{"id":232967,"date":"2019-09-30T04:26:50","date_gmt":"2019-09-30T08:26:50","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=232967"},"modified":"2019-09-30T04:26:50","modified_gmt":"2019-09-30T08:26:50","slug":"kidoodle-tv-sees-changes-at-youtube-as-opportunity-to-win-advertisers-creators","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/09\/30\/kidoodle-tv-sees-changes-at-youtube-as-opportunity-to-win-advertisers-creators\/","title":{"rendered":"Kidoodle.TV sees changes at YouTube as opportunity to win advertisers, creators"},"content":{"rendered":"<figure id=\"attachment_204637\" aria-describedby=\"caption-attachment-204637\" style=\"width: 750px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/photo-1521302200778-33500795e128.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-204637 size-full\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/photo-1521302200778-33500795e128.jpg\" alt=\"\" width=\"750\" height=\"500\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/photo-1521302200778-33500795e128.jpg 750w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/photo-1521302200778-33500795e128-300x200.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><figcaption id=\"caption-attachment-204637\" class=\"wp-caption-text\">YouTube&#8217;s creative partners were informed in September, in accordance with the settlement, that they have only a few months to ensure they&#8217;re not using behavioural data to target child audiences on its platform.(Photo: Christian Wiediger\/Unsplash)<\/figcaption><\/figure>\n<p>Kidoodle.TV co-founder Neil Gruninger says advertisers and content producers who want to reach children under the age of 13 are increasingly turning to the Calgary-based startup as an alternative to YouTube&#8217;s global platform.<\/p>\n<p>\u201cWe get content producers, and YouTubers, knocking on our door every day now because of the success we&#8217;ve had,\u201d Gruninger says. \u201cThey know the types of revenue they can make from Kidoodle.TV.\u201d<\/p>\n<p>He says the Kidoodle.TV media platform \u2014 which switched last year from a completely ad-free model to a hybrid ad-subscription business \u2014 has attracted content producers who are worried about changes at Google&#8217;s YouTube unit.<\/p>\n<p>Google recently agreed to pay US$170 million to settle allegations that YouTube violated the U.S. Children&#8217;s Online Privacy Protection Act (COPPA) by collecting personal data on children without their parents&#8217; consent.<\/p>\n<p>YouTube&#8217;s creative partners were informed in September, in accordance with the settlement, that they have only a few months to ensure they&#8217;re not using behavioural data to target child audiences on its platform.<\/p>\n<p>\u201cIf applicable, this may result in a decrease in revenue from some creators,\u201d YouTube said in a Sept. 4 statement.<\/p>\n<p>Gruninger says Kidoodle.TV has never collected the kind of behavioural data that got Google and YouTube in trouble with the U.S. Federal Trade Commission and New York&#8217;s attorney general.<\/p>\n<p>Moreover, Gruninger says Kidoodle.TV pays its content producers on the basis of user downloads, with flat rates per thousand views regardless of advertising \u2014 so it&#8217;s possible for them to earn more than they would with YouTube.<\/p>\n<p>To help generate more ad revenue, Kidoodle.TV has also enlisted one of Canada&#8217;s biggest media companies \u2014 Corus\u00a0Entertainment, owner of the Treehouse and YTV specialty channels \u2014 as its Canadian advertising representative.<\/p>\n<p>\u201cWe feel we&#8217;re going to be able to do a lot more here in Canada (with Corus) compared to what we would do on our own,\u201d Gruninger says.<\/p>\n<p>It&#8217;s not that there&#8217;s a shortage of competition facing Kidoodle.TV, either for advertisers or viewers.<\/p>\n<p>DHX Media, for instance, has seen so much growth at its advertising-supported video-on-demand unit that the company will be renamed WildBrain and its AVOD service will be renamed WildBrain Spark.<\/p>\n<p>The Halifax-based company \u2014 which is a global distributor and content producer with several Canadian specialty TV channels including Family and Family Jr. \u2014 said WildBrain Spark had nearly 33 billion views worldwide last year.<\/p>\n<p>Regarding YouTube&#8217;s recent decision to ban \u201cinterest based\u201d children&#8217;s advertising \u2014 which is tailored to individual users, DHX president Josh Serba told analysts that WildBrain uses \u201ccontextual\u201d advertising.\u201d<\/p>\n<p>\u201cThese are ads which rely on audience measurement and demographics. And to put in plain terms, it&#8217;s how advertising has always worked on television,\u201d Serba said.<\/p>\n<p>\u201cWe know that we have a great collection of quality content that attracts massive audiences, and we believe that advertising will continue to be an important part of the monetization.\u201d<\/p>\n<p>At Kidoodle.TV, which sources its content from third-party creators including animated content from Corus&#8217;s Nelvana unit, Gruninger acknowledges it faces a few other child-oriented video platforms with advertising \u2014 including Google&#8217;s own YouTube Kids and the independent Toon Goggle \u2014 but that doesn&#8217;t diminish his optimism.<\/p>\n<p>\u201cWe have contextualized programming that is completely COPPA-compliant,\u201d Gruninger says. \u201cThat&#8217;s been a huge win for us and I think that&#8217;s why a lot of advertisers are coming our way, and coming back for more.\u201d<\/p>\n<p>This report by The Canadian Press was first published Sept. 29, 2019.<\/p>\n<p>Companies in this story: (TSX:CJR.B, TSX:DHX)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kidoodle.TV co-founder Neil Gruninger says advertisers and content producers who want to reach children under the age of 13 are &hellip;<\/p>\n","protected":false},"author":44,"featured_media":204637,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-232967","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-david-paddon","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/232967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=232967"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/232967\/revisions"}],"predecessor-version":[{"id":232968,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/232967\/revisions\/232968"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/204637"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=232967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=232967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=232967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}