{"id":235983,"date":"2019-10-28T19:05:25","date_gmt":"2019-10-28T23:05:25","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=235983"},"modified":"2019-10-28T19:05:25","modified_gmt":"2019-10-28T23:05:25","slug":"the-nfb-at-ridm-2019-feature-documentaries-by-simon-beaulieu-will-prosper-alanis-obomsawin-yung-chang-and-tasha-hubbard-including-two-world-premieres-and-three-films-in-competition","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/10\/28\/the-nfb-at-ridm-2019-feature-documentaries-by-simon-beaulieu-will-prosper-alanis-obomsawin-yung-chang-and-tasha-hubbard-including-two-world-premieres-and-three-films-in-competition\/","title":{"rendered":"The NFB at RIDM 2019. Feature documentaries by Simon Beaulieu, Will Prosper, Alanis Obomsawin, Yung Chang and Tasha Hubbard, including two world premieres and three films in competition."},"content":{"rendered":"<figure id=\"attachment_235984\" aria-describedby=\"caption-attachment-235984\" style=\"width: 1519px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/1519px-Office_national_du_film_montreal.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-235984\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/1519px-Office_national_du_film_montreal.jpg\" alt=\"\" width=\"1519\" height=\"1080\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/1519px-Office_national_du_film_montreal.jpg 1519w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/1519px-Office_national_du_film_montreal-300x213.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/1519px-Office_national_du_film_montreal-768x546.jpg 768w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/1519px-Office_national_du_film_montreal-1024x728.jpg 1024w\" sizes=\"auto, (max-width: 1519px) 100vw, 1519px\" \/><\/a><figcaption id=\"caption-attachment-235984\" class=\"wp-caption-text\">The NFB will also be at Forum RIDM (November 16 to 20), the festival\u2019s industry event, where it will take part in various sessions in addition to awarding a prize at the Cuban Hat Pitch. (<a href=\"https:\/\/commons.wikimedia.org\/w\/index.php?curid=6717981\">File Photo By Chicoutimi &#8211; Own work\/Wikimedia Commons, CC BY-SA 3.0<\/a>)<\/figcaption><\/figure>\n<p>The\u00a0<a href=\"http:\/\/www.nfb.ca\/\">National Film Board of Canada<\/a>\u00a0(NFB) is back at the\u00a0<a href=\"https:\/\/ridm.ca\/en\">Montreal International Documentary Festival<\/a><strong>\u00a0<\/strong>(RIDM) with eight productions and co-productions, including six feature-length docs. These auteur works tackle complex current events and run the gamut of emotions and characters\u2014from hope to dehumanization, from bridge-building protagonists to deep individualism. Two of these films are having their world premieres: Simon Beaulieu\u2019s\u00a0<a href=\"https:\/\/vimeo.com\/367865718\"><strong><em>White Noise<\/em><\/strong><\/a>\u00a0(NFB) and Will Prosper\u2019s\u00a0<a href=\"https:\/\/vimeo.com\/348428759\"><strong><em>Kenbe la<\/em><\/strong><strong><em>, Until We Win<\/em><\/strong><\/a><strong><em>\u00a0<\/em><\/strong>(NFB). Four other films will be having their Quebec premieres: Yung Chang\u2019s\u00a0<a href=\"https:\/\/vimeo.com\/352789028\/b12cbf59f0\"><strong><em>This Is Not a Movie<\/em><\/strong><\/a>\u00a0(TINAM Inc.\/<a>Sutor Kolonko<\/a>\/NFB), Tasha Hubbard\u2019s\u00a0<a href=\"https:\/\/vimeo.com\/330841782\"><strong><em>n\u00eepawistam\u00e2sowin: We Will Stand Up<\/em><\/strong><\/a><strong><em>\u00a0<\/em><\/strong>(<a href=\"http:\/\/www.downstream.ca\/\">Downstream Documentary Productions<\/a>\/NFB, in association with\u00a0<a href=\"https:\/\/www.cbc.ca\/documentaries\">CBC Docs<\/a>\u00a0and\u00a0<a href=\"https:\/\/aptn.ca\/\">APTN<\/a>), Nance Ackerman, Ariella Pahlke and Teresa MacInnes\u2019s\u00a0<a href=\"https:\/\/vimeo.com\/332036708\"><strong><em>Conviction<\/em><\/strong><\/a>\u00a0(<a href=\"https:\/\/www.seatosea.cc\/\">Sea to Sea Productions<\/a>\/NFB, in association with the\u00a0<a href=\"https:\/\/www.cbc.ca\/documentarychannel\/\">CBC Documentary Channel<\/a>), and Alanis Obomsawin\u2019s\u00a0<strong><em><a href=\"https:\/\/vimeo.com\/350185993\">Jordan River Anderson, The Messenger<\/a><\/em><\/strong><em>\u00a0<\/em>(NFB), screening for the first time in French. RIDM takes place November 14 to 24, 2019.<\/p>\n<p>Two works will be presented in the UXdoc Space, which is dedicated to interactive projects, installations and virtual reality works: the VR experience\u00a0<a href=\"https:\/\/vimeo.com\/274953919\"><strong><em>Homestay<\/em><\/strong><\/a><strong><em>\u00a0<\/em><\/strong>by\u00a0<a href=\"https:\/\/www.paisleysmith.com\/\">Paisley Smith<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.jam3.com\/\">Jam3<\/a>\u00a0(NFB), having its Quebec premiere; and\u00a0<strong><em>Bulle<\/em><\/strong>, the latest project from the NFB \u00d7 UQAM\u00a0<a href=\"https:\/\/mediaspace.nfb.ca\/epk\/jeunes-pousses-2019\/\">Jeunes pousses<\/a>\u00a0interactive school, showing here as a preview only, during a panel featuring an assisted navigation session. The NFB will also be at Forum RIDM (November 16 to 20), the festival\u2019s industry event, where it will take part in various sessions in addition to awarding a prize at the Cuban Hat Pitch.<\/p>\n<p><strong>NFB<\/strong><strong>\u00a0works selected for RIDM 2019<\/strong><\/p>\n<p><strong>Canadian Feature Competition<\/strong><\/p>\n<p><strong><em>White Noise\u00a0<\/em><\/strong>by Simon Beaulieu (77 min, NFB) \u2013\u00a0<strong>World premiere with the filmmaker in attendance<\/strong><br \/>\nTheatrical release: early 2020<br \/>\nElectronic press kit:\u00a0<a href=\"https:\/\/mediaspace.nfb.ca\/epk\/whitenoise\">mediaspace.nfb.ca\/whitenoise<\/a><\/p>\n<ul>\n<li>The fourth feature-length work by Simon Beaulieu (after\u00a0<em>Lemoyne<\/em>,\u00a0<em>Godin<\/em>\u00a0and\u00a0<em>Miron: un homme revenu d\u2019en dehors du monde<\/em>),\u00a0<strong><em>White Noise\u00a0<\/em><\/strong>is a hard-hitting auteur work that plunges viewers into a direct physical encounter with the information overload of daily life. A hybrid of documentary, experimental film and fiction, this disturbing roller-coaster of a movie transforms the imminent collapse of our civilization into a visceral aesthetic experience. A reflection on the fate of humanity in the Anthropocene epoch.<\/li>\n<li>Simon Beaulieu will give a workshop on\u00a0<strong><em>White Noise<\/em><\/strong>\u00a0at UQAM\u2019s Labdoc on Thursday, November 21, from 2:30 p.m. to 4 p.m.<\/li>\n<\/ul>\n<p><strong><em>This Is Not a Movie<\/em><\/strong>\u00a0by Yung Chang (106 min, TINAM Inc.\/Sutor Kolonko\/NFB)\u00a0<strong>\u2013 Quebec premiere with the filmmaker and the film\u2019s subject, Robert Fisk, in attendance. Fisk will open Forum RIDM on November 18.<\/strong><br \/>\nElectronic press kit:\u00a0<a href=\"https:\/\/mediaspace.nfb.ca\/epk\/this-is-not-a-movie\/\">mediaspace.nfb.ca\/this-is-not-a-movie\/<\/a><\/p>\n<ul>\n<li>For more than 40 years, journalist Robert Fisk has reported on some of the most violent and divisive conflicts in the world. Director Yung Chang captures Fisk in relentless action\u2014feet on the ground, notebook in hand, as he travels into landscapes devastated by war.<\/li>\n<li>The film had its world premiere at the Toronto International Film Festival (TIFF) and has been selected to screen at DOC NYC and the International Documentary Film Festival Amsterdam (IDFA).<\/li>\n<\/ul>\n<p><strong><em>n\u00eepawistam\u00e2sowin:\u00a0<\/em><\/strong><strong><em>We Will Stand Up\u00a0<\/em><\/strong>by Tasha Hubbard (98 min, Downstream Documentary Productions\/NFB, in association with CBC Docs and APTN)\u00a0\u2013\u00a0<strong>Quebec premiere with the filmmaker in attendance<\/strong><br \/>\nElectronic press kit:\u00a0<a href=\"https:\/\/mediaspace.nfb.ca\/epk\/we-will-stand-up\/\">mediaspace.nfb.ca\/we-will-stand-up\/<\/a><\/p>\n<ul>\n<li>On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley\u2019s rural property with his friends. The jury\u2019s subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada\u2019s legal system and propelling Colten\u2019s family to national and international stages in their pursuit of justice.<\/li>\n<li>The film had its world premiere at Toronto\u2019s Hot Docs Festival\u2014the first time the festival\u2019s opening film was made by an Indigenous director\u2014where it won the award for Best Canadian Feature. It also received the Colin Low Award for Canadian Documentary at Vancouver\u2019s DOXA Festival.<\/li>\n<\/ul>\n<p><strong>Panorama\/Resistance<\/strong><\/p>\n<p><strong><em>Kenbe la, Until We Win<\/em><\/strong>\u00a0by Will Prosper (83 min, NFB) \u2014\u00a0<strong>World premiere with the filmmaker, protagonists and members of the creative team in attendance<\/strong><br \/>\nTheatrical release: January 31, 2020<br \/>\nElectronic press kit:\u00a0<a href=\"https:\/\/mediaspace.nfb.ca\/epk\/kenbe-la-until-we-win\/\">mediaspace.nfb.ca\/kenbe-la-until-we-win\/<\/a><\/p>\n<ul>\n<li>Some dreamers have the power to inspire us, bring us together, and help us reconnect with our humanity. Set in a lush Haitian countryside that\u2019s not often seen on film, as well as in the icy landscapes of Quebec, this documentary chronicles the inspiring journey of Alain Philoct\u00e8te, an artist and activist who dreams of developing a permaculture project in his native country. With privileged access to an extraordinary man, the filmmaker offers a contemporary Quebec work with Haitian roots. The film\u2019s score was composed by Jenny Salgado and Andr\u00e9 Courcy.<\/li>\n<li>Just prior to the launch of his new film at RIDM, documentarian and activist Will Prosper will be discussing his creative process at the latest edition of\u00a0<strong>Les cin\u00e9astes racontent<\/strong>, organized by NFB Executive Producer Nathalie Cloutier, on Wednesday, October 30 at 5 p.m. at the Cin\u00e9math\u00e8que qu\u00e9b\u00e9coise.<\/li>\n<\/ul>\n<p><em><strong>Jordan River Anderson, The Messenger<\/strong>\u00a0<\/em>by Alanis Obomsawin (66 min, NFB) \u2013\u00a0<strong>Quebec premiere with the filmmaker in attendance<\/strong><br \/>\nElectronic press kit:\u00a0<a href=\"https:\/\/mediaspace.nfb.ca\/epk\/jordan\/\">mediaspace.nfb.ca\/jordan\/<\/a><\/p>\n<ul>\n<li>The 53rd film by veteran filmmaker Alanis Obomsawin tells the story of how the life of Jordan River Anderson initiated a battle for the right of Indigenous children to receive the same standard of social, health and educational services as the rest of the Canadian population.<\/li>\n<li>The film had its world premiere at TIFF and has been selected to screen at many festivals. It also won the Best Canadian Documentary Award at the Vancouver International Film Festival (VIFF).<\/li>\n<li>More than 40 works by Alanis Obomsawin are now available for free streaming at\u00a0<a href=\"https:\/\/www.nfb.ca\/directors\/alanis-obomsawin\/\">NFB.ca<\/a>\u2014spanning over a half-century of incredible storytelling and activism.<\/li>\n<\/ul>\n<p><strong>Panorama\/The State of the World<\/strong><\/p>\n<p><strong><em>Conviction<\/em><\/strong>\u00a0by Nance Ackerman, Ariella Pahlke and Teresa MacInnes (78 min, Sea to Sea Productions\/NFB, in association with the CBC\u00a0<em>Documentary<\/em>\u00a0Channel) \u2013<strong>\u00a0Quebec premiere with the filmmaker in attendance and in collaboration with Cinema Politica<\/strong><br \/>\nElectronic press kit:\u00a0<a href=\"https:\/\/mediaspace.nfb.ca\/epk\/conviction\/\">mediaspace.nfb.ca\/conviction\/<\/a><\/p>\n<ul>\n<li><strong><em>Conviction<\/em><\/strong>\u00a0envisions alternatives to prison through the eyes of women behind bars and those fighting on the front lines of the decarceration movement. The film compels viewers to examine why we imprison the most vulnerable among us, and at what cost.<\/li>\n<li>The film had its world premiere at Toronto\u2019s Hot Docs Festival.<\/li>\n<\/ul>\n<p><strong>UXdoc<\/strong><\/p>\n<p><strong><em>Homestay\u00a0<\/em><\/strong>by Paisley Smith and Jam3 (NFB, 15 min) \u2013\u00a0<strong>Quebec premiere<\/strong><br \/>\nElectronic press kit:\u00a0<a href=\"https:\/\/mediaspace.nfb.ca\/epk\/homestay\/\">mediaspace.nfb.ca\/homestay\/<\/a><\/p>\n<ul>\n<li>This VR experience is one family\u2019s story of life with international students\u2014a look at how complete immersion in another culture can create a clash of expectations and change our understanding of family, hospitality, nationality and love.<\/li>\n<li><strong><em>Homestay<\/em><\/strong>\u00a0has been presented at numerous national and international festivals, and received an award at VIFF.<\/li>\n<\/ul>\n<p><strong><em>Bulle<\/em><\/strong>\u00a0by the NFB \u00d7 UQAM Jeunes pousses interactive school \u2013\u00a0<strong>preview<\/strong>\u00a0<strong>event<\/strong>\u00a0<strong>with assisted navigation<\/strong><br \/>\nLaunch scheduled for winter 2020<\/p>\n<ul>\n<li>The project takes us to Montreal circa 2050, a world where nothing has been done to curtail climate change.<\/li>\n<li>The creative team will offer an assisted navigation session on Tuesday, November 19 at 8 p.m. at the UXdoc Space, Cin\u00e9math\u00e8que qu\u00e9b\u00e9coise.<\/li>\n<li>Jeunes pousses is an internship that brings together students from different UQAM programs to work on a project at the NFB\u2019s French Digital Studio. Past projects include\u00a0<a href=\"https:\/\/vimeo.com\/235613895\"><strong><em>D\u00e9routes, un voyage sonore au c\u0153ur de Montr\u00e9al<\/em><\/strong><\/a>\u00a0and\u00a0<a href=\"https:\/\/youtu.be\/aosTws_jsvs\"><strong><em>Clit Me<\/em><\/strong><\/a>.<\/li>\n<\/ul>\n<p><strong>NFB at Forum RIDM<\/strong><\/p>\n<ul>\n<li>Nathalie Cloutier and Colette Loum\u00e8de, respectively Executive Producer and Producer at the NFB\u2019s French Documentary Studio, will be participating in the\u00a0<a href=\"https:\/\/ridm.ca\/en\/forum-ridm\/one-on-one-pitches-2019\"><strong>One-on-One<\/strong><\/a>\u00a0meetings on November 19\u00a0from 9\u00a0a.m. to 5 p.m.<\/li>\n<li>The NFB is supporting the development of two projects, one in French and one in English, at\u00a0<a href=\"https:\/\/ridm.ca\/en\/forum-ridm\/call-for-projects\/talent-lab?search=talent+lab\">Talent Lab 2019<\/a>, taking place November 16 to 18.<\/li>\n<li>The NFB will be giving away $5,000\u00a0worth of technical services under its ACIC program at the\u00a0<a href=\"https:\/\/ridm.ca\/en\/news\/cuban-hat-pitch-2019-call-for-projects\"><strong>Cuban Hat Pitch<\/strong><\/a>, which provides Canadian filmmakers with support for their documentary project.<\/li>\n<\/ul>\n<p><strong>About the NFB<\/strong><\/p>\n<p>The NFB is Canada\u2019s public producer of award-winning creative documentaries, auteur animation, interactive stories and participatory experiences. NFB producers are embedded in communities across the country, from St. John\u2019s to Vancouver, working with talented creators on innovative and socially relevant projects. The NFB is a leader in gender equity in film and digital media production, and is working to strengthen Indigenous-led production, guided by the recommendations of Canada\u2019s Truth and Reconciliation Commission. NFB productions have won over 7,000 awards, including 24 Canadian Screen Awards, 21 Webbys, 12 Oscars and more than 100 Genies. To access this award-winning content and discover the work of NFB creators, visit\u00a0<a href=\"https:\/\/www.nfb.ca\/\">NFB.ca<\/a>, download its\u00a0<a href=\"https:\/\/www.nfb.ca\/apps\/\">apps<\/a>\u00a0for mobile devices or visit\u00a0<a href=\"http:\/\/www.nfb.ca\/pause\">NFB Pause<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The\u00a0National Film Board of Canada\u00a0(NFB) is back at the\u00a0Montreal International Documentary Festival\u00a0(RIDM) with eight productions and co-productions, including six feature-length &hellip;<\/p>\n","protected":false},"author":44,"featured_media":235984,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-235983","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-national-film-board","mauthors-government-of-canada"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/235983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=235983"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/235983\/revisions"}],"predecessor-version":[{"id":235985,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/235983\/revisions\/235985"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/235984"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=235983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=235983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=235983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}