{"id":231991,"date":"2019-09-22T22:46:34","date_gmt":"2019-09-23T02:46:34","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=231991"},"modified":"2019-09-22T22:46:34","modified_gmt":"2019-09-23T02:46:34","slug":"emmys-carpet-lights-up-in-reds-pinks-and-golden-hollywood","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/09\/22\/emmys-carpet-lights-up-in-reds-pinks-and-golden-hollywood\/","title":{"rendered":"Emmys carpet lights up in reds, pinks and golden Hollywood"},"content":{"rendered":"
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Julia Louis-Dreyfus stunned in classic Hollywood gold, MJ Rodriguez of \u201cPose\u201d slayed in a classic magenta gown and Jodie Comer of \u201cKilling Eve\u201d wore sleek white on the\u00a0Emmy\u00a0Awards’ purple carpet Sunday. (File Photo<\/a>: Thomas Hawk\/Flickr<\/a>, CC BY-NC 2.0<\/a>)<\/figcaption><\/figure>\n

NEW YORK \u2014 Julia Louis-Dreyfus stunned in classic Hollywood gold, MJ Rodriguez of \u201cPose\u201d slayed in a classic magenta gown and Jodie Comer of \u201cKilling Eve\u201d wore sleek white on the\u00a0Emmy\u00a0Awards’ purple carpet Sunday.<\/p>\n

Gwendoline Christie took her \u201cGame of Thrones\u201d mantle to the extreme in a medieval red cape, while Sandra Oh posed with her hair in high curls and dressed in a pink off-shoulder dress.<\/p>\n

Billy Porter made his carpet statement in a lopsided cowboy hat \u2014 one side was huge and the other not. His suit was in sparkling silver and black stripes.<\/p>\n

Comer, who plays the assassin Villanelle, enjoyed the best of two fashion worlds. Her gown was both sleeveless, with a plunging neckline and high-waist tie belt, and long-sleeve, with a jacket effect that skimmed the ground.<\/p>\n

Rodriguez smiled for the cameras in her sleeveless look with deep plunges under each arm and elegant black bows at the waist.<\/p>\n

Christie lived out her Brienne of Tarth days on the now-concluded HBO series in her puffy-sleeved outfit.<\/p>\n

Viola Davis adjusted her sparkling chokers as she smiled for the cameras in a black-and-white gown. One half was black velvet and the other white satin. It was custom Alberta Ferretti Limited Edition, with a draped off-shoulder sleeve on the white side and no sleeve at all on the left.<\/p>\n

Other standouts: Ava DuVernay in a high-neck princess look that glistened gold. Taraji P. Henson made the most of an ethereal pink and red gown. She flared her long red sleeves on the carpet, managing a high slit and neck plunge at the same time.<\/p>\n

Marisa Tomei and Susan Kelechi Watson also wore looks of red and pink.<\/p>\n

Rachel Brosnahan, who stars in \u201cThe Marvelous Mrs. Maisel,\u201d represented in a contemporary Hollywood look of metallic midnight blue that caught the camera flashes just right. The Elie Saab design was backless with a unique neckline and ruffly detail at the waist.<\/p>\n

As for the guys, Chris Sullivan didn’t disappoint in a plaid tuxedo with wide white lapels, while Papa Jack Pearson \u2014 Milo Ventimiglia \u2014 from the same show, \u201cThis is Us,\u201d walked in a taupe jacket. The child stars of the NBC hit lit up the carpet early on, including Eris Baker in striking gray and a stunning head piece to match.<\/p>\n

The 14-year-old, who plays teen Tess Pearson, walked in multi-tiered Tadashi Shoji, while her screen little sister Annie, played by 10-year-old Faithe Herman, wore a very grown-up canary yellow gown.<\/p>\n

Eris called the inspiration for her look a \u201cfuturistic princess,\u201d and that’s how it made her feel. Lonnie Chavis, 11, the kid Randall on \u201cThis is Us,\u201d opted for red lapels on his tuxedo. Young Kevin, played by Parker Bates, went for sparkles that covered his tuxedo jacket.<\/p>\n

Kerry Washington opted for sparkling, high-waisted trousers and a ruffle tuxedo blouse with the collar popped and a few buttons adventurously undone. Angela Bassett also went for trousers, hers in bright red.<\/p>\n","protected":false},"excerpt":{"rendered":"

NEW YORK \u2014 Julia Louis-Dreyfus stunned in classic Hollywood gold, MJ Rodriguez of \u201cPose\u201d slayed in a classic magenta gown …<\/p>\n","protected":false},"author":44,"featured_media":231999,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-231991","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-leanne-italie","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/231991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=231991"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/231991\/revisions"}],"predecessor-version":[{"id":232000,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/231991\/revisions\/232000"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/231999"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=231991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=231991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=231991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}