{"id":267052,"date":"2020-08-30T04:34:21","date_gmt":"2020-08-30T08:34:21","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=267052"},"modified":"2020-08-30T04:35:02","modified_gmt":"2020-08-30T08:35:02","slug":"new-public-artwork-in-chinatown-shines-a-light-on-chinese-canadian-cultural-heritage","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2020\/08\/30\/new-public-artwork-in-chinatown-shines-a-light-on-chinese-canadian-cultural-heritage\/","title":{"rendered":"New public artwork in Chinatown shines a light on Chinese Canadian cultural heritage"},"content":{"rendered":"<figure id=\"attachment_267053\" aria-describedby=\"caption-attachment-267053\" style=\"width: 670px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2020\/08\/paul-wong-installation-landing.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-267053\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2020\/08\/paul-wong-installation-landing.jpg\" alt=\"\" width=\"670\" height=\"350\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2020\/08\/paul-wong-installation-landing.jpg 670w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2020\/08\/paul-wong-installation-landing-300x157.jpg 300w\" sizes=\"auto, (max-width: 670px) 100vw, 670px\" \/><\/a><figcaption id=\"caption-attachment-267053\" class=\"wp-caption-text\">FILE: Paul Wong installation landing (<a href=\"https:\/\/vancouver.ca\/news-calendar\/new-public-artwork-in-chinatown-shines-a-light-on-chinese-canadian-cultural-heritage.aspx\">Photo via City of Vancouver\/Website<\/a>)<\/figcaption><\/figure>\n<blockquote>\n<div class=\"blockquote-blk blockquote-quote-marks bg-light\">\n<p class=\"blockquote-blk-quote\"><em>I grew up in Chinatown when it was ablaze in bright neon and big colorful signs and at a time when the Chinese community commonly called Vancouver \u2018Saltwater City\u2019.<\/em><\/p>\n<p class=\"blockquote-blk-attribution\"><strong><em>Paul Wong, artist<\/em><\/strong><\/p>\n<\/div>\n<\/blockquote>\n<div class=\"blockquote-blk blockquote-quote-marks bg-light\">\n<p><span class=\"date__news\">August 27 2020 \u2013\u00a0<\/span><\/p>\n<p>A new neon artwork by Paul Wong honouring the history of Cantonese migrants now illuminates 475 Main St.<\/p>\n<p>The piece is designed to promote discussion around the significance of, and challenges to, Chinese language, culture and preservation of heritage assets in the neighbourhood.<\/p>\n<h2>\u9e79\u6c34\u57e0\u6e29\u54e5\u534e | Saltwater City Vancouver<\/h2>\n<p>The neon artwork displays the Chinese characters \u9e79\u6c34\u57e0\u6e29\u54e5\u534e, which translates to \u201cSaltwater City Vancouver.\u201d It commemorates the award-winning Canadian artist and curator\u2019s early memories of the neighbourhood.<\/p>\n<p>Speaking about the piece, Paul Wong said \u201cI grew up in Chinatown when it was ablaze in bright neon and big colorful signs and at a time when the Chinese community commonly called Vancouver \u2018Saltwater City\u2019.\u201d<\/p>\n<p>The site, between Hastings and Pender streets, parallel to Main St\u00a0on the west side, was chosen by public vote in January 2019. It has particular historical significance as a former location of Vancouver City Hall (1889-1929) where mayors and councillors used the legal power of the City to enact and expand laws that negatively impacted Chinese residents.<\/p>\n<h2>\u8eab\u5728\u5510\u4eba\u8857 | Occupying Chinatown<\/h2>\n<p>\u201cSaltwater City Vancouver\/\u9e79\u6c34\u57e0\u6e29\u54e5\u534e\u201d was developed by Wong as part of his year-long residency \u201c\u8eab\u5728\u5510\u4eba\u8857\/Occupying Chinatown\u201d at Dr. Sun Yat-Sen Classical Chinese Garden (2018\u20132019) commissioned by the City of Vancouver Public Art Program.<\/p>\n<p>\u201cPaul\u2019s \u2018Saltwater City Vancouver\u2019 neon inspires conversations about the importance of understanding and appreciating both the tangible and intangible heritage assets when we celebrate the significance of Chinatown, its history, people, and language in relation to the City,\u201d said Vincent Kwan, Executive Director, Dr. Sun Yat-Sen Classical Chinese Garden.<\/p>\n<p>The launch of Wong\u2019s residency in April 2018 coincided with the City of Vancouver\u2019s formal apology for historical discrimination against Chinese residents in Vancouver. During the residency the artist has translated and examined over 700 letters and artifacts from his late mother Suk-Fong Wong, using them as a source of inspiration to realize workshops, performances, and artworks in photography, video, and sculpture including this neon work.<\/p>\n<h2>\u6dd1\u82b3\u4f60\u597d\u561b | Suk-Fong Nay Ho Mah \/ Suk-Fong, How Are You? exhibition<\/h2>\n<p>The letters and artworks were presented as part of his exhibition \u201c\u6dd1\u82b3\u4f60\u597d\u561b \/Suk-Fong Nay Ho Mah \/ Suk-Fong, How Are You?\u201d at Dr. Sun Yat-Sen Classical Chinese Garden in 2019, and provided an account of China\u2019s shifting cultural and political landscapes told through the personal perspectives of Wong\u2019s family, offering a unique understanding of China\u2019s transformation in the late-twentieth century.<\/p>\n<p>Saltwater City Vancouver\/\u9e79\u6c34\u57e0\u6e29\u54e5\u534e is a Public Art project commissioned by the City of Vancouver Public Art Program in partnership with Dr. Sun Yat-Sen Classical Chinese Garden, and is supported by The Prospero Group and the Audain Art Foundation.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>I grew up in Chinatown when it was ablaze in bright neon and big colorful signs and at a time &hellip;<\/p>\n","protected":false},"author":44,"featured_media":267053,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-267052","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art-and-culture","mauthors-city-of-vancouver"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/267052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=267052"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/267052\/revisions"}],"predecessor-version":[{"id":267054,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/267052\/revisions\/267054"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/267053"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=267052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=267052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=267052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}