{"id":72610,"date":"2016-03-17T07:59:27","date_gmt":"2016-03-17T11:59:27","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=72610"},"modified":"2016-03-17T07:59:27","modified_gmt":"2016-03-17T11:59:27","slug":"detroit-museums-exhibit-explores-dance-american-culture","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2016\/03\/17\/detroit-museums-exhibit-explores-dance-american-culture\/","title":{"rendered":"Detroit museum\u2019s exhibit explores dance in American culture"},"content":{"rendered":"
\"Check<\/a>
Check out this sneak peek of the “Dance! American Art 1830-1960”! Members Preview Days are Friday and Saturday, and the exhibition opens to the public on Sunday. #jointhedance (Photo from DIA’s official Facebook page<\/a>)<\/figcaption><\/figure>\n

DETROIT \u2013 A new exhibit organized by the Detroit Institute of Arts presents more than 90 paintings, sculptures, photographs and costumes to celebrate and explain the importance of dance in American culture.<\/p>\n

\u201cDance! American Art 1830-1960\u201d opens Sunday at the Detroit museum and runs until June 12. After its Detroit run it\u2019s scheduled to travel to the Denver Art Museum in July and to the Crystal Bridges Museum of American Art in Bentonville, Arkansas in October.<\/p>\n

\u201cDance has such a rich history and has touched all segments of American society,\u201d the Detroit museum\u2019s Director Salvador Salort-Pons said in a statement. \u201cThis exhibition is not only about the representation of the art of dance, it explores how artists were inspired by how Americans move, how they interacted with each other and experienced the rhythm of music.\u201d<\/p>\n

The artworks help visitors explore sacred dances of indigenous North Americans, the history of African-American dancing and other kinds of dancing. Paintings from the turn of the 20th century and works by Harlem Renaissance artists are featured.<\/p>\n

Among the works featured are: \u201cThe Jolly Flatboatmen\u201d by George Caleb Bingham; John Singer Sargent\u2019s \u201cLa Carmencita;\u201d Winslow Homer\u2019s \u201cSummer Night;\u201d Andy Warhol\u2019s \u201cSilver Clouds;\u201d Mary Cassatt\u2019s \u201cBacchante;\u201d and nine watercolours by Diego Rivera.<\/p>\n

The exhibit features places people dance, such as nightclubs and parties, and dances such as the jitterbug, swing and Charleston from distinct eras. Videos include historic footage and contemporary dancers discussing and demonstrating kinds of dance including ballet and tap.<\/p>\n

\u201cIt was important for me to have the voice and expertise of dancers within the exhibition itself,\u201d said Jane Dini, associate curator of American Painting and Sculpture at the Metropolitan Museum of Art in New York and curator of the exhibition. \u201cThey help illustrate how dance as an artistic form had an enormous impact on the fine arts, especially painting and sculpture.\u201d<\/p>\n

In Detroit, live performances, movies, dance demonstrations and talks are planned as part of the exhibit. A preview dance party is planned. And \u201cDancing in the DIA,\u201d a creative movement class, is scheduled to take place in the museum\u2019s Great Hall.<\/p>\n

___<\/p>\n

Online:<\/p>\n

http:\/\/www.dia.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

DETROIT \u2013 A new exhibit organized by the Detroit Institute of Arts presents more than 90 paintings, sculptures, photographs and …<\/p>\n","protected":false},"author":33,"featured_media":72612,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[1080],"class_list":["post-72610","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art-and-culture","tag-ap","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/72610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=72610"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/72610\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/72612"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=72610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=72610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=72610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}