{"id":220192,"date":"2019-06-24T23:19:20","date_gmt":"2019-06-25T03:19:20","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=220192"},"modified":"2019-06-24T23:19:20","modified_gmt":"2019-06-25T03:19:20","slug":"toy-story-4-opens-big-but-below-expectations-with-118m","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/06\/24\/toy-story-4-opens-big-but-below-expectations-with-118m\/","title":{"rendered":"&#8216;Toy Story 4&#8217; opens big but below expectations with $118M"},"content":{"rendered":"<figure id=\"attachment_220195\" aria-describedby=\"caption-attachment-220195\" style=\"width: 685px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/06\/37161154_10156107138234130_1555708154715570176_n.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-220195\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/06\/37161154_10156107138234130_1555708154715570176_n.png\" alt=\"\" width=\"685\" height=\"823\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/06\/37161154_10156107138234130_1555708154715570176_n.png 685w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/06\/37161154_10156107138234130_1555708154715570176_n-768x922.png 768w\" sizes=\"auto, (max-width: 685px) 100vw, 685px\" \/><\/a><figcaption id=\"caption-attachment-220195\" class=\"wp-caption-text\">FILE: A toy-riffic trio! (<a href=\"https:\/\/www.facebook.com\/PixarToyStory\/photos\/a.128792774129\/10156107138229130\/?type=3&amp;theater\">Photo<\/a>: <a href=\"https:\/\/www.facebook.com\/PixarToyStory\/\">Toy Story\/Facebook<\/a>)<\/figcaption><\/figure>\n<p>NEW YORK &#8211; \u201cToy Story 4\u201d brought the box office to life with a $118 million opening weekend after a three-week slump of underperforming sequels, but the Pixar film&#8217;s below-expectations debut didn&#8217;t quell continuing concerns about a rocky summer movie season.<\/p>\n<p>According to studio estimates, the \u201cToy Story 4\u201d opening ranks as the fourth highest animated film opening ever, not accounting for inflation.<\/p>\n<p>Above it are 2018&#8217;s \u201cIncredibles 2\u201d ($182 million), 2016&#8217;s \u201cFinding Dory\u201d ($135 million), and 2007&#8217;s \u201cShrek the Third\u201d ($121 million).<\/p>\n<p>It&#8217;s the year&#8217;s third largest debut, trailing only a pair of other Disney releases: \u201cAvengers: Endgame\u201d and \u201cCaptain Marvel.\u201d<\/p>\n<p>But heading into the weekend, a $140-150 million opening had seemed assured for \u201cToy Story 4,\u201d which played in 4,575 North American theatres.<\/p>\n<p>Adjusted for inflation, the film came in shy of the $110.3 million \u2014 or about $129 million in today&#8217;s dollars \u2014 \u201cToy Story 3\u201d made nine years ago.<\/p>\n<p>The opening for \u201cToy Story 4\u201d follows a string of disappointing sequels including \u201cDark Phoenix,\u201d \u201cGodzilla: King of the Monsters\u201d and \u201cMen in Black: International.\u201d<\/p>\n<p>But \u201cToy Story 4\u201d had something those films didn&#8217;t: great reviews. It rates 98% fresh on Rotten Tomatoes. Audiences gave it an A CinemaScore.<\/p>\n<p>The sequel, which introduces the child-made plaything Forky (voiced by Tony Hale) to the voice cast including Tom Hanks and Tim Allen, also grossed $120 million internationally, including a modest $13.4 million in China, the world&#8217;s second largest film market.<\/p>\n<p>The overall marketplace didn&#8217;t give \u201cToy Story 4\u201d much momentum.<\/p>\n<p>Last week&#8217;s top film, Sony Pictures&#8217; poorly reviewed \u201cMen in Black International\u201d slid 64 per cent, slipping to fourth place with $10.8 million.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NEW YORK &#8211; \u201cToy Story 4\u201d brought the box office to life with a $118 million opening weekend after a &hellip;<\/p>\n","protected":false},"author":44,"featured_media":220195,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-220192","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-jake-coyle","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/220192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=220192"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/220192\/revisions"}],"predecessor-version":[{"id":220197,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/220192\/revisions\/220197"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/220195"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=220192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=220192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=220192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}