{"id":82478,"date":"2016-10-28T06:24:36","date_gmt":"2016-10-28T10:24:36","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=82478"},"modified":"2016-10-28T06:24:36","modified_gmt":"2016-10-28T10:24:36","slug":"comedian-pikotaro-astonished-viral-success-ppap-song","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2016\/10\/28\/comedian-pikotaro-astonished-viral-success-ppap-song\/","title":{"rendered":"Comedian Pikotaro astonished by viral success of \u2018PPAP\u2019 song"},"content":{"rendered":"
\"Japanese<\/a>
Japanese comedian Pikotaro rose to fame with his viral hit song “PPAP.” (Twitter photo)<\/figcaption><\/figure>\n

TOKYO \u2013 The Japanese comedian behind the viral hit \u201cPPAP\u201d is astonished by the global success of his \u201cpen-pinapple-apple-pen\u201d song.<\/p>\n

Dressed in his trademark yellow outfit with snake and leopard patterns, Pikotaro debuted a two-minute \u201clong\u201d version of his 45-second song before taking questions at a Tokyo news conference Friday.<\/p>\n

His responses had the packed audience of journalists and others laughing, but it was often difficult to separate fact from fiction.<\/p>\n

He expressed amazement that a song that he said cost 100,000 yen ($1,000) to produce in a six-hour session in a rented studio could explode worldwide.<\/p>\n

\u201cThe internet is amazing!\u201d he said.<\/p>\n

In the song, Pikotaro, as the character who performs it is known, mimics stabbing a pen into an apple and a pineapple while singing simple English lyrics and dancing to a catchy beat.<\/p>\n

The 53-year-old comedian, whose real name is Kazuhito Kosaka according to Japanese entertainment news media, was little known before \u201cPPAP\u201d took off in September.<\/p>\n

The song initially was popular among Japanese students, then started spreading globally and got a major boost when pop star Justin Bieber tweeted it was his favourite video, Pikotaro said.<\/p>\n

\u201cPPAP\u201d has more than 65 million YouTube views and was the first Japanese song to get into the U.S. Billboard top 100 singles in 26 years. Guinness World Records recognized it Friday as the shortest song to make the top 100.<\/p>\n

It has also spawned 40,000 lip-synching copies uploaded to the internet.<\/p>\n

Pikotaro said it feels great to be imitated, and that those from India are his favourite so far. He discouraged imitators from using real fruit, though, deeming it wasteful.<\/p>\n

\u201cThere\u2019s actually a theme when I\u2019m singing,\u201d he said, ticking off world peace and love of family and friends. \u201cAnd then, to prove the existence of dark matter,\u201d he added, to laughs. \u201cI feel all these themes are well understood by the people who imitate me.\u201d<\/p>\n

He said he came up with the song at the house of his producer, Daimao Kosaka, which is actually him, or his own comedian stage name.<\/p>\n

With the tune playing, he picked up a pen to begin writing, and thought about Kosaka, who comes from apple country. An open can of pineapples was sitting on the table, and \u201cpen-pinapple-apple-pen\u201d was born.<\/p>\n

Asked whether Prime Minister Shinzo Abe has called him since his success, he responded that he doesn\u2019t answer numbers he does not recognize on his phone, but would check his messages later to see.<\/p>\n","protected":false},"excerpt":{"rendered":"

TOKYO \u2013 The Japanese comedian behind the viral hit \u201cPPAP\u201d is astonished by the global success of his \u201cpen-pinapple-apple-pen\u201d song. …<\/p>\n","protected":false},"author":33,"featured_media":82480,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[12552,12550,12551],"class_list":["post-82478","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","tag-pen-pinapple-apple-pen","tag-pikotaro","tag-ppap","mauthors-ken-moritsugu","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/82478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=82478"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/82478\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/82480"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=82478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=82478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=82478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}