{"id":250880,"date":"2020-04-02T02:32:09","date_gmt":"2020-04-02T06:32:09","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=250880"},"modified":"2020-04-02T02:32:09","modified_gmt":"2020-04-02T06:32:09","slug":"dua-lipas-future-nostalgia-is-a-party-with-a-purpose","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2020\/04\/02\/dua-lipas-future-nostalgia-is-a-party-with-a-purpose\/","title":{"rendered":"Dua Lipa’s ‘Future Nostalgia’ is a party with a purpose"},"content":{"rendered":"
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Then there’s \u201cLove Again,\u201d where Lipa opens up with lines like: \u201cI used to think that I was made out of stone\/I used to spend so many nights on my own.\u201d (File photo<\/a>: dualipa\/Instagram<\/a>)<\/figcaption><\/figure>\n

NEW YORK \u2014 Put on Dua Lipa’s sophomore album and you’ll experience of party \u2014 a collection of upbeat, dance-flavoured, power-pop gems that could brighten your day. But take a closer, deeper look, and you’ll also find songs brimmed with messages of hope, equality and vulnerability.<\/p>\n

Lipa closes her 11-track \u201cFuture Nostalgia\u201d release with \u201cBoys Will Be Boys,\u201d a song about the growing pains of life as a woman with clever, sharp lyrics like:<\/p>\n

\u201cI’m sure if there’s something that I can’t find the words to say,<\/p>\n

I know that there will be a man around to save the day,<\/p>\n

And that was sarcasm, in case you needed it mansplained,<\/p>\n

I should’ve stuck to ballet.\u201d<\/p>\n

\u201cI wanted to really show another side of me,\u201d the 24-year-old said in an interview with The Associated Press. \u201cI always speak up about female equality and gender equality in general and female rights, (but) it was very important for me to put something in that’s very close to my heart, that I feel would make other women feel seen and feel heard.\u201d<\/p>\n

\u201cFuture Nostalgia,\u201d released last week, comes three years after Lipa dropped her self-titled debut, which featured the Billboard Hot 100 Top 10 hit \u201cNew Rules.\u201d Outside the U.S., she’s had even more success, clocking in countless Top 10 hits and collaborating with powerhouses like Calvin Harris, Mark Ronson, Diplo and BLACKPINK. She expanded her debut album to include those collabs as well as new songs, and it has become the most-streamed album by a female act in Spotify’s history.<\/p>\n

She performed on several tours, even opening for Bruno Mars and Coldplay (Chris Martin co-wrote a song on her debut album).<\/p>\n

\u201cI do feel grateful for the nine months that I felt like I really had … (to) just write and not really have to think about the outside world. I’m so grateful that everyone was so patient with me in making this,\u201d she said. \u201cI know what the music industry is like … people, I guess, burn through music so much quicker.\u201d<\/p>\n

Lipa co-wrote every song on \u201cFuture Nostalgia,\u201d which includes tracks like \u201cCool,\u201d a breezy tune full of confidence, and the experimental dance track \u201cPhysical,\u201d which sounds like a song Rihanna would have topped the charts with during her sophomore album phase. Close your eyes and listen to \u201cLevitating\u201d and the house track \u201cHallucinate,\u201d and you’ll hear Katy Perry. And first single \u201cDon’t Start Now,\u201d which has peaked at No. 2 on the Hot 100, is a thumping, addictive song that’s hard to get out of your head.<\/p>\n

Then there’s \u201cLove Again,\u201d where Lipa opens up with lines like: \u201cI used to think that I was made out of stone\/I used to spend so many nights on my own.\u201d<\/p>\n

\u201cI had a lot of times when I was making this album where I was very much out of my comfort zone, where I really allowed myself to be vulnerable and talk about my very personal experiences,\u201d she said. \u201cOn a song like `Love Again,’ for example, it wasn’t written for anyone in particular, but it was like a manifestation of allowing love and good energy into my life because I was going through a little rough patch. It was that point where I didn’t know that I could love again.\u201d<\/p>\n

Lipa was born in London, where her parents fled to from Kosovo as war broke out. She said she started to take music seriously when she was 15, though she initially \u201cdidn’t think it was ever a possibility. Although my father is a musician, it was different because he was in Kosovo. Things are a lot smaller. It’s just different.\u201d<\/p>\n

Fast forward nearly 10 years later, and she’s on top of the world. She’s already won three BRIT Awards and two Grammys, including best new artist, where she beat out favoured acts like R&B dynamo H.E.R. and country music streaming juggernaut Luke Combs.<\/p>\n

\u201cIt does come with pressures,\u201d Lipa said of winning best new artist last year. \u201cThat’s how this album came about \u2014 me trying to get away from any pressure and any anxiety of making a second record, trying for it to be better than the first.\u201d<\/p>\n

She’s hoping \u201cFuture Nostalgia\u201d can provide a sense of comfort for her fans homebound from school or work because of the spreading coronavirus.<\/p>\n

\u201cIt’s just a fun album made with love that is there to help you get out of bed a little easier in the morning,\u201d she said.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

NEW YORK \u2014 Put on Dua Lipa’s sophomore album and you’ll experience of party \u2014 a collection of upbeat, dance-flavoured, …<\/p>\n","protected":false},"author":44,"featured_media":250881,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-250880","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-mesfin-fekadu","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/250880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=250880"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/250880\/revisions"}],"predecessor-version":[{"id":250882,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/250880\/revisions\/250882"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/250881"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=250880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=250880"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=250880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}