{"id":277596,"date":"2020-12-03T10:42:09","date_gmt":"2020-12-03T15:42:09","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=277596"},"modified":"2020-12-03T10:42:09","modified_gmt":"2020-12-03T15:42:09","slug":"netflix-announces-the-korean-adaptation-of-its-spanish-original-series-la-casa-de-papel","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2020\/12\/03\/netflix-announces-the-korean-adaptation-of-its-spanish-original-series-la-casa-de-papel\/","title":{"rendered":"Netflix Announces the Korean Adaptation of Its Spanish Original Series ‘La Casa De Papel’"},"content":{"rendered":"
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Since Part 1 premiered in 2017, the heist of\u00a0La casa de papel\u00a0has been storming the world. More than 65 million member households chose to watch Part 4 of the Spanish language series in the first four weeks of its release in April 2020, and the 5th and final part of\u00a0La casa de papel\u00a0is currently in production. (Netflix Photo)<\/figcaption><\/figure>\n

Seoul, 1 December, 2020 —\u00a0<\/b>Netflix announced an exciting new original series project, the Korean adaptation of its beloved Spanish original series\u00a0La casa de papel<\/i>.<\/p>\n

Set on the Korean peninsula, the Korean adaptation of\u00a0La casa de papel<\/i>\u00a0will be directed by Kim Hong-sun, who has helmed TV dramas like\u00a0The Guest<\/i>,\u00a0Voice<\/i>, and\u00a0Black<\/i>\u00a0and is known as a giant in the fantasy crime genre. Ryu Yong-jae and his team, whose credits include the Netflix original series\u00a0My Holo Love<\/i>\u00a0and tvN series\u00a0Psychopath Diary<\/i>, will be the screenwriters for the show. The production is a collaboration between BH Entertainment and Contents Zium.<\/p>\n

Alex Pina, Creator and Executive Producer of\u00a0La casa de papel<\/i>\u00a0said: \u201cKorean creators have been developing their own language and audiovisual culture for years. They have managed, like our series, to go beyond cultural borders and become a point of reference for thousands of viewers around the world, especially among young people.\u201d He added, \u201cThat is why I find it fascinating that the world of\u00a0La casa de papel<\/i>\u00a0is so attractive to Korean creators as to do an adaptation. The fact that the action is set on the Korean Peninsula also seems to me to be a milestone which I am really delighted about.”<\/p>\n

Since Part 1 premiered in 2017, the heist of\u00a0La casa de papel<\/i>\u00a0has been storming the world. More than 65 million member households chose to watch Part 4 of the Spanish language series in the first four weeks of its release in April 2020, and the 5th and final part of\u00a0La casa de papel<\/i>\u00a0is currently in production.<\/p>\n

The international popularity of the Spanish series\u00a0La casa de papel\u00a0<\/i><\/u><\/a>is proof that significant works based in different cultures and languages can be widely distributed by Netflix and loved by audiences worldwide. With its production of 12 episodes of the Korean adaptation, Netflix is expected to breathe new life into the familiar storyline and bring the material afresh to global audiences.<\/p>\n

More information about the heist in Korea will be announced at a later date.<\/p>\n","protected":false},"excerpt":{"rendered":"

Seoul, 1 December, 2020 —\u00a0Netflix announced an exciting new original series project, the Korean adaptation of its beloved Spanish original …<\/p>\n","protected":false},"author":44,"featured_media":277597,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-277596","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-netlflix"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/277596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=277596"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/277596\/revisions"}],"predecessor-version":[{"id":277598,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/277596\/revisions\/277598"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/277597"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=277596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=277596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=277596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}