{"id":228483,"date":"2019-08-28T00:48:15","date_gmt":"2019-08-28T04:48:15","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=228483"},"modified":"2019-08-28T00:48:15","modified_gmt":"2019-08-28T04:48:15","slug":"netflix-to-give-the-irishman-exclusive-theatrical-release","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/08\/28\/netflix-to-give-the-irishman-exclusive-theatrical-release\/","title":{"rendered":"Netflix to give ‘The Irishman’ exclusive theatrical release"},"content":{"rendered":"
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Netflix will give “The Irishman”\u00a0an exclusive theatrical release for about four weeks, providing theatres most of November to play Martin Scorsese’s big-budget crime epic before it lands on the streaming service. (File Photo<\/a>: martinscorsese_\/Instagram<\/a>)<\/figcaption><\/figure>\n

NEW YORK \u2014\u00a0Netflix will give “The Irishman”\u00a0an exclusive theatrical release for about four weeks, providing theatres most of November to play Martin Scorsese’s big-budget crime epic before it lands on the streaming service.<\/p>\n

Netflix said Tuesday that “The Irishman”\u00a0will open theatrically Nov. 1 and begin streaming on Nov. 27.<\/p>\n

The release plans for Netflix’s most expensive film had been a subject of much conjecture ever since the steaming service greenlit Scorsese’s film. The director is one of the most ardent proponents of cinema preservation, but he earlier told The Associated Press that he signed up with Netflix without any condition of a theatrical release.<\/p>\n

“The Irishman,”\u00a0which includes extensive de-aging visual effects to make its star-studded cast \u2014\u00a0including Robert De Niro, Al Pacino and Joe Pesci \u2014\u00a0appear decades younger in some scenes has reportedly cost close to $200 million to make. The film, about hitman and Jimmy Hoffa associate Frank Sheeran, will open the New York Film Festival on Sept. 27.<\/p>\n

Because of the film’s pedigree, theatre owners had lobbied Netflix to give “The Irishman”\u00a0a traditional, wide release. Netflix instead has said the film will be released in select theatres. The major theatre chains, including AMC and Cinemark, have refused to play movies that don’t adhere to the standard 90-day exclusivity window.<\/p>\n

Netflix last fall first began releasing certain titles in theatres first, beginning with Alfonso Cuaron’s “Roma,”\u00a0the Coen brothers’ “The Ballad of Buster Scruggs”\u00a0and the Sandra Bullock thriller “Bird Box.”\u00a0This fall, they will expand that strategy to more films and, in some cases, elongate theatrical runs to about four weeks.<\/p>\n

The Academy of Motion Pictures Arts and Sciences earlier this year contemplated a new rule stipulating a four-week exclusive run in theatres before ultimately deciding not to amend their rules for next year’s Oscars. On its way to several Academy Award wins, “Roma”\u00a0played only in theatres for just over three weeks.<\/p>\n

Steven Soderbergh’s Panama Papers satire “The Laundromat,”\u00a0with Meryl Streep, will open Sept. 27 in U.S. theatres and premiere Oct. 18 on Netflix. The Eddie Murphy-led “Dolemite Is My Name”\u00a0will hit theatres Oct. 4 and begin streaming three weeks later.<\/p>\n

David Michod’s Shakespeare adaptation “The King,”\u00a0with Timothee Chalamet as Henry V, will play theatrically Oct. 11 and debut on Netflix Nov. 1. Noah Baumbach’s “Marriage Story,”\u00a0starring Adam Driver and Scarlett Johansson, will open Nov. 6 and land on Netflix Dec. 6. “The Two Popes,”\u00a0with Jonathan Pryce playing Pope Francis and Anthony Hopkins as his predecessor, Pope Benedict, will open Nov. 27 before a Dec. 20 Netflix premiere.<\/p>\n

All of the above titles will make their premieres at the fall’s top film festivals in the coming weeks.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

NEW YORK \u2014\u00a0Netflix will give “The Irishman”\u00a0an exclusive theatrical release for about four weeks, providing theatres most of November to …<\/p>\n","protected":false},"author":33,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-228483","post","type-post","status-publish","format-standard","category-entertainment","category-hollywood","mauthors-jake-coyle","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/228483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=228483"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/228483\/revisions"}],"predecessor-version":[{"id":228485,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/228483\/revisions\/228485"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=228483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=228483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=228483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}