{"id":73199,"date":"2016-03-29T22:34:53","date_gmt":"2016-03-30T02:34:53","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=73199"},"modified":"2016-03-29T22:34:53","modified_gmt":"2016-03-30T02:34:53","slug":"smithsonian-include-2-cosby-items-new-history-museum","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2016\/03\/29\/smithsonian-include-2-cosby-items-new-history-museum\/","title":{"rendered":"Smithsonian to include 2 Cosby items in new history museum"},"content":{"rendered":"<figure id=\"attachment_73200\" aria-describedby=\"caption-attachment-73200\" style=\"width: 604px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/03\/463307_10150698675024574_584271789_o.jpg\" rel=\"attachment wp-att-73200\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-73200\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/03\/463307_10150698675024574_584271789_o-1024x683.jpg\" alt=\"The Smithsonian (Facebook photo)\" width=\"604\" height=\"403\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/03\/463307_10150698675024574_584271789_o-1024x683.jpg 1024w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/03\/463307_10150698675024574_584271789_o-300x200.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/03\/463307_10150698675024574_584271789_o-768x512.jpg 768w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/03\/463307_10150698675024574_584271789_o.jpg 2048w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/a><figcaption id=\"caption-attachment-73200\" class=\"wp-caption-text\">The Smithsonian (<a href=\"https:\/\/www.facebook.com\/Smithsonian\" target=\"_blank\">Facebook photo<\/a>)<\/figcaption><\/figure>\n<p>WASHINGTON \u2013 The Smithsonian and Bill Cosby can&#8217;t seem to escape one another.<\/p>\n<p>After facing criticism for an exhibit of works from Cosby\u2019s personal art collection, the Smithsonian plans to include two items related to Cosby at its new African-American history museum on the National Mall. There are no current plans to acknowledge the sexual-assault allegations against the comedian in the text accompanying the items, a Smithsonian spokeswoman said.<\/p>\n<p>The Cosby items \u2013 a comic book from his pioneering TV show \u201cI Spy\u201d and the cover of his 1964 comedy album \u201cI Started Out as a Child\u201d \u2013 will be included in the exhibit on theatre, television, film and entertainment at the National Museum of African American History and Culture, which opens on Sept. 24.<\/p>\n<p>The two items will be part of a collection of 3,000 objects scattered over 11 separate exhibits. They will address Cosby&#8217;s place in television history as the first African-American star of a network drama and the success of his comedy albums, which won six consecutive Grammy Awards.<\/p>\n<p>\u201cThis is not a Bill Cosby exhibition,\u201d the museum said in a statement issued on Monday, after The New York Times first reported the inclusion of the Cosby items.<\/p>\n<p>Dozens of women have accused Cosby, 78, of sexual abuse. Cosby has been charged with drugging and sexually assaulting a former Temple University worker at his suburban Philadelphia home in 2004, a case that is on hold amid an appeal. He also faces several civil lawsuits.<\/p>\n<p>Attorneys for Cosby\u2019s accusers said the Smithsonian should acknowledge the allegations.<\/p>\n<p>\u201cHow appalling. The Smithsonian founded \u2018for the increase and diffusion of knowledge,\u2019 and yet its silence on the dozens of rape allegations against Bill Cosby only perpetuates ignorance,\u201d attorney Lisa Bloom wrote in an email Tuesday. Bloom represents model and television personality Janice Dickinson, who has accused Cosby of drugging and raping her in 1982 and won a key ruling Tuesday in a defamation case against Cosby.<\/p>\n<p>In January, another Smithsonian Institution museum, the National Museum of African Art, closed the doors on an exhibit that displayed dozens of pieces from the private art collection of Bill Cosby and his wife, Camille, alongside works from the museum\u2019s permanent collection. The exhibit was funded almost exclusively by the Cosbys in the form of a $716,000 gift, which Smithsonian officials did not disclose until they were specifically asked about it by The Associated Press.<\/p>\n<p>The museum\u2019s director, who is close to the Cosbys, said she did not know about the allegations against Bill Cosby when she decided to move forward with the earlier show. The museum ultimately posted a disclaimer saying it did not condone Cosby\u2019s alleged conduct. But critics and museum experts said the museum compromised its ethics by displaying art on loan from a sole, living collector, regardless of Cosby&#8217;s personal behaviour.<\/p>\n<p>By contrast, the items on display at the new history museum are \u201cmass-produced items\u201d that the museum purchased on eBay, and the Cosbys have no financial relationships with the new museum, said Linda St. Thomas, a Smithsonian spokeswoman. The decision to display them was made by Katy Kendrick, the curator of the entertainment exhibit, and \u201cthere were no high-level discussions\u201d among the Smithsonian\u2019s leadership about the decision, St. Thomas said.<\/p>\n<p>\u201cIt would be impossible to tell the story of African American contributions to American popular culture without mentioning him in some way,\u201d Kendrick said in a statement.<\/p>\n<p>The labels accompanying the items will include \u201csimple facts\u201d to place them in historical context rather than addressing the more recent allegations against Cosby, St. Thomas said. However, she said the text could be revised before the museum opens.<\/p>\n<p>\u201cThe labels are a work in progress,\u201d she said.<\/p>\n<p>___<\/p>\n<p>AP Entertainment Writer Anthony McCartney in Los Angeles contributed to this report.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>WASHINGTON \u2013 The Smithsonian and Bill Cosby can&#8217;t seem to escape one another. After facing criticism for an exhibit of &hellip;<\/p>\n","protected":false},"author":33,"featured_media":73200,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[1080],"class_list":["post-73199","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art-and-culture","tag-ap","mauthors-ben-nuckols","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/73199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=73199"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/73199\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/73200"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=73199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=73199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=73199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}