{"id":76511,"date":"2016-05-29T21:14:38","date_gmt":"2016-05-30T01:14:38","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=76511"},"modified":"2016-05-29T21:14:38","modified_gmt":"2016-05-30T01:14:38","slug":"griffin-poetry-prize-nominee-tell-based-case-slain-b-c-teen-reena-virk","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2016\/05\/29\/griffin-poetry-prize-nominee-tell-based-case-slain-b-c-teen-reena-virk\/","title":{"rendered":"Griffin Poetry Prize nominee &#8216;Tell&#8217; based on case of slain B.C. teen Reena Virk"},"content":{"rendered":"<figure id=\"attachment_76514\" aria-describedby=\"caption-attachment-76514\" style=\"width: 524px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/05\/tell-book-soraya-peerbaye-lifestyle.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-76514\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/05\/tell-book-soraya-peerbaye-lifestyle.jpg\" alt=\"Peerbaye's exploration of Virk's story has extended into her creative work with the anthology \u201cTell: Poems for a Girlhood\u201d (Pedlar Press). (Photo: All Lit Up)\" width=\"524\" height=\"813\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/05\/tell-book-soraya-peerbaye-lifestyle.jpg 524w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/05\/tell-book-soraya-peerbaye-lifestyle-193x300.jpg 193w\" sizes=\"auto, (max-width: 524px) 100vw, 524px\" \/><\/a><figcaption id=\"caption-attachment-76514\" class=\"wp-caption-text\">Peerbaye&#8217;s exploration of Virk&#8217;s story has extended into her creative work with the anthology \u201cTell: Poems for a Girlhood\u201d (Pedlar Press).<br \/>(Photo:<a href=\"http:\/\/www.griffinpoetryprize.com\/\" target=\"_blank\"> All Lit Up<\/a>)<\/figcaption><\/figure>\n<p>TORONTO\u2014When Soraya Peerbaye first learned of the brutal slaying of Vancouver Island teen Reena Virk, the Toronto poet recalled being haunted by the harrowing nature of the crime.<\/p>\n<p>\u201cLike many people across the country, I was just struck by the details of the story: the youth of the assailants and their gender and, of course, the sheer brutality of it,\u201d said Peerbaye.<\/p>\n<p>In November 1997, Virk was swarmed by a crowd of mostly girls under a bridge in the Victoria area. After the 14-year-old was beaten, she limped across the bridge followed by Kelly Ellard and Warren Glowatski. A trial later found the duo continued the beating and held Virk&#8217;s head underwater until she drowned.<\/p>\n<p>Ellard is serving a life sentence for second-degree murder, and was denied parole May 3. Glowatski, who was also convicted of second-degree murder, was given full parole in 2010.<\/p>\n<p>Peerbaye was in the courtroom for Ellard&#8217;s 2004 trial\u2014which ended in a mistrial\u2014and was present again for the 2005 trial when Ellard was found guilty.<\/p>\n<p>Peerbaye&#8217;s exploration of Virk&#8217;s story has extended into her creative work with the anthology \u201cTell: Poems for a Girlhood\u201d (Pedlar Press).<\/p>\n<p>The collection is one of three Canadian titles nominated for the $65,000 Griffin Poetry Prize, which will be awarded at a Toronto gala on June 2. \u201cTell\u201d was also recently shortlisted for the Ontario Trillium Book Award for Poetry.<\/p>\n<p>\u201cThe work doesn&#8217;t delve into biography,\u201d Peerbaye said of the anthology. \u201cIt&#8217;s not an attempt to say who (Virk) was, and it&#8217;s not an attempt to position myself as an authority of her experience&#8230;.<\/p>\n<p>\u201cIt&#8217;s really a reflection\u2014and almost a critique\u2014of the public literature, the trials and how she was seen by the witnesses or the Crown &#8230; and how her identity and her agency were described by those narratives.\u201d<\/p>\n<p>Peerbaye drew on court transcripts which she described as \u201cvery troubling\u2014maybe even more so than watching the trials.\u201d<\/p>\n<p>\u201cThere were so many small and slight details that were brought up &#8230; and when you&#8217;re reading the transcript, it all seems even. In a way, it&#8217;s all kind of flat, like there&#8217;s no emotion, there&#8217;s no intonation.<\/p>\n<p>\u201cSo, the feeling of an expert witness testifying to the tides doesn&#8217;t actually feel different from a young person describing participating in the assault. The texture of those words is the same.\u201d<\/p>\n<p>\u201cIn a way, it actually makes you watch more closely. There were things that I read in the transcript that I don&#8217;t think I would have caught otherwise.\u201d<\/p>\n<p>Peerbaye said she found writing the poems in \u201cTell\u201d challenging in ways she hadn&#8217;t anticipated.<\/p>\n<p>\u201cI think part of it was that it was a strange imaginative exercise to try to take myself through\u2014and then it was also an impossible exercise,\u201d she said.<\/p>\n<p>\u201cThe intensity of suffering and fear and loneliness she must have experienced, I think, is truly unimaginable.\u201d<\/p>\n<p>Also from Canada in contention for the Griffin prize is \u201cFrayed Opus for Strings &amp; Wind Instruments\u201d (Brick Books) by Danish poet Ulrikka S. Gernes. The work was translated by Canadian collaborators Per Brask and Patrick Friesen.<\/p>\n<p>Rounding out the Canadian nominees is northern Ontario writer Liz Howard for \u201cInfinite Citizen of the Shaking Tent\u201d (McClelland &amp; Stewart).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TORONTO\u2014When Soraya Peerbaye first learned of the brutal slaying of Vancouver Island teen Reena Virk, the Toronto poet recalled being &hellip;<\/p>\n","protected":false},"author":33,"featured_media":76514,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[2261,398,10907,10909,10559,10908,10906],"class_list":["post-76511","post","type-post","status-publish","format-standard","has-post-thumbnail","category-lifestyle","tag-books","tag-canada","tag-griffin-poetry-prize","tag-pedlar-press","tag-reena-virk","tag-soraya-peerbaye","tag-tell","mauthors-lauren-la-rose","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/76511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=76511"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/76511\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/76514"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=76511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=76511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=76511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}