{"id":63003,"date":"2015-10-19T00:10:47","date_gmt":"2015-10-19T05:10:47","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=63003"},"modified":"2015-10-19T00:12:15","modified_gmt":"2015-10-19T05:12:15","slug":"canadian-irish-film-room-has-oscar-buzz-but-trying-to-shake","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2015\/10\/19\/canadian-irish-film-room-has-oscar-buzz-but-trying-to-shake\/","title":{"rendered":"Canadian Irish film &#8216;Room&#8217; has Oscar buzz but trying to shake"},"content":{"rendered":"<p><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/10\/room-movie.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-63004\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/10\/room-movie.jpeg\" alt=\"room movie\" width=\"720\" height=\"1080\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/10\/room-movie.jpeg 720w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/10\/room-movie-200x300.jpeg 200w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/10\/room-movie-683x1024.jpeg 683w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/p>\n<p>TORONTO &#8212; As the Canadian-Irish film &#8220;Room&#8221; gets set to hit theatres surrounded by critical acclaim and Oscar buzz, the distributors admit the subject matter &#8220;is a tricky one.&#8221;<\/p>\n<p>Tricky because while the drama is based on the chilling premise of a mother and her young son held captive for years in a shed, it&#8217;s actually a life-affirming, inspiring film.<\/p>\n<p>It&#8217;s not &#8220;harrowing,&#8221; as many articles and reviews have described it, says Elevation Pictures, the film&#8217;s Canadian distributor.<\/p>\n<p>&#8220;I&#8217;m actually trying to get away from that word, because I don&#8217;t think it is,&#8221; says co-president Laurie May.<\/p>\n<p>&#8220;The story in &#8216;Room&#8217; is really about, to me, a mother&#8217;s love for her child and making the most of a bad circumstance; and once they get out of that space, really seeing the world through young, fresh eyes and appreciating all of the beauty in the world.&#8221;<\/p>\n<p>That&#8217;s the message Elevation has been trying to convey through &#8220;Room&#8221;&#8216;s marketing campaign since it premiered at the Telluride Film Festival and then went on to the Toronto International Film Festival, where it won the Grolsch People&#8217;s Choice Award.<\/p>\n<p>It opens in Toronto on Friday, in Vancouver on Oct. 30 and across Canada on Nov. 6.<\/p>\n<p>On the poster, stars Brie Larson and Jacob Tremblay are embracing and lovingly looking at each other as Ma and five-year-old son Jack in the great outdoors.<\/p>\n<p>The only hint of their captivity is seen at the top, where the sky is framed to look like corners of a room.<\/p>\n<p>Elevation recently released a new poster with the same image accompanied by laudatory quotes from critics, in an effort to &#8220;show people that this journey is something that they want to go on,&#8221; says Adrian Love, senior vice president of marketing and acquisitions at Elevation.<\/p>\n<p>&#8220;The journey of this movie is these two characters supporting each other through these incredibly challenging situations and that&#8217;s where we, in the marketing of the movie, try and focus.&#8221;<\/p>\n<p>Ireland&#8217;s Lenny Abrahamson directed the film, which is based on the bestselling novel by Canadian author Emma Donoghue, who also wrote the screenplay.<\/p>\n<p>May says a few fans of the book told her they weren&#8217;t sure if they could handle seeing the story on the big screen.<\/p>\n<p>It&#8217;s that fear that Elevation is trying to allay with a marketing campaign that assures &#8220;it&#8217;s not an hour and a half inside a room watching negative experiences,&#8221; says May.<\/p>\n<p>&#8220;Most of the movie is about their experience once they&#8217;re out,&#8221; she adds, noting: &#8220;It&#8217;s not a horror film, it&#8217;s an inspiring drama.&#8221;<\/p>\n<p>While there may be a few scenes that are tough to watch, May says &#8220;the films that resonate with audiences are the films that go to some places and really make us explore who we are and what love can take people through.&#8221;<\/p>\n<p>Those films include Oscar winners &#8220;Precious&#8221; and &#8220;12 Years a Slave.&#8221;<\/p>\n<p>&#8220;It drives me crazy, people will go watch a horror film that&#8217;s so, just nasty, and there&#8217;s no redemption or anything you get out of it, they just want to be grossed out,&#8221; says May.<\/p>\n<p>&#8220;But then, &#8216;Oh, no, I can&#8217;t see a movie about &#8217;12 Years a Slave.&#8217; No, you should see that movie! &#8230; These are important, powerful movies.&#8221;<\/p>\n<p>Elevation says word of mouth also has a &#8220;massive&#8221; impact, which is why the TIFF People&#8217;s Choice Award was so important for &#8220;Room.&#8221;<\/p>\n<p>&#8220;We knew that the movie would appeal to so many people but we also knew that the synopsis was a hard thing to explain to people without people imagining a much darker movie than it is,&#8221; says Love.<\/p>\n<p>&#8220;So winning the People&#8217;s Choice Award really opens up the conversation where we can point to a very sophisticated film audience and say, &#8216;They watched this movie and it&#8217;s an enjoyable, uplifting, emotional ride.&#8221;&#8216;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TORONTO &#8212; As the Canadian-Irish film &#8220;Room&#8221; gets set to hit theatres surrounded by critical acclaim and Oscar buzz, the &hellip;<\/p>\n","protected":false},"author":44,"featured_media":63004,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1482,2],"tags":[],"class_list":["post-63003","post","type-post","status-publish","format-standard","has-post-thumbnail","category-breaking","category-entertainment","mauthors-victoria-ahearn","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/63003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=63003"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/63003\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/63004"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=63003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=63003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=63003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}