{"id":228880,"date":"2019-08-31T00:10:55","date_gmt":"2019-08-31T04:10:55","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=228880"},"modified":"2019-08-31T00:10:55","modified_gmt":"2019-08-31T04:10:55","slug":"kristen-stewart-wants-to-elevate-jean-seberg-beyond-haircut","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/08\/31\/kristen-stewart-wants-to-elevate-jean-seberg-beyond-haircut\/","title":{"rendered":"Kristen Stewart wants to elevate Jean Seberg beyond haircut"},"content":{"rendered":"
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When asked if she was more ready for fame than she was after \u201cTwilight,\u201d Stewart responded: \u201cI’m ready for all of it.\u201d (File Photo<\/a>: rocor\/Flickr<\/a>, CC BY-NC 2.0<\/a>)<\/figcaption><\/figure>\n

VENICE, Italy \u2014 Kristen Stewart only knew Jean Seberg as an image.<\/p>\n

The picture of the waif with the pixie haircut and the New York Herald Tribune shirt embodied the effortless chic associated with the ingenues of the French New Wave. But behind the haircut and her improbable ascent from obscurity to Hollywood stardom at age 17, there was a woman who was a passionate advocate for civil rights, surveilled by the FBI for years, driven to madness and who died well before her time.<\/p>\n

It was a story that Stewart was keen to learn about and share with the world in with her portrayal of the \u201cBreathless\u201d actress in \u201cSeberg,\u201d which premiered Friday at the 76th Venice Film Festival on the 40th anniversary of her death.<\/p>\n

\u201cDismantling that (image) and seeing the unravelling of a woman is such a cool story to watch right now,\u201d Stewart said in a news conference. \u201cTo sacrifice something you really love for other people is a really admirable thing to see.\u201d<\/p>\n

She described Seberg’s story as \u201ctragic for all the right reasons\u201d and her subject as a \u201ccompassionate humanitarian in a time when people didn’t want to stomach that.\u201d<\/p>\n

\u201cWe should definitely know her for more than the short haircut,\u201d Stewart said.<\/p>\n

Director Benedict Andrews had a similar revelation about Seberg and described the film as an \u201cAmerican tragedy of a luminous life destroyed by an oppressive surveillance story.\u201d<\/p>\n

\u201cSeberg,\u201d which was in the works for over 15 years, explores the FBI’s surveillance program targeting Seberg in the late 1960s for her association with civil rights activist Hakim Jamal, played by actor Anthony Mackie.<\/p>\n

Andrews’ goal was for the audience to \u201cget to know her through the gaze of the FBI.\u201d It co-stars Zazie Beetz and Jack O’Connell and will be released by Amazon Studios at an unspecified date.<\/p>\n

\u201cSeberg,\u201d which will also be making a stop at the Toronto International Film Festival next week, marks the beginning of a busy stretch for Stewart, who after years of favouring smaller indies, has two bigger budget endeavours coming soon to theatres: \u201cCharlie’s Angels,\u201d on Nov. 15, and \u201cUnderwater,\u201d on Jan. 9.<\/p>\n

When asked if she was more ready for fame than she was after \u201cTwilight,\u201d Stewart responded: \u201cI’m ready for all of it.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

VENICE, Italy \u2014 Kristen Stewart only knew Jean Seberg as an image. The picture of the waif with the pixie …<\/p>\n","protected":false},"author":44,"featured_media":228881,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-228880","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-lindsey-bahr","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/228880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=228880"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/228880\/revisions"}],"predecessor-version":[{"id":228882,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/228880\/revisions\/228882"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/228881"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=228880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=228880"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=228880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}