{"id":76804,"date":"2016-06-03T03:13:38","date_gmt":"2016-06-03T07:13:38","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=76804"},"modified":"2016-06-03T03:13:38","modified_gmt":"2016-06-03T07:13:38","slug":"liz-howard-wins-griffin-poetry-prize-infinite-citizen-shaking-tent","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2016\/06\/03\/liz-howard-wins-griffin-poetry-prize-infinite-citizen-shaking-tent\/","title":{"rendered":"Liz Howard wins Griffin Poetry Prize for &#8216;Infinite Citizen of the Shaking Tent&#8217;"},"content":{"rendered":"<figure id=\"attachment_76805\" aria-describedby=\"caption-attachment-76805\" style=\"width: 400px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/06\/CeFyc96W4AIVURe.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-76805\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/06\/CeFyc96W4AIVURe.jpg\" alt=\"Howard said her winning collection has been shaped by her entire life, growing up in a small, isolated town, estranged from her First Nations father, and not fully knowledgeable about her identity. (Twitter photo)\" width=\"400\" height=\"400\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/06\/CeFyc96W4AIVURe.jpg 400w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/06\/CeFyc96W4AIVURe-150x150.jpg 150w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/06\/CeFyc96W4AIVURe-300x300.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><figcaption id=\"caption-attachment-76805\" class=\"wp-caption-text\">Howard said her winning collection has been shaped by her entire life, growing up in a small, isolated town, estranged from her First Nations father, and not fully knowledgeable about her identity. (<a href=\"https:\/\/twitter.com\/bookthug\/status\/711976065284104196\" target=\"_blank\">Twitter photo<\/a>)<\/figcaption><\/figure>\n<p>TORONTO\u2014Liz Howard choked back tears as she accepted the $65,000 Griffin Poetry Prize on Thursday night, speaking candidly about overcoming her tough childhood and expressing hope she could be an example to First Nations youth facing personal struggles.<\/p>\n<p>The northern Ontario writer was visibly moved as she was announced as the Canadian winner of the lucrative literary prize at a glittering Toronto gala. Howard received the honour for her debut \u201cInfinite Citizen of the Shaking Tent\u201d (McClelland &amp; Stewart).<\/p>\n<p>The 30-year-old lives in Toronto, but grew up in Chapleau, Ont., two hours west of Timmins.<\/p>\n<p>In her acceptance speech to a hushed room, Howard acknowledged her family for making the 800-kilometre journey to support her at the gala. She also shared intimate details of a childhood coloured by intense challenges, and noted how writing was both a creative outlet and saving grace.<\/p>\n<p>\u201cMy upbringing was quite difficult and impoverished,\u201d said an emotional Howard. \u201cWhen I was young, I sort of thought that, perhaps, it would be best to not exist.<\/p>\n<p>\u201cI know a lot of our youth today are struggling, especially our First Nations youth. And I guess I just wanted to say that it can get better. And for me, poetry made life possible for me. It made life tolerable for me\u2014both reading it and writing it.<\/p>\n<p>\u201cThis is a spectacular occasion. I feel like I&#8217;m having an out-of-body experience,\u201d she added, with a gentle laugh.<\/p>\n<p>Howard said her winning collection has been shaped by her entire life, growing up in a small, isolated town, estranged from her First Nations father, and not fully knowledgeable about her identity. She is biracial and of Anishinaabe heritage.<\/p>\n<p>Howard said her poetry also reflects moving to the city, studying science, and being in an urban environment, while also trying to educate herself about First Nations cosmology and philosophy.<\/p>\n<p>American judge Tracy K. Smith praised Howard for her \u201cbold\u201d debut collection. Smith added that Howard&#8217;s work assured her of poetry&#8217;s ability to \u201chave at the real&#8230;the messy (and) befuddling matter of being and staying human.\u201d<\/p>\n<p>The U.K.&#8217;s Alice Oswald and Canada&#8217;s Adam Sol rounded out the Griffin Poetry Prize jury who selected the finalists from 633 books of poetry from 43 countries, including 25 translations.<\/p>\n<p>Vermont-born Norman Dubie won the international prize, also worth $65,000, for \u201cThe Quotations of Bone\u201d (Copper Canyon Press).<\/p>\n<p>Michael Wiegers, Dubie&#8217;s publisher and editor, accepted the award on behalf of the ailing writer who did not attend the ceremony.<\/p>\n<p>Wiegers noted that Dubie\u2014who has been writing for about a half-century\u2014actually had taken a 10-year \u201cvow of silence\u201d where he took a break from the craft.<\/p>\n<p>\u201cThis award is just such an affirmation of his work and being recognized again,\u201d Wiegers said in an interview following the ceremony.<\/p>\n<p>\u201cIt&#8217;s almost like he&#8217;s starting anew,\u201d he added. \u201c(In) each of his collections I think he has a very distinctive voice, but in this case&#8230; it&#8217;s completely unpredictable.<\/p>\n<p>\u201cYou don&#8217;t know who&#8217;s speaking, and oftentimes, there are many voices speaking within the collection. I think that his capacity to enter into any space, any voice, is just taken up to another degree in this collection.\u201d<\/p>\n<p>Wiegers said that Dubie is a long-term practising Tibetan Buddhist, and that his poems are \u201cfilled with great compassion for others.\u201d<\/p>\n<p>\u201cHe&#8217;s a master at looking into history and giving personality to great figures from history. In this collection in particular, I think he spans the world in his compassion.\u201d<\/p>\n<p>The Griffin is billed as the world&#8217;s largest prize for a first-edition single collection of poetry written in or translated into English. Toronto businessman and philanthropist Scott Griffin created the honour along with trustees including writer Michael Ondaatje.<\/p>\n<p>In addition to the grand prize winners, each finalist also receives $10,000 for participating in Wednesday evening&#8217;s readings at Toronto&#8217;s Koerner Hall.<\/p>\n<p>The Canadian finalists also included Toronto&#8217;s Soraya Peerbaye for \u201cTell: poems for a girlhood\u201d (Pedlar Press) and \u201cFrayed Opus for Strings &amp; Wind Instruments\u201d (Brick Books) by Swedish-born Danish poet Ulrikka S. Gernes and translated by Canadian collaborators Per Brask and Patrick Friesen.<\/p>\n<p>The international short list also included \u201cConflict Resolution for Holy Beings\u201d by Joy Harjo (W. W. Norton &amp; Company), \u201c40 Sonnets\u201d by Don Paterson (Faber and Faber) and \u201cHeaven\u201d&#8217; by Rowan Ricardo Phillips (Farrar, Straus and Giroux).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TORONTO\u2014Liz Howard choked back tears as she accepted the $65,000 Griffin Poetry Prize on Thursday night, speaking candidly about overcoming &hellip;<\/p>\n","protected":false},"author":33,"featured_media":76805,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[2261,10907,11026,11025,11027],"class_list":["post-76804","post","type-post","status-publish","format-standard","has-post-thumbnail","category-lifestyle","tag-books","tag-griffin-poetry-prize","tag-infinite-citizen-of-the-shaking-tent","tag-liz-howard","tag-penguin-random-house","mauthors-lauren-la-rose","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/76804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=76804"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/76804\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/76805"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=76804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=76804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=76804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}