{"id":80733,"date":"2016-09-05T02:04:51","date_gmt":"2016-09-05T06:04:51","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=80733"},"modified":"2016-09-05T02:08:32","modified_gmt":"2016-09-05T06:08:32","slug":"lesbian-love-story-mouth-meant-empower-not-exploit-filmmakers","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2016\/09\/05\/lesbian-love-story-mouth-meant-empower-not-exploit-filmmakers\/","title":{"rendered":"Lesbian love story ‘Below Her Mouth’ meant to ’empower,’ not exploit: filmmakers"},"content":{"rendered":"
\"Photo:<\/a>
Photo: Serendipity Point<\/a><\/figcaption><\/figure>\n

TORONTO\u2014In tackling a lesbian love story with plenty of steamy sex and full frontal nudity, striking the right tone was key for the filmmakers behind \u201cBelow Her Mouth.\u201d<\/p>\n

First-time screenwriter Stephanie Fabrizi says she was keen to keep things realistic, bold and \u201cpoetic.\u201d<\/p>\n

\u201cWithin our framework and our lens, it’s not exploitation, it’s so different,\u201d Fabrizi says of the resulting film, which does not shy away from depicting several lusty encounters.<\/p>\n

\u201cIt’s not to get a rise out of you, it’s to break through and to empower and I think to give the female orgasm a voice.\u201d<\/p>\n

The Toronto-shot \u201cBelow Her Mouth\u201d is among the Canadian titles heading to the Toronto International Film Festival, which kicks off Thursday.<\/p>\n

Natalie Krill stars as Jasmine, a fashion editor who meets a sexy roofer at a bar when her fiance (played by Sebastian Pigott) is out of town. Swedish gender-bending model Erika Linder plays Dallas, whose brazen advances on the reluctant Jasmine lead to a full-fledged affair.<\/p>\n

It’s been generating chatter not only for its sexy subject matter, but its behind-the-scenes dedication to supporting female employment in the film industry.<\/p>\n

Publicists boast of a \u201c100 per cent all-female crew from top to bottom.\u201d<\/p>\n

It’s directed by Niagara Falls, Ont.-native April Mullen, with Fabrizi and producer Melissa Coghlan insisting the story could not have been told from a male perspective.<\/p>\n

\u201cIt was really important that we shot the film through a female lens,\u201d says Coghlan.<\/p>\n

\u201cOne of the things that sets this film apart is that it is written by a woman, directed by a women, produced by women…. For us, we wanted to represent a woman’s love story, a woman’s experience, empower women from our perspective.\u201d<\/p>\n

But it wasn’t easy.<\/p>\n

\u201cSome of the positions were really, really hard to fill, you know, grip and electric, for instance,\u201d says Coghlan, 43.<\/p>\n

\u201cA lot of the sort of technical crew positions, there aren’t a lot of women. And we were really, really lucky that we were able to assemble this fantastic crew. We had so many recommendations from people that I’d worked with, people that April had worked with, people who heard our story. A lot of guys that I had worked with in the past were calling me and saying, ‘I have somebody for you.\u201d<\/p>\n

What resulted is a \u201cfearless and bold love story,\u201d says Fabrizi.<\/p>\n

\u201cI just wanted something that you’ve never seen before in terms of how explicit yet real (it is) and not borrowing from pornography but borrowing from my experience as a woman and as a woman who has sex with women,\u201d says the 34-year-old.<\/p>\n

\u201cThis is a story about the city I live in and how I was free to experience queer relationships, to walk down the street holding the hand of another woman.\u201d<\/p>\n

The Toronto International Film Festival runs through Sept. 18.<\/p>\n","protected":false},"excerpt":{"rendered":"

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