{"id":230182,"date":"2019-09-09T21:51:41","date_gmt":"2019-09-10T01:51:41","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=230182"},"modified":"2019-09-09T21:51:41","modified_gmt":"2019-09-10T01:51:41","slug":"in-dolemite-is-my-name-a-return-to-form-for-eddie-murphy","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/09\/09\/in-dolemite-is-my-name-a-return-to-form-for-eddie-murphy\/","title":{"rendered":"In &#8216;Dolemite Is My Name,&#8217; a return to form for Eddie Murphy"},"content":{"rendered":"<figure id=\"attachment_230188\" aria-describedby=\"caption-attachment-230188\" style=\"width: 448px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/09\/69356532_2145787702388986_5203912212539099048_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-230188\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/09\/69356532_2145787702388986_5203912212539099048_n.jpg\" alt=\"\" width=\"448\" height=\"313\" \/><\/a><figcaption id=\"caption-attachment-230188\" class=\"wp-caption-text\">&#8220;Dolemite Is My Name&#8221;\u00a0drew some of the best reviews of Murphy&#8217;s career, following the film&#8217;s premiere over the weekend in Toronto. (<a href=\"https:\/\/www.instagram.com\/p\/B2JW9omiQd0\/\">File Photo<\/a>: <a href=\"https:\/\/www.instagram.com\/_eddiemurphy_\/\">_eddiemurphy_\/Instagram<\/a>)<\/figcaption><\/figure>\n<p>TORONTO \u2014\u00a0It took Eddie Murphy more than a decade to get a movie made about Rudy Ray Moore. Judging by the response to the film at the Toronto International Film Festival, the wait was worth it.<\/p>\n<p>&#8220;Dolemite Is My Name&#8221;\u00a0drew some of the best reviews of Murphy&#8217;s career, following the film&#8217;s premiere over the weekend in Toronto.<\/p>\n<p>It had been a while. Murphy&#8217;s last two leading performances \u2014\u00a02016&#8217;s &#8220;Mr. Church&#8221;\u00a0and 2012&#8217;s &#8220;A Thousand Words&#8221;\u00a0\u2014\u00a0were little seen and little loved.<\/p>\n<p>But &#8220;Dolemite Is My Name&#8221;\u00a0was a passion project for the 58-year-old comedian. He long ago met with Moore, who died in 2008 at the age of 81, to discuss making a movie about the comedian. Moore&#8217;s famous character \u2014\u00a0the straight-talking, kung fu-fighting pimp Dolemite \u2014\u00a0was his stand-up persona and star of the 1975 Blaxploitation classic &#8220;Dolemite.&#8221;<\/p>\n<p>&#8220;I never let go of the idea. It was always something I thought could be a great movie. I had been sitting on the couch. I took some time to do nothing,&#8221;\u00a0Murphy said in an interview. &#8220;It goes back to when Rudy was alive. I literally went to see him at a club. It just didn&#8217;t come together. And there was no Netflix back then.&#8221;<\/p>\n<p>&#8220;Dolemite Is My Name,&#8221;\u00a0directed by Craig Brewer (&#8220;Hustle &amp; Flow&#8221;), will be released by Netflix in theatres Oct. 4 and begin streaming on Oct. 25. It&#8217;s penned by Scott Alexander and Larry Karaszewski, who memorably wrote another tale about an inexpert filmmaker: &#8220;Ed Wood.&#8221;<\/p>\n<p>&#8220;Dolemite Is My Name&#8221;\u00a0chronicles the ramshackle, threadbare making of &#8220;Dolemite&#8221;\u00a0with Wesley Snipes playing director D&#8217;Urville Martin. It&#8217;s a paean to low-budget moviemaking and a celebration of creating something out of nothing, outside a movie system that made scant room for African-American stories.<\/p>\n<p>For Brewer, a Memphis, Tennessee, native, it&#8217;s a testament to the independent filmmaking of his youth.<\/p>\n<p>&#8220;I came up in my career as a guerrilla filmmaker. You show up and you shoot. You don&#8217;t have permits. You don&#8217;t have professionals help you. You just have a bunch of other people like you who have a blind passion,&#8221;\u00a0Brewer said. &#8220;Sometimes those passion projects turn into something wonderful even though they&#8217;re terrible.&#8221;<\/p>\n<p>For &#8220;My Name Is Dolemite,&#8221;\u00a0the reception in Toronto was electric \u2014\u00a0especially for a performance that for many recalled Murphy&#8217;s performances of the &#8217;80s. During the standing ovation that followed the film&#8217;s premiere, cast member Keegan-Michael Key suggested the lengthy applause shouldn&#8217;t stop for Murphy. &#8221;<\/p>\n<p>We should just stand all night and clap for him,&#8221;\u00a0Key said.<\/p>\n<p>The film has helped kick off a comeback for Murphy. After years of working seldom if at all, Murphy is currently shooting a sequel to &#8220;Coming to America,&#8221;\u00a0also with Brewer directing and Snipes co-starring. Later this year, the former &#8220;Saturday Night Live&#8221;\u00a0castmember will host the show for the first time since 1984. And after years away from the stage, he&#8217;s plotting a return to stand-up, with a tour planned for next summer.<\/p>\n<p>But before all that, Murphy was again performing stand-up, only as Rudy Ray Moore and outfitted in the costumes designed by Oscar-winner Ruth Carter for &#8220;My Name Is Dolemite.&#8221;\u00a0The filmmakers recognized what a privileged sight they were watching.<\/p>\n<p>&#8220;Eddie comes in as Rudy and he starts telling jokes. And like Eddie does, he goes completely off book. If something comes, he just rolls into it,&#8221;\u00a0Brewer said. &#8220;Then he left and I turned to the audience and said, &#8216;Y&#8217;all, do you realize what just happened? I don&#8217;t think he&#8217;s done that in like years! Decades!&#8221;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TORONTO \u2014\u00a0It took Eddie Murphy more than a decade to get a movie made about Rudy Ray Moore. Judging by &hellip;<\/p>\n","protected":false},"author":33,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-230182","post","type-post","status-publish","format-standard","category-entertainment","mauthors-jake-coyle","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/230182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=230182"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/230182\/revisions"}],"predecessor-version":[{"id":230200,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/230182\/revisions\/230200"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=230182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=230182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=230182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}