{"id":78982,"date":"2016-07-23T08:35:53","date_gmt":"2016-07-23T12:35:53","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=78982"},"modified":"2025-01-18T04:12:51","modified_gmt":"2025-01-18T09:12:51","slug":"filipino-canadian-artist-mad-pride-mad-city-group-exhibit","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2016\/07\/23\/filipino-canadian-artist-mad-pride-mad-city-group-exhibit\/","title":{"rendered":"Filipino-Canadian Artist in Mad Pride: Mad City Group Exhibit"},"content":{"rendered":"
\"(Clockwise)
(Clockwise) Mad Pride: Mad City poster; Mildred German with her sister; the artist with Migrante BC Coordinator Jane Ordinario; and with friend Priscilla.<\/figcaption><\/figure>\n

\u2018Mad Pride: Mad City\u2019 opened with a reception at the Gallery\u00a0Gachet\u00a0in Gastown, Vancouver.<\/p>\n

More than a dozen artists joined the exhibit to show that \u201cart is a means of survival.<\/p>\n

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\u201d \u00a0In the exhibit statement, they declare that it is \u201cthe union of art, politics and community to make change.\u201d<\/p>\n

Filipino-Canadian Mildred Grace German is featured in the group exhibit with her artwork entitled, \u201cPara|digma.\u201d According to German, this is a play on the English word \u201cParadigm\u201d and she has uses this word to express what in Tagalog, her first language, means: \u00a0para meaning to \u201cstop\u201d and\u00a0digma\u00a0meaning \u201cwar\u201d.<\/p>\n

German says her artwork\u00a0\u201daims to raise\u00a0awareness on the ongoing\u00a0mad cause-and-effects\u00a0of\u00a0forced migration, oppression, and the systemic global\u00a0human rights violations.<\/p>\n

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\u201d<\/p>\n

She added that she paints to communicate the complexity of transnational trauma, and to address the issues affecting migrant workers, their families and communities.<\/p>\n

\u201cParadigmas are not easily forgotten, not easily hidden, not easily forgiven. As human rights violations occur, the trauma too occurs, as such as a cause-effect pattern. The longing for justice and \u201cfor what can be done\u201d becomes the discourse.<\/p>\n

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Therefore, to struggle for human rights, the right to life and safety is justified. In society, to include, not exclude the traumatized, and to believe the trauma will be healed are brave acts of immeasurable love,\u201d she said.<\/p>\n

German was born and raised in the Philippines and came to Vancouver, Canada as a migrant youth in the late 90s on the sponsorship of her mother.\u00a0 German\u2019s exposure to transnational issues and her experience as a\u00a0Filipino-Canadian\u00a0migrant inspired her\u00a0latest\u00a0artwork \u201cPara|digma\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u2018Mad Pride: Mad City\u2019 opened with a reception at the Gallery\u00a0Gachet\u00a0in Gastown, Vancouver. More than a dozen artists joined the …<\/p>\n","protected":false},"author":44,"featured_media":78983,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1481],"tags":[],"class_list":["post-78982","post","type-post","status-publish","format-standard","has-post-thumbnail","category-news-comm","mauthors-migrante-bc"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/78982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=78982"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/78982\/revisions"}],"predecessor-version":[{"id":285249,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/78982\/revisions\/285249"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/78983"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=78982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=78982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=78982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}