{"id":25760,"date":"2014-09-14T17:00:47","date_gmt":"2014-09-14T09:00:47","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=25760"},"modified":"2014-09-14T07:06:02","modified_gmt":"2014-09-13T23:06:02","slug":"john-travolta-channelled-his-inner-monet-for-new-tiff-film-the-forger","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2014\/09\/14\/john-travolta-channelled-his-inner-monet-for-new-tiff-film-the-forger\/","title":{"rendered":"John Travolta channelled his inner Monet for new TIFF film &#8216;The Forger&#8217;"},"content":{"rendered":"<figure id=\"attachment_25817\" aria-describedby=\"caption-attachment-25817\" style=\"width: 1000px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/09\/shutterstock_144025060.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25817\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/09\/shutterstock_144025060.jpg\" alt=\"Famous actor John Travolta arrived to present the film &quot;Killing Season&quot; at the International Film Festival, Karlovy Vary on June 28, 2013, Czech Republic (Ale\u0161 Studen\u00fd \/ Shutterstock)\" width=\"1000\" height=\"667\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/09\/shutterstock_144025060.jpg 1000w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/09\/shutterstock_144025060-300x200.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption id=\"caption-attachment-25817\" class=\"wp-caption-text\">Famous actor John Travolta arrived to present the film &#8220;Killing Season&#8221; at the International Film Festival, Karlovy Vary on June 28, 2013, Czech Republic (Ale\u0161 Studen\u00fd \/ Shutterstock)<\/figcaption><\/figure>\n<p>TORONTO &#8212; The moves he showed off in &#8220;Saturday Night Fever&#8221; and &#8220;Grease&#8221; are the stuff of cinematic legend, but who knew John Travolta was also pretty handy with a paintbrush?<\/p>\n<p>The star seems to have even surprised himself with the canvas he produced while prepping for his new art-heist film &#8220;The Forger.&#8221;<\/p>\n<p>&#8220;I actually created my own Monet &#8230; and I was pretty proud of it,&#8221; Travolta said during an interview at the Toronto International Film Festival, adding that the piece now hangs in his Maine home. &#8220;I put a nice frame on it.&#8221;<\/p>\n<p>&#8220;The Forger&#8221; features Travolta as a criminal who bribes his way out of jail so he can spend time with his dying son (Tye Sheridan). To pay off his debt, he&#8217;s forced to take part in a museum break-in, ultimately enlisting the help of his petty crook father (Christopher Plummer) to do so.<\/p>\n<p>To prepare for the role, Travolta took painting lessons and made a replica of the masterpiece his character produces &#8212; Monet&#8217;s &#8220;Woman with a Parasol.&#8221; Clearly happy with the result, he takes a minute during an interview to show a reporter a photo of his creation on his phone.<\/p>\n<p>Painting, it seems, runs in the family.<\/p>\n<p>&#8220;My grandfather was a wonderful painter, my father was good and my brother is good,&#8221; said Travolta, 60. &#8220;I studied a little bit &#8212; watercolours. But I really needed to get rebooted for this (movie) because it was oil paints.&#8221;<\/p>\n<p>In addition to his studies, Travolta also met with actual forgers to get a sense of how they worked.<\/p>\n<p>&#8220;I mostly did it not for accuracy, I did it to see what it would feel like to be under the gun,&#8221; he said of the art lessons. &#8220;(I wanted to see) how an artist would feel if his life were at stake.&#8221;<\/p>\n<p>He added: &#8220;I loved having the professional obligation of painting.&#8221;<\/p>\n<p>While the onscreen tension in &#8220;The Forger&#8221; is thick at times, the cast clearly had time for some off-camera fun during the shoot, which partly took place at Boston&#8217;s Museum of Fine Arts.<\/p>\n<p>&#8220;Shooting in the museum was awesome because we were doing night shoots and no one was allowed to be in that museum after 9 o&#8217;clock except us,&#8221; said Sheridan, whose other screen credits include &#8220;Mud&#8221; and &#8220;Tree of Life.&#8221; &#8220;And they let us come in and &#8230; shoot criminals stealing a piece out of their museum and they were OK with it!&#8221;<\/p>\n<p>&#8220;That was so great,&#8221; added Travolta. &#8220;It&#8217;s such a beautiful museum. Oh my God is that a beautiful museum.&#8221;<\/p>\n<p>The shoot also coincided with the Red Sox World Series run last year and the &#8220;Pulp Fiction&#8221; actor became a familiar figure at Fenway Park.<\/p>\n<p>&#8220;I don&#8217;t readily follow (baseball) but the World Series, come on!&#8221; enthused Travolta. &#8220;That&#8217;s like going to the Super Bowl, everybody&#8217;s interested in that.&#8221;<\/p>\n<p>Sheridan said he received some sage career advice from his cast mates during the shoot. But was the 17-year-old up-and-comer fully schooled in the astounding movie resumes of both Plummer and Travolta?<\/p>\n<p>Not really, as it turns out.<\/p>\n<p>&#8220;A lot of their films are rated R and I was 16 when we made the film,&#8221; said Sheridan. &#8220;I think I had seen &#8216;Pulp Fiction&#8217; or &#8216;The Sound of Music.&#8217; I was never a big movie watcher. I was always outside doing things and playing sports.&#8221;<\/p>\n<p>On his viewing to-do list is Plummer&#8217;s Oscar-winning turn in &#8220;Beginners&#8221; and Travolta&#8217;s iconic turn in &#8220;Saturday Night Fever.&#8221;<\/p>\n<p>Said the youngster: &#8220;I knew who they both were but I was a little unfamiliar with some of their (work).&#8221;<\/p>\n<p>The Toronto International Film Festival wraps Sunday.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TORONTO &#8212; The moves he showed off in &#8220;Saturday Night Fever&#8221; and &#8220;Grease&#8221; are the stuff of cinematic legend, but &hellip;<\/p>\n","protected":false},"author":44,"featured_media":25817,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1482,2],"tags":[],"class_list":["post-25760","post","type-post","status-publish","format-standard","has-post-thumbnail","category-breaking","category-entertainment","mauthors-andrea-baillie","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/25760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=25760"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/25760\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/25817"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=25760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=25760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=25760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}