{"id":77375,"date":"2016-06-15T06:19:48","date_gmt":"2016-06-15T10:19:48","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=77375"},"modified":"2016-06-15T06:19:48","modified_gmt":"2016-06-15T10:19:48","slug":"fanciful-mad-house-exhibit-straddles-art-design","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2016\/06\/15\/fanciful-mad-house-exhibit-straddles-art-design\/","title":{"rendered":"Fanciful \u2018Mad House\u2019 exhibit straddles art and design"},"content":{"rendered":"<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/BGfYF0Fq8By\/?utm_source=ig_embed&amp;utm_medium=loading\" data-instgrm-version=\"12\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\">\n<div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/p\/BGfYF0Fq8By\/?utm_source=ig_embed&amp;utm_medium=loading\" style=\" background:#FFFFFF; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"> View this post on Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0;\"><\/div>\n<div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\">\n<div>\n<div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div>\n<div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div>\n<div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px;\">\n<div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div>\n<div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div>\n<\/div>\n<div style=\"margin-left: auto;\">\n<div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div>\n<div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div>\n<div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div>\n<\/div>\n<\/div>\n<p><\/a> <\/p>\n<p style=\" margin:8px 0 0 0; padding:0 4px;\"> <a href=\"https:\/\/www.instagram.com\/p\/BGfYF0Fq8By\/?utm_source=ig_embed&amp;utm_medium=loading\" style=\" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;\" target=\"_blank\">\u201cIt\u2019s important to [Studio Job] that almost every object they make fits some \u2018normal\u2019 design category: a spaghetti pot, a vacuum cleaner, a table. But their pots have been cast in massive bronze and then polished to a golden mirror finish; putting them on a stove is unthinkable, even if you could handle the weight. Their $50,000 vacuum cleaner, on display at the [MAD], looks much more normal except for the bronze horse\u2019s head on top. Its eyes glow electric-red, and the vacuum\u2019s exhaust has been channeled through its nostrils, so they snort.\u201d \u2014@NYTimes on Studio Job  #StudioJobMADHOUSE<\/a><\/p>\n<p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\">A post shared by <a href=\"https:\/\/www.instagram.com\/madmuseum\/?utm_source=ig_embed&amp;utm_medium=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;\" target=\"_blank\"> Museum of Arts and Design<\/a> (@madmuseum) on <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2016-06-10T22:11:35+00:00\">Jun 10, 2016 at 3:11pm PDT<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<p>NEW YORK \u2013 Imagine a house containing a towering bronze pitchfork and shovel that will never be used for gardening; a working vacuum cleaner \u2013 topped with the gilded bust of a horse \u2013 that will never clean floors; and an oversize saucepan \u2013 made of crystal, bronze, wood and gilding \u2013 that will never find its way to the stove.<\/p>\n<p>The art and design duo known as Studio Job specialize in creating works inspired by household goods but never intended for use.<\/p>\n<p>Now, the Museum of Arts and Design in New York has transformed two floors into a \u201cStudio Job Mad House,\u201d featuring some of these eye-popping designs. The exhibit, which runs through Aug. 21, is set up as an imaginary house of an imaginary collector of Studio Job\u2019s works. It exudes a sense of history, fantasy, irony and opulence.<\/p>\n<p>The design team, founded in 1998, is composed of Belgian conceptual and 3-D designer Job Smeets and Dutch graphic designer Nynke Tynagel. Their works straddle art and design, and nod to medieval traditions of patronage by producing monumental works in high-end materials like bronze, crystal and gold.<\/p>\n<p>\u201cThey tend to react to what is common and do the exact opposite, challenging the perception of what is normal,\u201d says Ronald Labaco, a senior curator at the museum who organized the exhibit.<\/p>\n<p>The works, many commissioned by patrons, rely on ancient crafts like bronze casting, gilding, marquetry, stained glass and faience, all with a contemporary perspective. The designs often draw from pop culture (like the movie \u201cKing Kong\u201d) or historical events (like a bombing in London or the sinking of the Titanic).<\/p>\n<p>The New York installation features 57 pieces, including sculpture, lighting, furniture, floor covering, wallpaper, drawings and other works produced over the past 16 years.<\/p>\n<p>Adding to the sense of entering a realm of the unreal, the museum\u2019s wood flooring has been covered in a vinyl covering that Tynagel designed to resemble a sort of cartoon of a wood floor. The walls are covered in her brick-themed, grey-and-white wallpaper, which vaguely resembles the inside of a medieval castle.<\/p>\n<p>\u201cWe always think about placing our work inside a castle. We see it as a small society with every aspect of life within it,\u201d Tynagel said in a 2010 interview, quoted in the wall text.<\/p>\n<p>The pieces in the exhibit are organized along loose, sometimes contradictory ideas, such as love\/lust, agrarian\/preindustrial and church\/religion.<\/p>\n<p>\u201cThe idea is to create a kind of dialogue between the works,\u201d Labaco says.<\/p>\n<p>Four private commissions are on public view for the first time, including a caste-bronze \u201cPitchfork and Shovel\u201d (2014); \u201cHeart\u201d (2012-13) and \u201cDr. Cruetzen Illuminator\u201d (2011-12), both in stained glass; and a \u201cUnity\u201d cabinet in marquetry.<\/p>\n<p>\u201cUnlike most designers working today, we are not coming from modernism,\u201d says Smeets. \u201cOur contribution is that we\u2019ve recovered a lost path. Is that design? Is it art? I\u2019m not sure\u2026 We\u2019re situating decorative arts within the 21st century.\u201d<\/p>\n<p>Highlights include \u201cPerished Bench\u201d (2006), veneered of rosewood and maple in a delicate, complex pattern of real and imagined extinct animals. It opens in the style of a 15th century Dutch triptych, but is made using the latest in computer-controlled laser technology. The theme \u2013 the transience of life \u2013 echoes themes common in 17th century Dutch painting.<\/p>\n<p>In another gallery, \u201cTrain Crash\u201d (2015) depicts two cast-bronze locomotives colliding head-on, sending up clouds of smoke that merge to form a tabletop. The piece accompanied the design duo\u2019s announcement that year that their long-term romantic relationship was ending, although their design collaboration continues.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NEW YORK \u2013 Imagine a house containing a towering bronze pitchfork and shovel that will never be used for gardening; &hellip;<\/p>\n","protected":false},"author":33,"featured_media":77376,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[11246,11245],"class_list":["post-77375","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art-and-culture","tag-studio-job","tag-studio-job-mad-house","mauthors-katherine-roth","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/77375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=77375"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/77375\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/77376"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=77375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=77375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=77375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}