{"id":83164,"date":"2016-11-24T10:00:25","date_gmt":"2016-11-24T15:00:25","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=83164"},"modified":"2016-11-24T10:00:25","modified_gmt":"2016-11-24T15:00:25","slug":"museum-shoeseum-footwear-says-souls","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2016\/11\/24\/museum-shoeseum-footwear-says-souls\/","title":{"rendered":"Museum as shoeseum: What our footwear says about our souls"},"content":{"rendered":"
\"Whether<\/a>
Whether a pair of crystalline embellished slippers, or thigh-high boots with platform heels, shoes show our personalities, moods and social status. (Photo by Kathy Tarantola\/Peabody Essex Museum<\/a>)<\/figcaption><\/figure>\n

SALEM, Mass.\u2014Boots aren’t just made for walking. On the contrary, footwear has captivated hearts and minds worldwide for centuries.<\/p>\n

Whether a pair of crystalline embellished slippers, or thigh-high boots with platform heels, shoes show our personalities, moods and social status.<\/p>\n

That’s the premise behind \u201cShoes: Pleasure and Pain,\u201d an exhibition opening Saturday at the Peabody Essex Museum in Salem, Massachusetts, examining the history and cultural relevance of what we strap to our soles.<\/p>\n

\u201cWe’re all born with bare feet and shoes facilitate our movement, but shoes also reveal our identity,\u201d said Lynda Roscoe Hartigan, co-ordinating curator for the exhibition.<\/p>\n

The show, organized by the London-based Victoria and Albert Museum, is comprised of boots, slippers, pumps, loafers and sandals from around the world dating to the 17th century.<\/p>\n

Through our shoes, Roscoe Hartigan said, we all project \u201ccertain aspects of power and authority\u201d \u2014 even if those messages are subliminal.<\/p>\n

One classic example of affluence and power wrapped into a shoe is the high heel. Yet, functionality and comfort are often overlooked in their design.<\/p>\n

In 1993, supermodel Naomi Campbell made headlines when she stumbled on a Paris runway during Fashion Week. The Vivienne Westwood platforms Campbell was wearing \u2014 a pair of cobalt blue, mock crocodile skin shoes with 9-inch heels \u2014 became icons overnight. They’re now part of the Salem show.<\/p>\n

Also on display are several pairs from high-end retailers such as Jimmy Choo, Christian Louboutin and Manolo Blahnik, made famous by the HBO series \u201cSex and the City.\u201d One pair of men’s golf shoes by Prada is covered in brightly colored rhinestones.<\/p>\n

\u201cYou would never assume they’re something men would play golf in,\u201d Roscoe Hartigan said.<\/p>\n

But this exhibition is more than just a display of exclusive footwear. There are shoes used for foot binding, an ancient Chinese custom in which a girl’s four toes were tucked beneath the foot in an effort to prevent growth. One pair of silk, cotton and metal-wrapped lotus shoes is just 4 inches long.<\/p>\n

Until the 1600s, shoes were made to fit an individual \u2014 a process that could involve up to 200 stages of construction. By mid-century, Europe’s middle class population exploded and ready-to-wear shoes became available.<\/p>\n

On display are shoe lasts \u2014 wood or plastic forms used by shoemakers \u2014 from the late Princess Diana, Charlie Chaplin and other celebrities.<\/p>\n

\u201cThe whole thing is pretty amazing,\u201d said Faith Kreider, of Newton, Massachusetts, who viewed the exhibition. \u201cThere’s a wide variety of footwear down through the ages.\u201d<\/p>\n

\u201cShoes: Pleasure and Pain\u201d runs through March 12, 2017.<\/p>\n","protected":false},"excerpt":{"rendered":"

SALEM, Mass.\u2014Boots aren’t just made for walking. On the contrary, footwear has captivated hearts and minds worldwide for centuries. Whether …<\/p>\n","protected":false},"author":33,"featured_media":83165,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[12705,12703,12704,12706,3337,12708,12702,12707],"class_list":["post-83164","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fashion-and-beauty","tag-christian-louboutin","tag-footwear","tag-jimmy-choo","tag-manolo-blahnik","tag-museum","tag-peabody-essex-museum","tag-shoes","tag-shoes-pleasure-and-pain","mauthors-tracee-m-herbaugh","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/83164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=83164"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/83164\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/83165"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=83164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=83164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=83164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}