{"id":245674,"date":"2020-02-20T21:59:59","date_gmt":"2020-02-21T02:59:59","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=245674"},"modified":"2020-02-20T21:59:59","modified_gmt":"2020-02-21T02:59:59","slug":"meet-the-rising-stars-of-west-side-story-on-broadway","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2020\/02\/20\/meet-the-rising-stars-of-west-side-story-on-broadway\/","title":{"rendered":"Meet the rising stars of ‘West Side Story’ on Broadway"},"content":{"rendered":"
\"\"<\/a>
Ilda Mason isn’t just making her Broadway debut this year. She’s also making her feature film debut. Both are in versions of \u201cWest Side Story.\u201d (File photo<\/a>: daniel.bachofen\/Flickr<\/a>, CC BY-ND 2.0<\/a>)<\/figcaption><\/figure>\n

NEW YORK \u2014 When a new revival of \u201cWest Side Story\u201d opens on Broadway, it will make history. The musical sees 33 young people making their Broadway debuts, a record.<\/p>\n

The show,, loosely based on William Shakespeare’s \u201cRomeo and Juliet,\u201d chronicles the affair between two lovers caught in a violent gang world not of their making.<\/p>\n

The young diverse cast arrives at the Broadway Theatre from everywhere from Cuba to Massachusetts, representing halftime performers in the NBA, touring stage veterans and ballet dancers in Los Angeles.<\/p>\n

Here are three of their stories.<\/p>\n

‘WEST SIDE STORY,’ REPEAT<\/p>\n

Ilda Mason isn’t just making her Broadway debut this year. She’s also making her feature film debut. Both are in versions of \u201cWest Side Story.\u201d<\/p>\n

\u201cIt’s insane,\u201d she acknowledges.<\/p>\n

The 30-year-old dancer from Panama City, Panama, auditioned for the Broadway musical during rehearsals for the Steven Spielberg-directed film version, which opens in December. \u201cBoth are completely different versions of the same story,\u201d she says.<\/p>\n

Mason has had a fascinating career so far. She won the Panamanian version of \u201cDancing With the Stars.\u201d She performed \u201cLegally Blonde\u201d in China and toured the country with \u201cOn Your Feet!\u201d and \u201cCinderella.\u201d Now she’s a swing on Broadway, meaning she understudies five roles and is ready to go on in case of illness or vacation.<\/p>\n

\u201cWest Side Story\u201d is a recurring theme in her life. She’s been in a production at the Signature Theatre in Arlington, Virginia, and at the Paper Mill Playhouse in New Jersey.<\/p>\n

\u201cIt’s important and it’s relevant. It’s my story. I’m an immigrant,\u201d she says. \u201cI’m happy to do a show that speaks my truth.\u201d<\/p>\n

In the future, she’d like to do film and TV, drawn by the opportunity to do the impossible onscreen. \u201cI want to go to space and I want to be with dinosaurs. Basically, I want to be in a Steven Spielberg movie.\u201d<\/p>\n

`MY Theatre’<\/p>\n

Working in the Broadway Theatre has a special meaning for Satori Folkes-Stone, a 23-year-old Los Angeles native. Her mom performed in the same theatre.<\/p>\n

In the late 1970s, her mother, Neisha Folkes, was in productions of \u201cThe Wiz\u201d and \u201cGuys and Dolls\u201d at the same venue that her daughter now enters eight times a week.<\/p>\n

\u201cI remember when I got the show, she was like, `What theatre are you in?’ I said, `I don’t know.’ She said: `That’d be crazy if you were in my theatre.’ Of course, she calls it `my theatre,\u201d’ Folkes-Stone says, laughing. \u201cNow it’s my theatre.\u201d<\/p>\n

Folkes-Stone attended the Glorya Kaufman International Dance Center at the University of Southern California. She taught \u201cAnnie\u201d to children in China and performed in a production of \u201cWest Side Story\u201d at school.<\/p>\n

She feared the worst when fellow students began announcing that they’d booked the Broadway revival of \u201cWest Side Story.\u201d She heard nothing all day from her agent and cried in the bathroom, thinking it was lost. During a break at a late-night rehearsal for a senior project, she checked her phone. Her agent had left a message. She had the gig in the end, playing Margarita.<\/p>\n

\u201cWest Side Story\u201d is why she started dancing. The 1961 movie version inspired her \u2014 the songs, the story, the way everyone danced. \u201cI was like, `I’ve got to move like that. That’s my template.’ Now I’m here.\u201d<\/p>\n

Broadway for her mom was just the beginning of a long career in the arts. She went on to be a principal dancer for the Alvin Ailey American Dance Theater and choreographed for movies and TV. Dancing is in her daughter’s DNA.<\/p>\n

\u201cWe’re starting to live a very parallel life up to this point,\u201d says her daughter. \u201cIt’s up to me to decide where I’m going to deviate or what I’ll do the same.\u201d<\/p>\n

NBA TO BROADWAY<\/p>\n

Israel Del Rosario was in a high school history class in Fort Lauderdale, Florida, when he got a text from a friend telling him about the local \u201cWest Side Story\u201d auditions.<\/p>\n

His hand immediately went up. He asked the teacher if he could use the restroom. It was a fib.<\/p>\n

\u201cI called my mom and she picked me up and two hours later I was on the list for the auditions, just like that,\u201d he says.<\/p>\n

Now, at 18, he’s one of the youngest in the cast. He endured three rounds of call-backs in Florida, two more in New York that involved 12-hour days and then one big, final one.<\/p>\n

\u201cI was fortunate enough to rock that call-back and make it,\u201d Del Rosario says.<\/p>\n

His path has taken him from Florida to Tennessee and back again, studying ballet, theatre and hip-hop. He even performed for three years in front of tens of thousands as part of the Memphis Grizzlies’ junior dance team.<\/p>\n

\u201cI came out of the womb being blessed with an athletic but also artistic family,\u201d says Del Rosario, who is of Dominican and Puerto Rican descent.<\/p>\n

He was first inspired to dance by the show \u201cSo You Think You Can Dance.\u201d A hip-hop and tap routine he saw really moved him. \u201cI looked to my mom and I said, `I want to do that,\u201d’ he says.<\/p>\n

Mom found him a weekly hip-hop and dance class and soon he was competing nationally. Later, mom and dad urged ballet training, but he resisted.<\/p>\n

\u201cI didn’t want to be the guy doing ballet,\u201d he recalls. \u201cI already had to deal with the stereotypes of a guy dancing. Now I have to tell people I’m in ballet class wearing tights? I didn’t want to do that.\u201d<\/p>\n

He and his mom fought about it for a year, but he reluctantly went to ballet class. She would cry in her car every time she dropped him off.<\/p>\n

\u201cNow I’m able to look at her and tell her, `Oh my gosh, I love you so much for doing that. Thank you so much,\u201d’ he says. \u201cI was so fortunate to benefit from that.\u201d<\/p>\n

He was incredibly excited to land a role in \u201cWest Side Story\u201d but two people may have been happier \u2014 mom and dad.<\/p>\n

\u201cI think they were the only two people more ecstatic about this than I am just because they were with me every step of the way,\u201d he says.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

NEW YORK \u2014 When a new revival of \u201cWest Side Story\u201d opens on Broadway, it will make history. The musical …<\/p>\n","protected":false},"author":44,"featured_media":245675,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-245674","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/245674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=245674"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/245674\/revisions"}],"predecessor-version":[{"id":245676,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/245674\/revisions\/245676"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/245675"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=245674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=245674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=245674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}