{"id":3229,"date":"2014-03-01T18:08:15","date_gmt":"2014-03-02T02:08:15","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=3229"},"modified":"2014-04-05T19:17:14","modified_gmt":"2014-04-05T11:17:14","slug":"12-years-a-slave-rolls-at-29th-annual-spirit-awards-winning-5-awards","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2014\/03\/01\/12-years-a-slave-rolls-at-29th-annual-spirit-awards-winning-5-awards\/","title":{"rendered":"&#8217;12 Years a Slave&#8217; rolls at 29th annual Spirit Awards, winning 5 awards"},"content":{"rendered":"<figure id=\"attachment_3231\" aria-describedby=\"caption-attachment-3231\" style=\"width: 203px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/03\/220px-12_Years_a_Slave_film_poster.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3231\" alt=\"12 Years a Slave theatrical release poster (Wikipedia photo)\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/03\/220px-12_Years_a_Slave_film_poster-203x300.jpg\" width=\"203\" height=\"300\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/03\/220px-12_Years_a_Slave_film_poster-203x300.jpg 203w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/03\/220px-12_Years_a_Slave_film_poster.jpg 220w\" sizes=\"auto, (max-width: 203px) 100vw, 203px\" \/><\/a><figcaption id=\"caption-attachment-3231\" class=\"wp-caption-text\">12 Years a Slave theatrical release poster (Wikipedia photo)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>SANTA MONICA, Calif. &#8211; &#8220;12 Years a Slave&#8221; rolled at the Spirit Awards, winning five awards including best feature at the annual independent film celebration.<\/p>\n<p>On the eve of the Academy Awards, the slavery tale won awards for director Steve McQueen, actress Lupita Nyong&#8217;o, screenwriter John Ridley and cinematographer Sean Bobbitt. In a more laid-back, beachside ceremony in Santa Monica, just west of Los Angeles, &#8220;12 Years a Slave&#8221; was applauded as the clear favourite of the indie circuit.<\/p>\n<p>The Spirit Awards could end up being &#8211; more than ever before &#8211; a dress rehearsal to Sunday&#8217;s Academy Awards.&#8221;12 Years a Slave&#8221; is considered, albeit extremely narrowly, the favourite for best picture over the space spectacle &#8220;Gravity&#8221; and the 1970s con-artist &#8220;American Hustle.&#8221; (Neither film was eligible at the Spirits, which honour films made for $20 million or less.)<\/p>\n<p>The acting winners, too, may line up. All of the Oscar favourites won Saturday at the Spirits, including best actor for Matthew McConaughey in &#8220;Dallas Buyers Club&#8221; and Cate Blanchett in &#8220;Blue Jasmine.&#8221; McConaughey&#8217;s co-star, Jared Leto, won best male supporting performance.<\/p>\n<p>Leto gave what might be the acceptance speech to end all acceptance speeches, rattling off an absurd list of thank yous to not just those with &#8220;Dallas Buyers Club,&#8221; but Herman Hess, Wayne Gretzky, home-made burritos, &#8220;the seven billion people on the planet&#8221; and many more. The actor-rocker added, with emphasis, &#8220;all the women I&#8217;ve been with and all the women who think they&#8217;ve been with me.&#8221;<\/p>\n<p>For many, the Spirit Awards conclude months of award-season events, and they provide a chance to exhale before the Oscars. McConaughey, Blanchett, Leto and Nyong&#8217;o have racked up a slew of awards, often triumphing over the same colleagues.<\/p>\n<p>&#8220;What am I going to say that I haven&#8217;t already said?&#8221; Blanchett remarked in her acceptance speech. On her way into the luncheon, the actress also repeated her view of the renewed scandal surrounding &#8220;Blue Jasmine&#8221; director Woody Allen and Dylan Farrow&#8217;s claims he sexually assaulted her as a child: &#8220;It&#8217;s a family issue, and I hope they can resolve it as a family.&#8221;<\/p>\n<p>This award, one of many for Nyong&#8217;o, stood out for the now 31-year-old actress: &#8220;Not a bad way to celebrate my birthday,&#8221; she said.<\/p>\n<p>Nyong&#8217;o dedicated the award to her mother, Dorothy, who was in the audience, for years of driving her to auditions. &#8220;Your love has driven me this far,&#8221; she said.<\/p>\n<p>Presented by Film Independent (a group of filmmakers, industry professionals and movie buffs) and hosted Saturday by Patton Oswalt, the Spirits are first and foremost a show to fete indie film and cast a spotlight on the little films that have to scrape money together to get made.<\/p>\n<p>McQueen, with &#8220;12 Years a Slave&#8221; producer Brad Pitt and Angelina Jolie looking on, reflected on how the naturalistic films of John Cassavetes &#8220;changed my life.&#8221; He dedicated his directing award to Cassavetes and Solomon Northup, the man whose memoir &#8220;12 Years a Slave&#8221; is based on.<\/p>\n<p>In accepting the award for best first feature, &#8220;Fruitvale Station&#8221; director Ryan Coogler provided the afternoon&#8217;s most emotional moment. His film is about Oscar Grant, a 22-year-old black man shot while handcuffed by police. Coogler implored the audience to remember the &#8220;thousands of other Oscar Grants&#8221; and wondered why so many victims of such gun violence &#8220;always look like me.&#8221; The crowd gave him a standing ovation.<\/p>\n<p>Several beloved fixtures of independent film were also remembered. The deaths of James Gandolfini, Philip Seymour Hoffman and critic Roger Ebert over the last year were singled out. Gandolfini&#8217;s wife, Deborah Lin, and one of their two children attended the ceremony. (The actor was nominated for best supporting male performance.)<\/p>\n<p>The Spirits&#8217; Robert Altman Award, an honour for best ensemble and director, was given to Jeff Nichols&#8217; coming-of-age tale &#8220;Mud.&#8221; The John Cassavetes Award, which honours films made for less than $500,000, went to the unlikely friendship drama &#8220;This Is Martin Bonner,&#8221; which director Chad Hartigan said was made for just $42,000. Gasps of admiration were heard throughout the beachside tent.<\/p>\n<p>Other winners included &#8220;20 Feet From Stardom&#8221; for best documentary, &#8220;Blue Is the Warmest Color&#8221; for best international film, Bob Nelson of &#8220;Nebraska&#8221; for best first screenplay, and &#8220;Short Term 12&#8221; for best editing. The show was to be broadcast on the IFC cable channel later Saturday night.<\/p>\n<p>The spirit of thrifty striving pervaded. McConaughey (also a co-star in &#8220;Mud&#8221;) called indie work, &#8220;a feeder road&#8221; compared to the Autobahn of big-budget moviemaking. But he said he relished the freedom, even though it means &#8220;less zeroes on the paycheque.&#8221;<\/p>\n<p>In his monologue, however, Oswalt put a less optimistic spin on it. He said that in the course of his opening remarks, &#8220;The Lego Movie&#8221; had made more money than all of the Spirit Award nominees combined.<\/p>\n<p>___<\/p>\n<p>Associated Press&#8217; Jessica Herndon and Nicole Evatt contributed to this report<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; SANTA MONICA, Calif. &#8211; &#8220;12 Years a Slave&#8221; rolled at the Spirit Awards, winning five awards including best feature &hellip;<\/p>\n","protected":false},"author":44,"featured_media":3231,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[689,687,688,352],"class_list":["post-3229","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art-and-culture","tag-awards","tag-film","tag-spirit","tag-us","mauthors-jake-coyle","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/3229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=3229"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/3229\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/3231"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=3229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=3229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=3229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}