{"id":224514,"date":"2019-07-25T22:22:13","date_gmt":"2019-07-26T02:22:13","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=224514"},"modified":"2019-07-25T22:22:13","modified_gmt":"2019-07-26T02:22:13","slug":"orange-is-the-new-black-offers-fans-a-way-to-give-back","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/07\/25\/orange-is-the-new-black-offers-fans-a-way-to-give-back\/","title":{"rendered":"‘Orange Is the New Black’ offers fans a way to give back"},"content":{"rendered":"
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The series’ creative team said Thursday it has formed a fund that will support advocacy groups pressing for criminal justice reform and women re-entering society from prison, protect immigrants’ rights and end mass incarceration. (File Photo<\/a>: Orange is the New Black\/Facebook<\/a>)<\/figcaption><\/figure>\n

NEW YORK \u2014 The Netflix series \u201cOrange Is the New Black\u201d isn’t content with leaving behind a legacy of good television. It wants to do good in the real world, too.<\/p>\n

The series’ creative team said Thursday it has formed a fund that will support advocacy groups pressing for criminal justice reform and women re-entering society from prison, protect immigrants’ rights and end mass incarceration.<\/p>\n

The fund, named in honour of show character Poussey Washington, will spread out every donation equally to eight already-existing non-profit groups. The announcement comes on the eve of the Friday premiere of the series’ seventh and final season.<\/p>\n

Washington, an inmate portrayed by actress Samira Wiley, is a fan favourite whose sudden death at the hands of officers in the fourth season stunned many viewers and was a nod to the recent cases of African-Americans killed in police custody.<\/p>\n

Wiley said she’s honoured to have the fund named after her character and happy to have the show embrace real social responsibility.<\/p>\n

\u201cIt’s just a TV show, at the end of the day, but it’s changing people’s minds and hopefully with this fund it will be changing people’s lives \u2014 getting them the education that they need, getting them the health care and the mental health care that they might need,\u201d she said.<\/p>\n

\u201cOrange Is the New Black\u201d is loosely based on a memoir by Piper Kerman, a Smith College graduate from a patrician family who served 13 months in a Connecticut federal correctional institution on drug-related charges. The show, created and written by Jenji Kohan, became a showcase for actresses of colour and brought issues around race, sexuality and criminal justice to the fore.<\/p>\n

\u201cThe legacy of the show, I hope, is empathy. That, and a normalizing of diversity, which reflects real life,\u201d said Kohan. \u201cThe world is not one colour or one socio-economic class or one gender. I think what we’ve come to appreciate most in our work are these crossroads where people who don’t necessarily encounter one another are forced to. Great drama ensues. And comedy. And humanity.\u201d<\/p>\n

Tara Herrmann, an executive producer and writer on the show, said the idea for the fund came from people over the years asking how they could give back. The fund was established with $50,000 in seed money from the show and is supported by GoFundMe.org.<\/p>\n

\u201cIt’s really a call to action to our fans,\u201d Herrmann said. \u201cThere are people out there who feel like, \u201cNow what? What can we do? You’ve given us the story, we see it, we want to make a difference.’ So hopefully this is a place to go,\u201d<\/p>\n

After reading Kerman’s book, Herrmann said she and Kohan were immediately attracted to the world behind bars that few people explore and the way humour and love could exist in such a cruel system.<\/p>\n

\u201cThese were women who were surviving in a world that is doing everything to keep them down. And the way they’re surviving is the tribes that they’re creating and the support system they’re setting up,\u201d Herrmann said.<\/p>\n

The Poussey Washington Fund will help eight groups: A New Way of Life: Reentry Project, Anti-Recidivism Coalition, College & Community Fellowship, Freedom for Immigrants, Immigrant Defenders Law Center, The National Council for the Incarcerated and Formerly Incarcerated Women and Girls, the unPrison Project and Women’s Prison Association. A fictional version of the fund will be featured in the last season of the show.<\/p>\n

As for the finale, Herrmann said she hopes fans will like the way the season ends and wishes the characters linger in viewers’ minds like one of her other favourite shows, \u201cMad Men.\u201d<\/p>\n

\u201cWe hope that we’ve created the final season to live on,\u201d she said. \u201cEvery once and a while I think, ‘I wonder what Peggy’s up to. We hope that people do that with ‘Orange,’ too.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

NEW YORK \u2014 The Netflix series \u201cOrange Is the New Black\u201d isn’t content with leaving behind a legacy of good …<\/p>\n","protected":false},"author":44,"featured_media":224515,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-224514","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-mark-kennedy","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/224514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=224514"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/224514\/revisions"}],"predecessor-version":[{"id":224516,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/224514\/revisions\/224516"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/224515"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=224514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=224514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=224514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}