{"id":229824,"date":"2019-09-07T04:43:11","date_gmt":"2019-09-07T08:43:11","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=229824"},"modified":"2019-09-07T04:43:11","modified_gmt":"2019-09-07T08:43:11","slug":"elie-tahari-mixes-sophistication-with-playful-hats-patterns","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/09\/07\/elie-tahari-mixes-sophistication-with-playful-hats-patterns\/","title":{"rendered":"Elie Tahari mixes sophistication with playful hats, patterns"},"content":{"rendered":"<figure id=\"attachment_229825\" aria-describedby=\"caption-attachment-229825\" style=\"width: 2807px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/09\/Elie_Tahari_Las_Vegas_boutique.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-229825\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/09\/Elie_Tahari_Las_Vegas_boutique.jpg\" alt=\"\" width=\"2807\" height=\"2432\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/09\/Elie_Tahari_Las_Vegas_boutique.jpg 2807w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/09\/Elie_Tahari_Las_Vegas_boutique-300x260.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/09\/Elie_Tahari_Las_Vegas_boutique-768x665.jpg 768w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/09\/Elie_Tahari_Las_Vegas_boutique-1024x887.jpg 1024w\" sizes=\"auto, (max-width: 2807px) 100vw, 2807px\" \/><\/a><figcaption id=\"caption-attachment-229825\" class=\"wp-caption-text\">FILE: The Elie Tahari boutique at The Forum Shops at Caesars in Las Vegas. (<a href=\"https:\/\/commons.wikimedia.org\/w\/index.php?curid=15894050\">Photo By Coolcaesar at en.wikipedia, CC BY-SA 3.0<\/a>)<\/figcaption><\/figure>\n<p>NEW YORK \u2014 Elie Tahari didn&#8217;t shy away from playful elements in his spring-summer 2020 collection. But the patterns and bucket hats didn&#8217;t take away from the classic sophistication he brings to his designs.<\/p>\n<p>Tahari said he was inspired by New York in the 1970s, around the time he immigrated to the U.S. from Israel.<\/p>\n<p>\u201cDowntown, Soho, the art scene \u2014 New York was vibrant and it&#8217;s vibrant now,\u201d he told The Associated Press.<\/p>\n<p>To show off the New York spirit Thursday at Fashion Week, Tahari used polka dots and animal prints on everything from a long rain slicker to swingy skirts and dresses. He carried over the patterns to his ever-present hats.<\/p>\n<p>He also used a range of silhouettes. There were bell sleeves on a gingham seersucker mini dress, oversized blazers cinched with belts and a trench coat lined with leopard print, slung over the shoulders of a satin slip gown.<\/p>\n<p>Tahari said he hoped women wearing his collection would feel confident, comfortable and elegant. Wide patch pockets were meant to evoke a worker&#8217;s spirit, according to his show notes. He layered some of his dots to look like a modern animal print.<\/p>\n<p>It was a juxtaposition between industrial and creative, he said. His models wore chunky heels with ankle straps or bright wide sneakers.<\/p>\n<p>Actress Amy Hargreaves of \u201cHomeland\u201d and \u201c13 Reasons Why\u201d said Tahari&#8217;s mix is what drew her to the brand.<\/p>\n<p>\u201cWhat I like about Tahari is that it&#8217;s classic, but with an edge,\u201d she said. \u201cIt&#8217;s the kind of stuff that the regular woman can wear to work but you could also go out at night afterward.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NEW YORK \u2014 Elie Tahari didn&#8217;t shy away from playful elements in his spring-summer 2020 collection. But the patterns and &hellip;<\/p>\n","protected":false},"author":44,"featured_media":229825,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-229824","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fashion-and-beauty","mauthors-ragan-clark","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/229824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=229824"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/229824\/revisions"}],"predecessor-version":[{"id":229826,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/229824\/revisions\/229826"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/229825"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=229824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=229824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=229824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}