{"id":71624,"date":"2016-02-29T02:52:58","date_gmt":"2016-02-29T07:52:58","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=71624"},"modified":"2016-02-29T02:52:58","modified_gmt":"2016-02-29T07:52:58","slug":"hungarian-drama-son-of-saul-wins-best-foreign-film","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2016\/02\/29\/hungarian-drama-son-of-saul-wins-best-foreign-film\/","title":{"rendered":"Hungarian drama &#8216;Son of Saul&#8217; wins best foreign film"},"content":{"rendered":"<figure id=\"attachment_71625\" aria-describedby=\"caption-attachment-71625\" style=\"width: 1989px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/02\/Laszlo-Nemes-Oscar-Son-of-Saul-Best-Foreign-Film-Hungary.jpg\" rel=\"attachment wp-att-71625\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-71625\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/02\/Laszlo-Nemes-Oscar-Son-of-Saul-Best-Foreign-Film-Hungary.jpg\" alt=\"Laszlo Nemes, director of Son of Saul, receives the award for Best Foreign Language Film at the 88th Annual Academy Awards. (Photo courtesy of The Oscar)\" width=\"1989\" height=\"2989\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/02\/Laszlo-Nemes-Oscar-Son-of-Saul-Best-Foreign-Film-Hungary.jpg 1989w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/02\/Laszlo-Nemes-Oscar-Son-of-Saul-Best-Foreign-Film-Hungary-200x300.jpg 200w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/02\/Laszlo-Nemes-Oscar-Son-of-Saul-Best-Foreign-Film-Hungary-768x1154.jpg 768w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2016\/02\/Laszlo-Nemes-Oscar-Son-of-Saul-Best-Foreign-Film-Hungary-681x1024.jpg 681w\" sizes=\"auto, (max-width: 1989px) 100vw, 1989px\" \/><\/a><figcaption id=\"caption-attachment-71625\" class=\"wp-caption-text\">Laszlo Nemes, director of Son of Saul, receives the award for Best Foreign Language Film at the 88th Annual Academy Awards. (Photo courtesy of <a href=\"http:\/\/oscar.go.com\/\" target=\"_blank\">The Oscar<\/a>)<\/figcaption><\/figure>\n<p>LOS ANGELES\u2014\u201cSon of Saul,\u201d the harrowing drama about a Sonderkommando at the Auschwitz-Birkenau concentration camp, won the best foreign language film award at the Oscars Sunday night.<\/p>\n<p>The Hungarian film from first-time director Laszlo Nemes was largely expected to win the prize and has been sweeping many of the awards from the Golden Globes to the Independent Spirit Awards.<\/p>\n<p>\u201cEven in the darkest hours of mankind there&#8217;s the voice within us that allows us to remain human,\u201d said Nemes after accepting the award.<\/p>\n<p>Nemes also thanked his lead actor G\u00e9za R\u00f6hrig, who was in nearly every frame of the film as a Jewish concentration camp worker on one day in the camp where he becomes obsessed with giving a fallen child who he believes to be his son a proper burial.<\/p>\n<p>\u201cSon of Saul&#8217;s\u201d strongest competition was from France&#8217;s \u201cMustang,\u201d a Turkish-language film about the life of five young sisters living under sexist conditions in Turkey, also from a first-time director and the only female director nominated for a narrative film, Deniz Gamze Erguven.<\/p>\n<p>Also nominated were Colombia&#8217;s \u201cEmbrace of the Serpent,\u201d Jordan&#8217;s \u201cTheeb,\u201d and Denmark&#8217;s \u201cA War.\u201d<\/p>\n<p>This is the second win in this category for Hungary\u2014the country won once before in 1981 for \u201cMephisto.\u201d<\/p>\n<p>Last year&#8217;s winner was the black and white Polish drama \u201cIda,\u201d about a woman in 1962 trying to decide whether or not to become a nun.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>LOS ANGELES\u2014\u201cSon of Saul,\u201d the harrowing drama about a Sonderkommando at the Auschwitz-Birkenau concentration camp, won the best foreign language &hellip;<\/p>\n","protected":false},"author":33,"featured_media":71625,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[35],"class_list":["post-71624","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","tag-original","mauthors-lindsey-bahr","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/71624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=71624"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/71624\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/71625"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=71624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=71624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=71624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}