{"id":7533,"date":"2014-04-20T13:53:09","date_gmt":"2014-04-20T05:53:09","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=7533"},"modified":"2014-05-08T16:07:48","modified_gmt":"2014-05-08T08:07:48","slug":"nyc-worlds-fair-recreate-warhol-mural","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2014\/04\/20\/nyc-worlds-fair-recreate-warhol-mural\/","title":{"rendered":"NYC World&#8217;s Fair recreate Warhol mural"},"content":{"rendered":"<figure id=\"attachment_7534\" aria-describedby=\"caption-attachment-7534\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/04\/andy-warhol.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7534\" alt=\"Legendary artist Andy Warhol. Photo by Jack Mitchell \/ Wikipedia\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/04\/andy-warhol.jpg\" width=\"600\" height=\"480\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/04\/andy-warhol.jpg 600w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/04\/andy-warhol-300x240.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption id=\"caption-attachment-7534\" class=\"wp-caption-text\"><em>Legendary artist Andy Warhol. Photo by <a href=\"http:\/\/en.wikipedia.org\/wiki\/File:Andy_Warhol_by_Jack_Mitchell.jpg\">Jack Mitchell \/ Wikipedia<\/a><\/em><\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>NEW YORK &#8212; Even for a 1964 New York World&#8217;s Fair that celebrated &#8220;The World of Tomorrow,&#8221; Andy Warhol may have been ahead of his time.<\/p>\n<p>His monumental piece commissioned specifically for the fair &#8211; a mural depicting mug shots of the New York Police Department&#8217;s 13 most-wanted criminals &#8211; was deemed too edgy for the family friendly event and was painted over just before opening day.<\/p>\n<p>Now, 50 years later, the work is the focus of a museum exhibition being staged on the very fairgrounds where the pop-art provocateur was censored.<\/p>\n<p>&#8220;There&#8217;s no question Warhol was not interested in the notion of a family friendly fair,&#8221; said Larissa Harris, the exhibition&#8217;s curator. &#8220;It&#8217;s possible that he understood the concept very clearly, but he did this absolutely intentionally.&#8221;<\/p>\n<p>The exhibition, &#8220;13 Most Wanted Men: Andy Warhol and the 1964 World&#8217;s Fair,&#8221; opens April 27 at the Queens Museum in Flushing Meadows Corona Park. It includes never-before-shown archival documents and materials, including the artist&#8217;s letter agreeing to the paint-over and the NYPD mug shot booklet.<\/p>\n<p>Warhol was one of 10 artists commissioned by famed architect Philip Johnson to create 20-foot-by-20-foot artworks for the outside of the New York State Pavilion&#8217;s Circarama theater.<\/p>\n<p>Gov. Nelson Rockefeller, who was seeking the Republican presidential nomination at the time, gave the order to paint over Warhol&#8217;s mural. The stated reason, according to Johnson and others, was because seven of the 13 criminals were Italians and he didn&#8217;t want to risk alienating his Italian constituencies, Harris said.<\/p>\n<p>&#8220;It does seem like an incredibly bold step,&#8221; said Nicholas Chambers, a curator at The Andy Warhol Museum in Pittsburgh, which is collaborating on the exhibition. &#8220;In retrospect, it seems that was the only possible outcome &#8211; that it had to be censored.&#8221;<\/p>\n<p>According to his autobiography, Warhol believed the work was whitewashed &#8220;because of some political thing I never understood.&#8221;<\/p>\n<p>Warhol offered another work as a replacement &#8211; 25 identical portraits arranged in a grid of the fair&#8217;s controversial head Robert Moses &#8211; but it was rejected by Johnson as inappropriate.<\/p>\n<p>Warhol never made another public work.<\/p>\n<p>The documents show that Warhol agreed to have the mug shot mural painted over in silver. (He was already producing paintings that had large silver blank panels.) Removing it wasn&#8217;t an option because it would have ruined Johnson&#8217;s vision for the building&#8217;s exterior that called for a combination of black-and-white and colored pieces.<\/p>\n<p>Three months later, Warhol took the screens he used for the mural and created &#8220;13 Most Wanted Men&#8221; on canvas.<\/p>\n<p>Nine of the 13 original canvases &#8211; assembled from various collections &#8211; are the subject of the exhibition.<\/p>\n<p>The goal of the show is to delve into the mural&#8217;s creation and the reasons Warhol chose to make &#8220;13 Most Wanted Men&#8221; for the World&#8217;s Fair.<\/p>\n<p>&#8220;Warhol loved experimenting with how far he could go,&#8221; Harris said. The 36-year-old artist, known for his Coke bottles, soup cans and celebrity portraits, was also creating silkscreens of suicides and car crashes at that time.<\/p>\n<p>&#8220;Andy was interested in this darker side to American media culture,&#8221; Chambers said. &#8220;There are these kinds of connections to tragic events even in some of the more iconic celebrity portraits that he was doing at that time. &#8230; The Marilyn Monroe portrait for instance, was produced shortly after her suicide.&#8221;<\/p>\n<p>The exhibition runs through Sept. 7 and then goes on view at the Warhol museum from Sept. 27 to Jan. 5.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; NEW YORK &#8212; Even for a 1964 New York World&#8217;s Fair that celebrated &#8220;The World of Tomorrow,&#8221; Andy Warhol &hellip;<\/p>\n","protected":false},"author":44,"featured_media":7534,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,1482],"tags":[2341,1759,2342],"class_list":["post-7533","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art-and-culture","category-breaking","tag-andy-warhol","tag-new-york","tag-the-world-of-tomorrow","mauthors-ula-ilnytzky","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/7533","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=7533"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/7533\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/7534"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=7533"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=7533"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=7533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}