{"id":28738,"date":"2014-10-13T20:17:33","date_gmt":"2014-10-13T12:17:33","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=28738"},"modified":"2014-10-14T00:07:04","modified_gmt":"2014-10-13T16:07:04","slug":"canadas-first-outdoor-neon-sign-museum-lights-up-downtown-edmonton-street","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2014\/10\/13\/canadas-first-outdoor-neon-sign-museum-lights-up-downtown-edmonton-street\/","title":{"rendered":"Canada&#8217;s first outdoor neon sign museum lights up downtown Edmonton street"},"content":{"rendered":"<p><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/10\/shutterstock_128925200.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-28791 size-full\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/10\/shutterstock_128925200-e1413216415937.jpg\" alt=\"shutterstock_128925200\" width=\"1000\" height=\"677\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/10\/shutterstock_128925200-e1413216415937.jpg 1000w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/10\/shutterstock_128925200-e1413216415937-300x203.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/10\/shutterstock_128925200-e1413216415937-900x609.jpg 900w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<p>EDMONTON &#8212; Workers were taking a huge, glowing sign off a shuttered Edmonton furniture store as David Holdsworth walked by.<\/p>\n<p>When he was told the old neon sign was destined for the junk pile, he convinced a former owner of the Canadian Furniture Company to give it to him instead.<\/p>\n<p>It wasn&#8217;t garbage, Holdsworth argued. It was a piece of art.<\/p>\n<p>That was a decade ago, and since then the urban designer with the City of Edmonton has collected more unwanted neon signs and spearheaded Canada&#8217;s first neon sign museum with help from the Alberta Sign Association.<\/p>\n<p>The Museum of Vancouver has a permanent exhibit of some of its city&#8217;s iconic neon signs, but Edmonton&#8217;s collection stands as its own museum &#8212; and because it&#8217;s outdoors for everyone to see, it&#8217;s free.<\/p>\n<p>Officials flicked the switch on the downtown Neon Sign Museum on a cold night in February. The gleaming gallery currently contains eight historic and refurbished neon signs erected on a brick wall on a revitalized stretch of 104 Street just south of 104 Avenue.<\/p>\n<p>Among the signs are those for Cliff&#8217;s Auto Parts, Georgia Baths and Mike&#8217;s News. The oldest sign _ promoting Pantages Theatre, which opened in 1913 &#8212; isn&#8217;t up yet. It&#8217;s one of four more signs still being refurbished that will be up on the museum wall soon, says Holdsworth.<\/p>\n<p>The wall, owned and donated for the museum&#8217;s use by Telus, has space for 30 signs. Holdsworth says the museum may recreate other recognizable signs that have disappeared from Edmonton&#8217;s landscape, such as the one that once belonged to Hub Cigar &amp; Newstand, among the longest running businesses in the Old Strathcona neighbourhood.<\/p>\n<p>Neon signs started disappearing from Edmonton buildings in the 1970s, says Holdsworth. &#8220;There was a heck of a lot of neon at one point. Every business had a big sign protruding out &#8230; it was perceived to be a lot of visual clutter.&#8221;<\/p>\n<p>So Edmonton created new bylaws to restrict their use, joining a trend that was redesigning signs across North America. Most business signs now are powered by cheaper and more energy-efficient LED lights.<\/p>\n<p>But nothing is as nostalgic as neon.<\/p>\n<p>The museum&#8217;s pink, red and yellow signs are turned on each night just before dusk. And it doesn&#8217;t take long to take them all in &#8212; just walk by and look up.<\/p>\n<p>Tim Pedrick, president of the Alberta Sign Association, recommends grabbing a pint of brew across the street at the Mercer Tavern and relaxing by one of the windows that has a view of all the museum&#8217;s signs.<\/p>\n<p>The pub also put up a neon sign on its building to fit in more with its museum neighbour. And Pedrick says although it&#8217;s impossible to see, the Mercer&#8217;s sign contains tiles imprinted with historical details of the museum&#8217;s signs.<\/p>\n<p>Pedrick salvaged an old Canadian National Railway sign for the museum while rummaging through an outbuilding at the Alberta Railway Museum on the northeast side of the city.<\/p>\n<p>He says no two neon signs are alike. Each one is handmade, with hand-blown glass tubes, giving it personality and character.<\/p>\n<p>But, of course, neon signs can also be finicky in wind, rain and cold weather. And not all the museum&#8217;s signs are always on at the same time.<\/p>\n<p>But that&#8217;s not necessarily a bad thing, says Pedrick.<\/p>\n<p>&#8220;That&#8217;s what makes the museum so authentic.&#8221;<\/p>\n<p><em>If You Go &#8230;<\/em><br \/>\n<em>Where: Southwest corner of 104 Street and 104 Avenue.<\/em><br \/>\n<em>When: Best to go at night when the lights are brightest.<\/em><br \/>\n<em>What: Eight neon signs are currently up, with four to be added soon.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>EDMONTON &#8212; Workers were taking a huge, glowing sign off a shuttered Edmonton furniture store as David Holdsworth walked by. &hellip;<\/p>\n","protected":false},"author":44,"featured_media":28791,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,1482,18],"tags":[],"class_list":["post-28738","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art-and-culture","category-breaking","category-news-ca","mauthors-chris-purdy","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/28738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=28738"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/28738\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/28791"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=28738"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=28738"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=28738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}