{"id":70373,"date":"2016-02-11T00:41:34","date_gmt":"2016-02-11T05:41:34","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=70373"},"modified":"2016-02-11T00:41:34","modified_gmt":"2016-02-11T05:41:34","slug":"dylans-basement-tapes-give-canadian-restoration-duo-grammy-attention","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2016\/02\/11\/dylans-basement-tapes-give-canadian-restoration-duo-grammy-attention\/","title":{"rendered":"Dylan\u2019s \u2018Basement Tapes\u2019 give Canadian restoration duo Grammy attention"},"content":{"rendered":"
\"Cover<\/a>
Cover art of the album The Basement Tapes by Bob Dylan and The Band (Photo from Amazon.com<\/a>)<\/figcaption><\/figure>\n

TORONTO \u2013 Years of sifting through dusty attic boxes and reels of fuzzy audio recordings has given two Canadian music archivists a shot at Grammy glory.<\/p>\n

Producer Jan Haust and engineer Peter Moore are nominated in the best historical album category this year for bringing Bob Dylan\u2019s \u201cThe Basement Tapes\u201d to life.<\/p>\n

It\u2019s one of several projects on which the Toronto-based duo has worked, meticulously restoring tapes that were seemingly lost to time.<\/p>\n

\u201cWe reach into that netherworld of records that have been recorded but neither erased nor released,\u201d says Haust, a native of London, Ont.<\/p>\n

\u201cI like to think we pull them through time and give them liberty.\u201d<\/p>\n

Those efforts come with a heaping dose of patience, as for every gem recording there are countless fruitless searches.<\/p>\n

On other projects, Haust and Moore have spent endless hours cold calling strangers in hopes they\u2019ll locate something \u2013 anything \u2013 tied to one of their historical music endeavours.<\/p>\n

Moore compares his work to an archeologist, except that instead of dusting away at dinosaur bones he\u2019s flattening out crusty old audio tapes unearthed from a mouldy storage room.<\/p>\n

\u201cYou take a good educated guess and start digging down,\u201d says Moore, who grew up in Hamilton.<\/p>\n

In the case of the \u201cBasement Tapes,\u201d the search was a little easier in some respects.<\/p>\n

The fabled recordings \u201csort of appeared in a locker\u201d when the Band\u2019s Garth Hudson was going through items in storage,\u201d says Haust.<\/p>\n

After hearing about the discovery, Haust encouraged him to send the tapes to Canada for restoration, and sidelined bigger plans for a Levon and the Hawks boxed set to devote more time to Dylan\u2019s recordings.<\/p>\n

The complete tapes, which Dylan made with Toronto\u2019s the Band in 1967, were already popular bootlegs with music aficionados interested in filling their shelves with the demos of famous rock performers.<\/p>\n

But the audio quality varied and the collection was never fully complete.<\/p>\n

Haust and Moore say it was important to make a definitive source of Dylan and the Band\u2019s work in a period that marked the germination of Woodstock and the transition into psychedelia.<\/p>\n

So came the release of \u201cThe Bootleg Series Vol. 11: The Basement Tapes Complete,\u201d an extensive six-disc collection that features 138 takes of 115 songs recorded with the Band in a basement near Woodstock, N.Y., as Dylan was recovering from a motorcycle accident.<\/p>\n

Included in the package is a 120-page hardcover book with photographs and memorabilia of the time.<\/p>\n

The compilation garnered rave reviews from critics and gave Haust and Moore a newfound level of global attention \u2013 which included the Grammy nomination.<\/p>\n

With the wrap of the \u201cBasement Tapes,\u201d the duo is turning their attention back to the Hawks project with plans for a release later this year. Their spirits have been buoyed by recognition from their industry peers.<\/p>\n

\u201cEven the nomination, at least for me, is a nod,\u201d says Haust.<\/p>\n

\u201cAll those years spent in basements and storage lockers \u2013 hours and hours \u2013 there\u2019s a little acknowledgment there.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

TORONTO \u2013 Years of sifting through dusty attic boxes and reels of fuzzy audio recordings has given two Canadian music …<\/p>\n","protected":false},"author":33,"featured_media":70378,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1482,2,106],"tags":[9636],"class_list":["post-70373","post","type-post","status-publish","format-standard","has-post-thumbnail","category-breaking","category-entertainment","category-hollywood","tag-cp","mauthors-david-friend","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/70373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=70373"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/70373\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/70378"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=70373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=70373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=70373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}