{"id":53827,"date":"2015-06-30T16:44:51","date_gmt":"2015-06-30T08:44:51","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=53827"},"modified":"2015-06-30T16:44:51","modified_gmt":"2015-06-30T08:44:51","slug":"filipina-guitar-trio-triple-fret-wins-at-the-27th-japan-guitar-ensemble-festival","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2015\/06\/30\/filipina-guitar-trio-triple-fret-wins-at-the-27th-japan-guitar-ensemble-festival\/","title":{"rendered":"Filipina guitar trio \u201cTriple Fret\u201d wins at the 27th Japan Guitar Ensemble Festival"},"content":{"rendered":"<figure id=\"attachment_53828\" aria-describedby=\"caption-attachment-53828\" style=\"width: 960px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/06\/triple-fret.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-53828\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/06\/triple-fret.jpg\" alt=\"Triple Fret\u201d members Jenny de Vera, Iqui Vinculado and Marga Abejo at the Philippine Independence Day reception at the Imperial Hotel Tokyo on 12 June 2015\" width=\"960\" height=\"618\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/06\/triple-fret.jpg 960w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/06\/triple-fret-300x193.jpg 300w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><figcaption id=\"caption-attachment-53828\" class=\"wp-caption-text\">Triple Fret\u201d members Jenny de Vera, Iqui Vinculado and Marga Abejo at the Philippine Independence Day reception at the Imperial Hotel Tokyo on 12 June 2015<\/figcaption><\/figure>\n<p>The \u201cTriple Fret\u201d, an all-female classical-contemporary guitar trio from the Philippines composed of Jenny de Vera, Iqui Vinculado and Marga Abejo, won first prize at the 27th Japan Guitar Ensemble Festival held on 28 June 2015 at the Kyurian Hall in Shinagawa, Tokyo. In addition to winning the top prize, the trio also won the Japan Guitar Association Award, the Kohno Guitar Award and the Harumi Award for Best Performance of an Original Contemporary Composition for Guitar Ensemble.<\/p>\n<p>The \u201cTriple Fret\u201d was formed in 2011 by its members who were products of the University of the Philippines College of Music and the University of Santo Tomas Conservatory of Music. The only all-female guitar trio of its kind in the country, the \u201cTriple Fret\u201d stands out with its extensive repertoire of Spanish guitar pieces, tangos, jazz standards, Filipino traditional music, and classical pieces, all infused with a style uniquely their own.<\/p>\n<p>The \u201cTriple Fret\u201d has performed in various countries in Asia and Europe. Philippine Ambassador to Japan Manuel M. Lopez invited the trio to perform during the Philippine Independence Day reception held on 12 June 2015 at the Imperial Hotel Tokyo, where they delighted guests with their renditions of \u201cAsturias\u201d, \u201cHamabe no Uta\u201d and \u201cPandangguhan\u201d.<\/p>\n<p><em>Originally posted on the official website of the<a href=\"http:\/\/tokyo.philembassy.net\/02events\/filipina-guitar-trio-triple-fret-wins-top-prize-in-the-27th-japan-guitar-ensemble-festival\/\"> Philippine Embassy in Tokyo, Japan<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The \u201cTriple Fret\u201d, an all-female classical-contemporary guitar trio from the Philippines composed of Jenny de Vera, Iqui Vinculado and Marga &hellip;<\/p>\n","protected":false},"author":44,"featured_media":53828,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-53827","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","mauthors-embassy-of-the-republic-of-the-philippines-in-tokyo"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/53827","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=53827"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/53827\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/53828"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=53827"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=53827"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=53827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}