{"id":232305,"date":"2019-09-24T23:15:33","date_gmt":"2019-09-25T03:15:33","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=232305"},"modified":"2019-09-24T23:15:33","modified_gmt":"2019-09-25T03:15:33","slug":"right-at-home-cool-stationery-elevates-the-handwritten-note","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/09\/24\/right-at-home-cool-stationery-elevates-the-handwritten-note\/","title":{"rendered":"RIGHT AT HOME: Cool stationery elevates the handwritten note"},"content":{"rendered":"<figure id=\"attachment_232312\" aria-describedby=\"caption-attachment-232312\" style=\"width: 960px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/09\/paper-3033204_960_720.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-232312\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/09\/paper-3033204_960_720.jpg\" alt=\"\" width=\"960\" height=\"540\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/09\/paper-3033204_960_720.jpg 960w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/09\/paper-3033204_960_720-300x169.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/09\/paper-3033204_960_720-768x432.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><figcaption id=\"caption-attachment-232312\" class=\"wp-caption-text\">Whether it&#8217;s a follow-up thank you or a stand-alone communique conveying anything from warmth to wisdom, the humble notecard can rise above life&#8217;s digital froth. (Pixabay Photo)<\/figcaption><\/figure>\n<p>We&#8217;re all emailing, texting and DM&#8217;ing as fast as our thumbs can type these days, but there&#8217;s also some Old School pushback. For many style-savvy communicators, handwritten notes are the thing.<\/p>\n<p>Whether it&#8217;s a follow-up thank you or a stand-alone communique conveying anything from warmth to wisdom, the humble notecard can rise above life&#8217;s digital froth. A thought or two is composed. Pen meets paper. And then the result must be transported. So much more than the pressing of a &#8220;send&#8221;\u00a0button, the handwritten note implies effort, and is thus special.<\/p>\n<p>Stationery Studio specializes in well-designed notecards. There are hand-illustrated botanical patterns, nautical and sporting motifs, preppy striped designs, and animals. All can be personalized with names or initials in a range of fonts.<\/p>\n<p>At Papyrus, notecards come engraved with tiny sea turtles, hummingbirds, pineapples, vintage airplanes, lightbulbs or gingko leaves.<\/p>\n<p>Art lovers should check out the Museum of Modern Art&#8217;s online store, where notecard sets include the works of Matisse, Rothko, Klimt, Calder, Toulouse-Lautrec and Monet. More art cards can be found at other museums&#8217; shops, including that of The Metropolitan Museum of Art, where William Morris prints and Impressionist prints are on offer.<\/p>\n<p>Understated, foil-stamped paper clips and pushpins embellish the notecards at Russel &amp; Hazel, making them ideal for business correspondence.<\/p>\n<p>Austin, Texas, designer Katie Kime&#8217;s notecard line has several patterns with a swingy Palm Springs vibe, including Riviera, Greta and Lucy, in colour combos like pink and navy and citrus and lime.<\/p>\n<p>Block printing brings an artsy, rustic charm to paper. Etsy shops JenAitchisonArt and MapleMoonDesign have lovely woodland animal and winter forest designs.<\/p>\n<p>Kirsti Scott has been collecting sea glass for years around her home in Capitola, California. A graphic designer, she creates art prints as well as notecards, transforming the bits of water-washed glass into flowers, land and sea animals, beach balls, even VW camper buses. She&#8217;ll do custom designs as well. Her online shop is EtchedByTheSea.<\/p>\n<p>Seattle studio Of the Earth, or flowerseedpaper .com, prints photos they&#8217;ve taken around the Pacific Northwest on homemade paper embedded with seeds like daisy, snapdragon, poppy, thyme and chamomile. When you&#8217;re done reading the card, you can pop it into a pot or garden, add a bit of soil and water, and in a couple of weeks your missive will have sprouted.<\/p>\n<p>Want a blank slate to create your own artsy flourish, or to just leave unadorned so your note takes centre stage? Paper Source has lustrous gold or silver shimmer-finished cards and matching envelopes. There&#8217;s a wide palette of other hues if shine isn&#8217;t your thing, as well as cards trimmed with a smart little scalloped edge.<\/p>\n<p>Now that you&#8217;ve got your notecards, consider an elevated set of accessories in which to store them. Poltrona Frau&#8217;s Zhuang set (the Chinese word means to protect something precious) has a multi-purpose oval box, pen holder and ruler, and a work pad. Containers are made of solid walnut, and all the pieces are covered in rich saddle leather.<\/p>\n<p>David Irwin has designed a tidy collection of Portuguese cork boxes for Case that he calls Trove; they&#8217;re available at Design Within Reach.<\/p>\n<p>And at Container Store, there are storage boxes clad in linen-look fabric, lined in faux leather. For cards that are all dressed up, with somewhere to go.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We&#8217;re all emailing, texting and DM&#8217;ing as fast as our thumbs can type these days, but there&#8217;s also some Old &hellip;<\/p>\n","protected":false},"author":33,"featured_media":232312,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-232305","post","type-post","status-publish","format-standard","has-post-thumbnail","category-lifestyle","mauthors-kim-cook","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/232305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=232305"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/232305\/revisions"}],"predecessor-version":[{"id":232313,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/232305\/revisions\/232313"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/232312"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=232305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=232305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=232305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}