{"id":59555,"date":"2015-08-21T14:50:23","date_gmt":"2015-08-21T06:50:23","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=59555"},"modified":"2025-01-12T08:37:59","modified_gmt":"2025-01-12T13:37:59","slug":"combined-filipino-and-korean-artists-in-opera-tosca-at-ccp-on-oct-2-3","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2015\/08\/21\/combined-filipino-and-korean-artists-in-opera-tosca-at-ccp-on-oct-2-3\/","title":{"rendered":"Combined Filipino and Korean artists in opera \u2018Tosca\u2019 at CCP on Oct. 2-3"},"content":{"rendered":"
\"Korean<\/a>
Korean soprano Han Hye-jin Han performing Vissi d’arte in ‘Tosca’ (Screengrab from KBS1)<\/figcaption><\/figure>\n

MANILA \u2013 A powerhouse combination of Filipino and Korean artists will essay the famous Italian opera \u201cTosca\u201d by Giacomo Puccini scheduled at the Cultural Center of the Philippines\u2019 (CCP) Main Theater on Oct. 2-3 at 8 p.m.<\/p>\n

Playing the title role of Florina Tosca is Korean soprano Han Hye-jin Han, with tenor Kim Ji-ho as Mario Cavaradossi and baritone Daesan No as Baron Scarpia.<\/p>\n

Portraying the supporting roles are tenor Lemuel de la Cruz as Spoletta, Noel Azcona as the Sacristan, and Park Byeong-in as Angelotti.<\/p>\n

The Philippine Philharmonic Orchestra will be under the baton of Maestro Lee Jae-joon, with the UST Coro Tomasino under the direction of Ronan Ferrer and Hail Mary the Queen Children\u2019s Choir under the direction of Maria Teresa Roldan providing choral support with stage direction by Floy Quintos.<\/p>\n

Soprano Han Hye-jin graduated with highest honors at the G. Verdi Conservatory in Milan. A first prize winner at the Marsala, Bel Canto, and Como International Vocal Competitions, she had portrayed the leading and title roles of the operas \u201cLa Traviata,\u201d \u201cMadame Butterfly,\u201d \u201cAida,\u201d \u201cCosi fan tutte,\u201d Tosca,\u201d \u201cDon Giovanni,\u201d and \u201cL\u2019elisir d\u2019amore.\u201d<\/p>\n

She was a featured soloist of the KBS Symphony, Ukraine Philharmonic, Bacau Philharmonic, Korean Symphony, Incheon Symphony, and other major orchestras in Korea. She is currently a faculty member at Sang Myung University.<\/p>\n

Tenor Kim Ji-ho graduated from Kyung Sung University in Korea, National College of Music in Koln, Germany, and Magnita Gorsk in Russia.<\/p>\n

He had portrayed the leading roles in the operas \u201cI Pagliacci,\u201d \u201cAida,\u201d \u201cMadame Butterfly,\u201d \u201cTurandot,\u201d \u201cCavalleria Rusticana,\u201d \u201cLa Traviata,\u201d \u201cUn Ballo in Maschera,\u201d \u201cCarmen,\u201d and \u201cNabucco.\u201d<\/p>\n

Kim Ji-ho was a soloist for Handel\u2019s \u201cMessiah\u201d and Mozart\u2019s \u201cCoronation Mass\u201d and had appeared in various performances in Japan, Russia, Cuba, and China.<\/p>\n

Baritone Daesan No graduated from Han Yang University in Seoul, Peabody Institute in Maryland, and the Academy of Vocal Arts in Philadelphia.<\/p>\n

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<\/p>\n

Daesan was a first prize winner in the Marilyn Horne Vocal Competition, Mario Lanza International Vocal Competition, Licia Albanese-Puccini Foundation Competition, Liederkranz Foundation International Vocal Competition, James Parkinson Italian Opera Competition, Jeunesses Musicales International Competition in Canada, recipient of the Placido Domingo Fellowship at the Academy of Vocal Arts, and the coveted Lieder Prize of the 1999 Cardiff Singer of the World.<\/p>\n

His numerous leading roles include those from \u201cFalstaff,\u201d \u201cRigoletto,\u201d \u201cDon Giovanni,\u201d \u201cDie Zauberflote,\u201d \u201cLucia di Lammermoor,\u201d \u201cMadame Butterfly,\u201d \u201cCarmen,\u201d and \u201cTosca.\u201d He had played the title role of \u201cRigoletto\u201d during the 2014 opera presentation at the CCP Main Theater.<\/p>\n

The opera production is an annual project of the Cultural Center of the Philippines that started several years ago.<\/p>\n

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<\/p>\n

Past productions and co-productions with the Filipinas Opera Society Foundation Inc., Rustan\u2019s Group of Companies, and the Philippine Italian Association have included Rossini\u2019s \u201cBarber of Seville\u201d (2012), Verdi\u2019s \u201cLa Traviata\u201d (2013), and Verdi\u2019s \u201cRigoletto\u201d (2014).<\/p>\n

Other co-productions at the CCP were with the UST Conservatory of Music \u2013 Tchaikovsky\u2019s \u201cEugene Onegin\u201d (2007), Strauss\u2019 \u201cDie Fledermaus\u201d (2009), and with the MusicArtes \u2013 Puccini\u2019s \u201cLa Boheme\u201d (2011).<\/p>\n

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<\/p>\n

For tickets, contact the CCP Box Office at 832-3704.<\/p>\n","protected":false},"excerpt":{"rendered":"

MANILA \u2013 A powerhouse combination of Filipino and Korean artists will essay the famous Italian opera \u201cTosca\u201d by Giacomo Puccini …<\/p>\n","protected":false},"author":33,"featured_media":59556,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,46],"tags":[35],"class_list":["post-59555","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-entertainment-ph","tag-original","mauthors-lily-o-ramos","mauthors-philippines-news-agency"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/59555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=59555"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/59555\/revisions"}],"predecessor-version":[{"id":282795,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/59555\/revisions\/282795"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/59556"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=59555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=59555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=59555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}