minneapolis, where Moore&#8217;s sitcom was set, fans laid flowers at the base of a statue that depicts the opening-credits scene in which she joyfully, triumphantly throws her tam in the air.<\/p>\n<p>Nichole Buehler, 35, who said she grew up watching the show with her great-grandmother, called Moore&#8217;s character &#8220;a strong, independent&#8221; working woman.<\/p>\n<p>Moore also was a daring actress whose talents extended beyond comedy, said Robert Redford, who directed her to an Oscar nomination in the 1980 family drama \u201cOrdinary People.\u201d<\/p>\n<p>\u201cThe courage she displayed in taking on a role &#8230; darker than anything she had ever done, was brave and enormously powerful,\u201d Redford said in a statement.<\/p>\n<p>Moore, who gained fame in the 1960s as frazzled wife Laura Petrie on \u201cThe Dick Van Dyke Show,\u201d went on to win seven Emmy Awards over the years.<\/p>\n<p>As Laura, she traded in the housedress of countless sitcom wives for Capri pants that were as fashionable as they were suited to a modern American woman.<\/p>\n<p>She wasn&#8217;t perfect: Viewers identified with her flustered moments and her plaintive cry to her husband: \u201cOhhhh, Robbbb!\u201d<\/p>\n<p>Moore&#8217;s chemistry with Van Dyke was unmistakable. Decades later, he spoke warmly of the chaste but palpable off-screen crush they shared during the show&#8217;s run.<\/p>\n<p>They also appeared together in several TV specials over the years and in 2003, co-starred in a PBS production of the play &#8220;The Gin Game.&#8221;<\/p>\n<p>\u201cThere are no words. She was THE BEST! We always said that we changed each other&#8217;s lives for the better,\u201d Van Dyke tweeted.<\/p>\n<p>But it was as the plucky Minneapolis TV news producer on \u201cThe Mary Tyler Moore Show\u201d (1970-77), that Moore truly made her mark.<\/p>\n<p>Mary Richards was comfortable being single in her 30s, and while she dated, she wasn&#8217;t desperate to get married. She sparred affectionately with her gruff boss, Lou Grant, played by Ed Asner, and addressed him always as \u201cMr. Grant.\u201d And millions agreed with the show&#8217;s theme song that she could &#8220;turn the world on with her smile.\u201d<\/p>\n<p>The series ran seven seasons and won 29 Emmys, a record that stood for a quarter century until \u201cFrasier\u201d broke it in 2002.<\/p>\n<p>\u201cEverything I did was by the seat of the pants. I reacted to every written situation the way I would have in real life,\u201d Moore told The Associated Press in 1995.<\/p>\n<p>\u201cThe Mary Tyler Moore Show\u201d spawned the spin-offs \u201cRhoda,\u201d (1974-78), starring Valerie Harper; \u201cPhyllis\u201d (1975-77), starring Cloris Leachman; and \u201cLou Grant\u201d (1977-82), starring Asner in a rare drama spun off from a comedy.<\/p>\n<p>\u201cMary Tyler Moore\u201d was the first in a series of acclaimed, award-winning shows she produced with her second husband, Grant Tinker, who died in November 2016, through their MTM Enterprises. (The meowing kitten at the end of the shows was a parody of the MGM lion.) \u201cThe Bob Newhart Show\u201d and \u201cHill Street Blues\u201d are among the MTM series that followed.<\/p>\n<p>Moore&#8217;s seventh Emmy came in 1993 for a Lifetime network movie, \u201cStolen Babies.\u201d She had won two for \u201cThe Dick Van Dyke Show\u201d and the other four for \u201cMary Tyler Moore.&#8221; In 2012, Moore received the Screen Actors Guild&#8217;s lifetime achievement award.<\/p>\n<p>On the big screen, Moore&#8217;s appearances were less frequent. She was a 1920s flapper in the hit 1967 musical &#8220;Thoroughly Modern Millie&#8221; and a nun who falls for Elvis Presley in &#8220;Change of Habit&#8221; in 1969.<\/p>\n<p>Moore was born in 1936 in Brooklyn; the family moved to California when she was around 8 years old. She began dance lessons as a child and launched her career while still in her teens, appearing in TV commercials.<\/p>\n<p>She endured personal tragedy in her life. Her only child, Richard, who&#8217;d had trouble in school and with drugs, accidentally shot himself at 24. Her younger sister, Elizabeth, died at 21 from a combination of a painkillers and alcohol.<\/p>\n<p>In her 1995 autobiography &#8220;After All,&#8221; Moore admitted she helped her terminally ill brother try to commit suicide by feeding him ice cream laced with a deadly overdose of drugs. The attempt failed, and her 47-year-old brother, John, died three months later in 1992 of kidney cancer.<\/p>\n<p>Moore herself lived with juvenile diabetes for some 40 years and told of her struggle in her 2009 book, &#8220;Growing Up Again.&#8221; She also spent five weeks at the Betty Ford Clinic in 1984 for alcohol abuse.<\/p>\n<p>In 1983, Moore married cardiologist Robert Levine, who survives her. Her marriage to Tinker lasted from 1962 to 1981. Before that, she was married to Dick Meeker from 1955 to 1961.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>LOS ANGELES\u2014Mary Tyler Moore didn&#8217;t have it all on her 1970s sitcom, but what she had was enough. A husband &hellip;<\/p>\n","protected":false},"author":33,"featured_media":86860,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[14335],"class_list":["post-86859","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","tag-mary-tyler-moore","mauthors-lynn-elber","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/86859","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=86859"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/86859\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/86860"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=86859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=86859"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=86859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}