{"id":49062,"date":"2015-05-12T17:54:21","date_gmt":"2015-05-12T09:54:21","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=49062"},"modified":"2015-09-20T14:30:06","modified_gmt":"2015-09-20T06:30:06","slug":"picasso-painting-sets-record-for-art-at-auction-179-4m-giacometti-sculpture-sells-for-141m","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2015\/05\/12\/picasso-painting-sets-record-for-art-at-auction-179-4m-giacometti-sculpture-sells-for-141m\/","title":{"rendered":"Picasso painting sets record for art at auction: $179.4M; Giacometti sculpture sells for $141M"},"content":{"rendered":"<figure id=\"attachment_49135\" aria-describedby=\"caption-attachment-49135\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/05\/the-women-of-algiers-picasso.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-49135\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/05\/the-women-of-algiers-picasso.jpg\" alt=\"&quot;Women of Algiers&quot; by Pablo Picasso\" width=\"900\" height=\"700\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/05\/the-women-of-algiers-picasso.jpg 900w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2015\/05\/the-women-of-algiers-picasso-300x233.jpg 300w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-49135\" class=\"wp-caption-text\">&#8220;Women of Algiers&#8221; by Pablo Picasso<\/figcaption><\/figure>\n<p>NEW YORK &#8212; A vibrant, multi-hued painting from Pablo Picasso set a world record for artwork at auction, selling for $179.4 million on Monday, and a sculpture by Alberto Giacometti set a record for most expensive sculpture, at $141.3 million.<\/p>\n<p>Picasso&#8217;s &#8220;Women of Algiers (Version O)&#8221; and Giacometti&#8217;s life-size &#8220;Pointing Man&#8221; were among dozens of masterpieces from the 20th century Christie&#8217;s offered in a curated sale titled &#8220;Looking Forward to the Past.&#8221;<\/p>\n<p>Christie&#8217;s global president, Jussi Pylkkanen, who was the auctioneer, said the two pieces are outstanding works of art.<\/p>\n<p>&#8220;I&#8217;ve never worked with two such beautiful objects,&#8221; he said.<\/p>\n<p>The Picasso price, $179,365,000, and the Giacometti price, $141,285,000, included the auction house&#8217;s premium. The buyers elected to remain anonymous.<\/p>\n<p>Overall, 34 of 35 lots sold for an auction total of $706 million.<\/p>\n<p>Experts say the high sale prices were driven by artworks&#8217; investment value and by wealthy collectors seeking out the very best works.<\/p>\n<p>&#8220;I don&#8217;t really see an end to it, unless interest rates drop sharply, which I don&#8217;t see happening in the near future,&#8221; dealer Richard Feigen said.<\/p>\n<p>Impressionist and modern artworks continue to corner the market because &#8220;they are beautiful, accessible and a proven value,&#8221; added Sarah Lichtman, a professor of design history and curatorial studies at The New School.<\/p>\n<p>&#8220;I think we will continue to see the financiers seeking these works out as they would a blue chip company that pays reliable dividends for years to come,&#8221; she said.<\/p>\n<p>&#8220;Women of Algiers,&#8221; once owned by American collectors Victor and Sally Ganz, was inspired by Picasso&#8217;s fascination with 19th-century French artist Eugene Delacroix. It&#8217;s part of a 15-work series Picasso created in 1954-55 designated with the letters A through O. It has appeared in several major museum retrospectives of the Spanish artist.<\/p>\n<p>The most expensive artwork sold at auction had been Francis Bacon&#8217;s &#8220;Three Studies of Lucian Freud,&#8221; which Christie&#8217;s sold for $142.4 million in 2013.<\/p>\n<p>&#8220;Pointing Man,&#8221; depicting a skinny 5-foot-high bronze figure with extended arms, had been in the same private collection for 45 years. Giacometti made six casts of the work; four are in museums, and the others are in private hands and a foundation collection.<\/p>\n<p>His &#8220;Walking Man I&#8221; had held the auction record for a sculpture: $104.3 million in 2010.<\/p>\n<p>Other highlights at Christie&#8217;s included Peter Doig&#8217;s &#8220;Swamped,&#8221; a 1990 painting of a canoe in a moonlit lagoon, which sold for almost $26 million, a record for the British artist. Claude Monet&#8217;s &#8220;The Houses of Parliament, At Sunset,&#8221; a lush painting of rich blues and magenta created in 1900-01, sold for $40.5 million.<\/p>\n<p>Christie&#8217;s also had a Mark Rothko for sale. &#8220;No. 36 (Black Stripe),&#8221; which had never appeared at auction, also sold for $40.5 million. The 1958 work was sold by German collector Frieder Burda, who exhibited it in his museum in Baden-Baden for several years.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NEW YORK &#8212; A vibrant, multi-hued painting from Pablo Picasso set a world record for artwork at auction, selling for &hellip;<\/p>\n","protected":false},"author":44,"featured_media":49135,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,1482],"tags":[],"class_list":["post-49062","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art-and-culture","category-breaking","mauthors-deepti-hajela","mauthors-ula-ilnytzky","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/49062","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=49062"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/49062\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/49135"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=49062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=49062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=49062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}