{"id":29284,"date":"2014-10-20T14:01:21","date_gmt":"2014-10-20T06:01:21","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=29284"},"modified":"2014-10-20T14:04:17","modified_gmt":"2014-10-20T06:04:17","slug":"eviathan-named-best-picture-at-london-film-fest","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2014\/10\/20\/eviathan-named-best-picture-at-london-film-fest\/","title":{"rendered":"&#8216;Leviathan&#8217; named Best Picture at London Film Fest"},"content":{"rendered":"<figure id=\"attachment_29396\" aria-describedby=\"caption-attachment-29396\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/10\/cannes_leviathan_a_l.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-29396\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/10\/cannes_leviathan_a_l.jpg\" alt=\"Screenshot from 'Leviathan' trailer\" width=\"800\" height=\"451\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/10\/cannes_leviathan_a_l.jpg 800w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/10\/cannes_leviathan_a_l-300x169.jpg 300w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><figcaption id=\"caption-attachment-29396\" class=\"wp-caption-text\">Screenshot from &#8216;Leviathan&#8217; trailer<\/figcaption><\/figure>\n<p>LONDON &#8212; Movies about corruption, gang violence, honor killing and war took prizes Saturday as the London Film Festival recognized cinema that confronts the harsh realities of our world.<\/p>\n<p>Andrey Zvyagintsev&#8217;s &#8220;Leviathan,&#8221; a tragic satire of small-town Russian corruption, was named best picture. The film, which took the screenplay prize at this year&#8217;s Cannes Film Festival, was praised for its &#8220;grandeur and themes&#8221; by a jury that included actor James McAvoy and producer Jeremy Thomas.<\/p>\n<p>Ukrainian director Myroslav Slaboshpytskiy won the first-feature award for &#8220;The Tribe,&#8221; a teen-gang drama set at a school for the deaf and performed entirely in sign language, without subtitles.<\/p>\n<p>Actress Sameena Jabeen Ahmed was named best British newcomer for her performance as a British-Pakistani teenager on the run from her family in &#8220;Catch Me Daddy.&#8221;<\/p>\n<p>The documentary prize went to &#8220;Silvered Water, Syria Self-Portrait,&#8221; a searing look at war&#8217;s brutality by Paris-based director Ossama Mohammed and Wiam Simav Bedirxan, an schoolteacher who filmed life in the besieged city of Homs.<\/p>\n<p>Director Stephen Frears was awarded the British Film Institute&#8217;s Fellowship during Saturday&#8217;s ceremony at London&#8217;s 17th-century Banqueting House.<\/p>\n<p>He was recognized for a career that has traveled from the battered streets of Margaret Thatcher&#8217;s Britain in &#8220;My Beautiful Laundrette,&#8221; to 18th-century France in &#8220;Dangerous Liaisons,&#8221; seedy Los Angeles in &#8220;The Grifters&#8221; and Buckingham Palace in &#8220;The Queen.&#8221; Frears is currently at work on a biopic of disgraced cyclist Lance Armstrong.<\/p>\n<p>Playwright David Hare, who presented Frears with the honor, said &#8220;I can&#8217;t think of anyone who&#8217;s made a richer, more diverse or more consistently intelligent contribution to British film in my lifetime.&#8221;<\/p>\n<p>The 58th London festival opened Oct. 8 with &#8220;The Imitation Game,&#8221; starring Benedict Cumberbatch as World War II Alan Turing. It wraps up Sunday with another tale of that conflict &#8211; &#8220;Fury,&#8221; starring Brad Pitt as a hard-bitten tank commander in the war&#8217;s final weeks.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>LONDON &#8212; Movies about corruption, gang violence, honor killing and war took prizes Saturday as the London Film Festival recognized &hellip;<\/p>\n","protected":false},"author":44,"featured_media":29396,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[106],"tags":[],"class_list":["post-29284","post","type-post","status-publish","format-standard","has-post-thumbnail","category-hollywood","mauthors-jill-lawless","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/29284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=29284"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/29284\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/29396"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=29284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=29284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=29284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}