{"id":53639,"date":"2015-06-30T13:06:55","date_gmt":"2015-06-30T05:06:55","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=53639"},"modified":"2015-06-30T13:06:55","modified_gmt":"2015-06-30T05:06:55","slug":"gary-oldman-pierce-brosnan-sons-make-runway-modeling-debuts-for-saint-laurent","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2015\/06\/30\/gary-oldman-pierce-brosnan-sons-make-runway-modeling-debuts-for-saint-laurent\/","title":{"rendered":"Gary Oldman, Pierce Brosnan sons make runway modeling debuts for Saint Laurent"},"content":{"rendered":"<figure id=\"attachment_53724\" aria-describedby=\"caption-attachment-53724\" style=\"width: 640px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/06\/dylan-brosnan.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-53724\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/06\/dylan-brosnan.jpg\" alt=\"Dylan Brosnan for Yves Saint Laurent (Photo by Hedi Slimane \/ Pierce Brosnan Facebook page)\" width=\"640\" height=\"640\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/06\/dylan-brosnan.jpg 640w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/06\/dylan-brosnan-150x150.jpg 150w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/06\/dylan-brosnan-300x300.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><figcaption id=\"caption-attachment-53724\" class=\"wp-caption-text\">Dylan Brosnan for Yves Saint Laurent (Photo by Hedi Slimane \/ Pierce Brosnan Facebook page)<\/figcaption><\/figure>\n<p>PARIS &#8212; Pierce Brosnan and Gary Oldman attended the Saint Laurent Paris show &#8212; not as celebrity actors but as proud and genuinely nervous parents.<\/p>\n<p>Their sons, Dylan Brosnan and Charlie Oldman made their runway modeling debuts in the show after being discovered by designer Hedi Slimane.<\/p>\n<p>Here are the highlights of the last day of Paris Menswear Week, including Saint Laurent, Lanvin, Paul Smith and Agnes B.<\/p>\n<p><strong>PROUD PARENTS<\/strong><br \/>\nOldman said he was jittery for his 16-year-old son Charlie before his modeling debut in Paris &#8212; after he was discovered at a music concert wearing an YSL jacket by the fashion house.<\/p>\n<p>&#8220;I&#8217;m a little nervous for Charlie. The Yves Saint Laurent house is such a tradition&#8230; It&#8217;s great that he, in a small way, can be part of it,&#8221; he told The Associated Press.<\/p>\n<p>Meanwhile, former James Bond actor Brosnan was predictably cooler.<\/p>\n<p>&#8220;It is a proud moment. We&#8217;re here to see our son on the runway. To support him,&#8221; he said.<\/p>\n<p>&#8220;He&#8217;s not modeled before, and Hedi (Slimane) just discovered him at a juice bar coffee shop in Malibu,&#8221; he added, laughing.<\/p>\n<p><strong>SAINT LAURENT HEADS TO WOODSTOCK<\/strong><br \/>\nSlimane headed directly into counter-culture (and perhaps counter-fashion) for his glitzily shabby fash ode to the late Sixties hippy on Sunday.<\/p>\n<p>Torn denim jeans, knitted bobble hats, unkempt hair, boys that look like girls, (and vice versa), lumberjack shirts, army surplus coats, Peruvian ponchos and tie-dye tops were all thrown into the creative mix by the irreverent designer who seemed to channel the styles of the 1969 iconic Woodstock music festival.<\/p>\n<p>It was intentionally provocative &#8212; given the clothes&#8217; exorbitant price-tag.<\/p>\n<p>The collection, which was also one of Saint Laurent&#8217;s most decorative, mixed high and low.<\/p>\n<p>Among all the shabby hippy wardrobe sprung out some real gems &#8212; like a fabulous patchwork leopard print tuxedo, or a richly embroidered jacket that was made from every colour of the rainbow.<\/p>\n<p>Whether the fashion media were being duped or not, it was great fun to watch.<\/p>\n<p><strong>BROSNAN TALKS OF BEING MOBBED IN IRELAND<\/strong><br \/>\nBrosnan, 62, was pictured being mobbed by fans on Saturday while in Dublin filming for his latest movie, a revenge film called &#8220;I.T.&#8221;<\/p>\n<p>&#8220;You know, I&#8217;m Irish and it&#8217;s just so wonderful to be back home filming this film,&#8221; he said.<\/p>\n<p>&#8220;It&#8217;s really touching as well that there is clearly this excitement that I&#8217;m back there,&#8221; he added.<\/p>\n<p><strong>LANVIN CONTINUES &#8217;80s-TINGED LOVE AFFAIR<\/strong><br \/>\nNBA star Amar&#8217;e Stoudemire continued his whistle stop tour of Paris Fashion Week, arriving at Lanvin with his wife for the Sunday morning show.<\/p>\n<p>In the collection, co-designers Lucas Ossendrijver and Alber Elbaz continued their recent flirtations with the &#8217;80s, offering up a varied collection &#8212; dominated by neutral colours.<\/p>\n<p>The show&#8217;s opening statement &#8212; an oversize pale grey polo shirt with a model with slicked-back hair &#8212; set the clock firmly back to the era of exaggerated volume and form.<\/p>\n<p>More &#8217;80s references abounded &#8212; like a huge, voluminous blue suit, with big round shoulders, turned up sleeves, and high-waisted pants &#8212; and white patent and punk-looking boots. Elsewhere, a turned-up collar on a stylish pea coat cut a graphic silhouette, especially with the floodlit lighting inside Paris&#8217; storied Left Bank Ecole des Beaux Arts.<\/p>\n<p>In other looks, there were flashes of detail, embellishment and layering &#8212; tassels flapping down from long jerkins, necklaces, hoops on belts, and neck scarves.<\/p>\n<p>The collection packed no great surprises, but was consistently stylish.<\/p>\n<p><strong>AGNES B. MIXES SOBRIETY AND MADNESS<\/strong><br \/>\nIt was an eclectic mix of styles in Agnes B.&#8217;s creative pot Sunday.<\/p>\n<p>A sober start of black-and-white suit and shirt styles was followed by white jeans and a snug-looking denim jumpsuit that the Parisian designer, bien sur, twinned with a Left Bank-standard foulard.<\/p>\n<p>But there was a welcome flash of madness.<\/p>\n<p>Two psychedelic, multi-colored hoodies, burst onto the catwalk midway through, with one nicely evoking the decorative swirls of Austrian artist Gustav Klimt. And the psychedelic was repeated in a pair of flower power shirts.<\/p>\n<p>The colour chapter also produced the show&#8217;s most on-trend moments _ with citrus yellow (one of the main colours of the season) appearing on turned up pants, and a shirt. But the extent of the creative madness ended here.<\/p>\n<p><strong>PAUL SMITH&#8217;S COLORFUL EIGHTIES<br \/>\n<\/strong>Paul Smith is perhaps the menswear designer most closely associated with bold colour.<\/p>\n<p>Sunday&#8217;s show proved why &#8212; with the British designer cleverly riffing off the trend for the 80s by reviving that decade&#8217;s often-overlooked penchant for vivid hues on exaggerated jackets and pants.<\/p>\n<p>The first clue to this mission was an oversize burnt orange jacket with angular shoulders _ that hanged loosely down to the mid-thigh. It was masterfully contrasted with a subtle vermilion in the shirt and high Eighties pants.<\/p>\n<p>The most eye-catching of the colorful looks &#8212; were some on-trend citrus yellow pants &#8212; a hue that flashed back in boots, a shirt and a sweater later in the collection.<\/p>\n<p>There was also a hint of the dazzling era of Glam Rock &#8212; with one bold, shiny grey double breasted jacket and stylish skinny tie.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PARIS &#8212; Pierce Brosnan and Gary Oldman attended the Saint Laurent Paris show &#8212; not as celebrity actors but as &hellip;<\/p>\n","protected":false},"author":44,"featured_media":53724,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-53639","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fashion-and-beauty","mauthors-thomas-adamson","mauthors-the-associated-press1"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/53639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=53639"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/53639\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/53724"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=53639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=53639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=53639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}