{"id":74863,"date":"2016-04-25T03:44:22","date_gmt":"2016-04-25T07:44:22","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=74863"},"modified":"2016-04-25T03:44:22","modified_gmt":"2016-04-25T07:44:22","slug":"mrs-jones-singer-billy-paul-dead-age-80","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2016\/04\/25\/mrs-jones-singer-billy-paul-dead-age-80\/","title":{"rendered":"&#8216;Me and Mrs. Jones&#8217; singer Billy Paul dead at age 80"},"content":{"rendered":"<p>[youtube https:\/\/www.youtube.com\/watch?v=n2v98PGBZH4]<\/p>\n<p>NEW YORK\u2014Billy Paul, a jazz and soul singer best known for the No. 1 hit ballad and \u201cPhiladelphia Soul\u201d classic \u201cMe and Mrs. Jones,\u201d died Sunday.<\/p>\n<p>Paul, whose career spanned for more than 60 years, died at his home in Blackwood, New Jersey, his co-manager, Beverly Gay, told The Associated Press. Paul, 80, had been diagnosed recently with pancreatic cancer, Gay said.<\/p>\n<p>Known by his beard and large glasses, Paul was one of many singers who found success with the writing and producing team of Kenneth Gamble and Leon Huff, whose Philadelphia International Records also released music by the O&#8217;Jays, Harold Melvin &amp; the Blue Notes, and Lou Rawls.<\/p>\n<p>\u201cMe and Mrs. Jones\u201d was an extramarital confession and a characteristic Gamble and Huff production, setting Paul&#8217;s thick tenor against a lush and sensuous arrangement. Many fans best remember the moment when Paul&#8217;s otherwise subtle vocals jump as they reach the title words, stretching out \u201cMe\u201d and \u201cAnd\u201d into multiple syllables and repeating \u201cMrs. Jones, Mrs. Jones, Mrs. Jones.\u201d (Paul himself was married to the same woman for decades).<\/p>\n<p>Paul&#8217;s voice made him \u201cone of the great artists to come out of Philly and to be celebrated worldwide,\u201d Gamble and Huff said in a statement late Sunday.<\/p>\n<p>\u201cOur proudest moment with Billy was the recording of the salacious smash &#8216;Me and Mrs. Jones.&#8217; In our view, it is one of the greatest love songs ever recorded,\u201d they said.<\/p>\n<p>The song was one of the top singles of 1972 and brought Paul a Grammy the following year for best male rhythm &#8216;n blues performance, with runners-up including Ray Charles and Curtis Mayfield. Paul remained identified with the song for the rest of his life.<\/p>\n<p>Paul continued to perform live until he fell ill and his manager said he had been lining up numerous appearances at the time of his death. Among his favourites in concert was a cover of Prince&#8217;s \u201cPurple Rain.\u201d (Prince died last Thursday).<\/p>\n<p>He was born Paul Williams but later agreed to his manager&#8217;s suggestion that he change his name to Billy Paul to avoid confusion with songwriter Paul Williams and other musicians with the same name. A Philadelphia native, he sang much his life, performing with such jazz stars as Charlie Parker and Dinah Washington and being featured on a handful of singles while still in his teens.<\/p>\n<p>Paul was drafted into the military in his early 20s, and found himself on the same base in Germany with a couple of famous show business names, Elvis Presley and Gary Crosby, Bing Crosby&#8217;s son.<\/p>\n<p>\u201cWe said we&#8217;re going to start a band, so we didn&#8217;t have to do any hard work in the service,\u201d he told bluesandsoul.com in 2015. \u201cWe tried to get Elvis to join but he wanted to be a jeep driver. So me and Gary Crosby, we started it and called ourselves the Jazz Blues Symphony Band.\u201d<\/p>\n<p>By the mid-1960s, the Beatles had inspired him to incorporate more rhythm &#8216;n blues into his singing and he had found a new home for his recordings after meeting Gamble at a Philadelphia music shop. His early albums with Gamble and Huff, including \u201cEbony Woman\u201d and \u201cGoing East,\u201d sold modestly, before \u201cMe and Mrs. Jones\u201d briefly made him a superstar.<\/p>\n<p>Paul faced numerous obstacles following his biggest hit. Radio stations resisted his more socially conscious follow-up song, \u201cAm I Black Enough for You\u201d and the Rev. Jesse Jackson was among those who objected to the explicit \u201cLet&#8217;s Make a Baby.\u201d<\/p>\n<p>Years later, Paul sued Gamble and Huff and other industry officials over unpaid royalties and was awarded $500,000 by a Los Angeles jury in 2003.<\/p>\n<p>Paul is survived by his wife, Blanche Williams, with whom he had two children. Although he endured many difficult moments with Gamble and Huff, he would look back on those years as a lost golden age.<\/p>\n<p>\u201cIt was like a family full of music,\u201d he told bluesandsoul.com. \u201cIt was like music round the clock, you know. And I reminisce and I still wish those days were here.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[youtube https:\/\/www.youtube.com\/watch?v=n2v98PGBZH4] NEW YORK\u2014Billy Paul, a jazz and soul singer best known for the No. 1 hit ballad and \u201cPhiladelphia &hellip;<\/p>\n","protected":false},"author":33,"featured_media":74864,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[10432,5393,10433,9815,557],"class_list":["post-74863","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","tag-billy-paul","tag-jazz","tag-me-and-mrs-jones","tag-obituary","tag-singer","mauthors-hillel-italie","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/74863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=74863"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/74863\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/74864"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=74863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=74863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=74863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}