{"id":29027,"date":"2014-10-16T20:57:22","date_gmt":"2014-10-16T12:57:22","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=29027"},"modified":"2014-10-16T18:34:10","modified_gmt":"2014-10-16T10:34:10","slug":"rape-and-romance-thailand-soap-operas-long-successful-mix-draws-fire-after-real-life-crimes","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2014\/10\/16\/rape-and-romance-thailand-soap-operas-long-successful-mix-draws-fire-after-real-life-crimes\/","title":{"rendered":"Rape and romance: Thailand soap operas\u2019 long successful mix draws fire after real life crimes"},"content":{"rendered":"
\"Popular<\/a>
Popular Thai drama “Prisoner of Love” features the story of a very angry and vengeful after his only younger brother commits suicide because of a woman who broke up with him. He wants to take revenge on the girl who caused his brother’s death.<\/figcaption><\/figure>\n

BANGKOK, Thailand\u2014In a famous scene from Thailand\u2019s award-winning soap opera \u201cThe Power of Shadows,\u201d the handsome protagonist gets drunk and rapes the leading lady. He later begs her forgiveness, and the producers say they will live happily ever after in the sequel.<\/p>\n

Boy Meets Girl, Boy Rapes Girl, Boy Marries Girl. The premise is so common in Thailand\u2019s popular primetime melodramas it could be called a national twist on the universal romantic plotline. But calls for change are growing.<\/p>\n

The recent real-life rape and murder of a girl on an overnight train in Thailand has focused national outrage on messages in popular culture that trivialize\u2014and some say even encourage\u2014rape. Even the powerful general who took over the country in a coup this year had to apologize after suggesting that women who wear bikinis on the beach are vulnerable to sexual assault.<\/p>\n

Many in the soap opera industry continue to defend sexual violence, in part, as a key to high ratings in a fiercely competitive industry that draws more than 18 million viewers a night to network television, nearly a quarter of Thailand\u2019s population.<\/p>\n

Award-winning director Sitthiwat Tappan even describes some rape scenes as a sort of public service.<\/p>\n

\u201cThere might be a scene where a woman is dressed sexy, and she walks past a man who has been drinking, and it shows on his face that he\u2019s aroused and wants her,\u201d Sitthiwat said. \u201cIn the end, she succumbs to the physical power of the man.\u201d<\/p>\n

\u201cScenes like this try to teach society that women should not travel alone or wear revealing clothes,\u201d the director said. \u201cAnd men shouldn\u2019t drink.\u201d<\/p>\n

But rapists are seldom punished in TV melodramas, and their victims rarely talk about it. That much, at least, is reflected in real life.<\/p>\n

Last year, the Public Health Ministry said its hotlines received 31,866 calls from victims of rape or sexual assault. But police that year filed only 3,300 rape cases, and made just 2,245 arrests. Even the hotline number is believed to be far lower than the actual number of assaults in this\u00a0Southeast Asian\u00a0country of 67 million.<\/p>\n

Public concern about rape in Thai society grew this summer, after a 13-year-old girl was raped on an overnight train, then suffocated and thrown out the window. A 22-year-old train employee has been convicted of the attack and sentenced to death, and the rail authority has introduced a women-and-children-only sleeper carriage with policewomen as guards.<\/p>\n

Indignant newspaper editorials and TV talk shows have triggered a national conversation, and an online petition asking soap operas to stop romanticizing rape has attracted more than 30,000 signatures.<\/p>\n

\u201cI\u2019m not saying soap operas are the cause of rape in Thailand. But I believe they are part of the problem,\u201d said Nitipan Wiprawit, a 36-year-old architect who launched the petition. \u201cSoap operas send the message that rape is acceptable. This is something that needs to stop.\u201d<\/p>\n

As a result of Nitipan\u2019s petition, the national broadcasting commission has organized roundtables that bring directors and screenwriters together with health and human rights experts to discusss the messages soap operas deliver. The latest one focused on how TV sexual violence influences Thai children, who are often raised on a steady diet of nighttime soaps that parents switch on after dinner.<\/p>\n

\u201cSome producers might say that what they\u2019re producing doesn\u2019t have an impact on people, but I assure you it does,\u201d Kemporn Wirunrapan, of Thailand\u2019s Child and Youth Media Institute, told the forum. \u201cThe more children see repetitive images of violence, the more it will be reinforced in their minds.\u201d<\/p>\n

In a poll of more than 2,000 youths conducted by Thailand\u2019s Assumption University in 2008, more than 20 per cent of 13- to-19-year olds said rape scenes were their favourite part of TV shows. The same percentage of teenagers said they found rape to be a normal and acceptable act in society.<\/p>\n

Yousinee Nanakorn, producer of one of Thailand\u2019s best-known soaps \u201cPrisoner of Love,\u201d said rape scenes are sometimes essential to plotlines.<\/p>\n

\u201cSoap operas are all about conflict. Without conflict there\u2019s no story,\u201d she said. \u201cWe try to avoid rape scenes, but if it helps drive the story then we keep it.\u201d<\/p>\n

The idea that some forms of sexual violence are acceptable is reflected even in the Thai language.<\/p>\n

The word \u201cblum,\u201d which translates roughly as \u201cwrestling,\u201d is how Thais describe unconsenting sex that a man initiates to make a woman fall in love with him. It is considered different from \u201ckhom-kheun,\u201d the criminal act of rape.<\/p>\n

\u201cBlum\u201d is what transpires in \u201cThe Power of Shadows,\u201d says Arunosha Bhanupan, producer of the soap, which aired in 2012 and recorded the highest ratings in the history of its network.<\/p>\n

\u201cIn theatrical terms, it was an act of love,\u201d the producer said, referring to the scene where the lead actor grabs the heroine and rapes her after she slaps him and screams, \u201cLet me go!\u201d<\/p>\n

\u201cIt wasn\u2019t rape. It was more romantic, because they were in love.\u201d<\/p>\n

That is one type of soap-opera rape scene: the seduction of a \u201cgood girl.\u201d Thai soaps also have \u201cbad girls,\u201d for whom rape is depicted as punishment for behaviour deemed immoral, like dressing provocatively and promiscuity.<\/p>\n

Feminist scholar Chalidaporn Songsamphan said rape fantasies in Thai culture stem in part from traditional beliefs that it is improper for women to show sexual desire before marriage.<\/p>\n

\u201cWhen men initiate sex, women have to try to reject it, or say no, to show they are innocent sexually,\u201d said Chalidaporn, a women\u2019s studies professor at Bangkok\u2019s Thammasat University. \u201cRape scenes on television reflect this kind of thinking.\u201d<\/p>\n

Prime Minister Prayuth Chan-ocha, the former army chief who took control of the country in May, stumbled into the debate with a comment he made last month, soon after the bodies of two British tourists were found bludgeoned to death on a Thai beach. He said women who wear bikinis in Thailand will be safe \u201conly if they are not beautiful,\u201d a remark instantly ridiculed on social media as chauvinistic and insensitive to the female victim, who had been photographed in a bikini prior to her rape and murder. Prayuth apologized for having \u201cspoken too harshly.\u201d<\/p>\n

Another high-profile slip-up came last month when Durex Thailand released an online advertisement saying: \u201c28 per cent of women who resist eventually give in\u201d\u2014an ad viewed as encouraging its male customers to rape. The condom maker quickly pulled the ad from its Thai Facebook page and issued an apology for the \u201cinappropriate\u201d post.<\/p>\n

For some actresses, the reality of rape has exposed the flaws in how it is dramatized on television.<\/p>\n

Up-and-coming star Pimthong Washirakom played a \u201cbad girl\u201d in the series \u201cThe Rising Sun\u201d who is raped by a police detective after he locks her in his office.<\/p>\n

As the cameras rolled, the 22-year-old\u2019s thoughts drifted to the child whose body was thrown from the train.<\/p>\n

\u201cI felt like the girl in the news,\u201d she said. \u201cI thought of the 13-year-old girl, and tears started running down my face.\u201d<\/p>\n

Her crying, and violent portions of the rape scene, were edited out of the episode, which ran last month. The cuts drew complaints from some of the cast and crew, but Pimthong supported them.<\/p>\n

\u201cSometimes, viewers don\u2019t have the right judgment and might imitate what they see,\u201d she said. \u201cOur society is deteriorating every day, so we have to cut certain scenes off. Kids are definitely watching this show. Why would we let them watch a rape scene?\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

BANGKOK, Thailand\u2014In a famous scene from Thailand\u2019s award-winning soap opera \u201cThe Power of Shadows,\u201d the handsome protagonist gets drunk and …<\/p>\n","protected":false},"author":44,"featured_media":29031,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-29027","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","mauthors-jocelyn-gecker","mauthors-thanyarat-doksone","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/29027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=29027"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/29027\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/29031"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=29027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=29027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=29027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}