{"id":22012,"date":"2014-08-15T01:51:08","date_gmt":"2014-08-14T17:51:08","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=22012"},"modified":"2014-08-15T01:51:08","modified_gmt":"2014-08-14T17:51:08","slug":"u-s-record-label-locates-canadian-musician-who-doesnt-want-money-for-album","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2014\/08\/15\/u-s-record-label-locates-canadian-musician-who-doesnt-want-money-for-album\/","title":{"rendered":"U.S. record label locates Canadian musician, who doesn&#8217;t want money for album"},"content":{"rendered":"<p><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/vintage-radio.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-22082\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/vintage-radio-1024x682.jpg\" alt=\"vintage radio\" width=\"604\" height=\"402\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/vintage-radio-1024x682.jpg 1024w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/vintage-radio-300x200.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/vintage-radio-600x400.jpg 600w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/a><\/p>\n<p>TORONTO &#8212; An American record label&#8217;s search for a long-lost musician has found the enigmatic runaway hiding somewhere over the border, in Canada.<\/p>\n<p>Randall Wulff self-produced a record called &#8220;L&#8217;Amour&#8221; at a Los Angeles studio under the name &#8220;Lewis&#8221; in 1983. It didn&#8217;t circulate very widely, the music was soon forgotten, and not long afterward Lewis himself seemed to disappear, said Jack Fleischer, a friend of Matt Sullivan, whose Light in the Attic Records has reissued &#8220;L&#8217;Amour.&#8221;<\/p>\n<p>That is, until Wulff&#8217;s music began circulating online earlier this year, prompting praise from bloggers and musicians, and a shot-in-the-dark attempt to find him by Fleischer and Sullivan.<\/p>\n<p>They hopped on a plane to Canada, Sullivan wrote in a blog post and began canvassing a major Western Canadian city, asking people if they&#8217;d seen the musician, showing them a photo taken in 1983.<\/p>\n<p>Late on the second day of their search a gut feeling encouraged them to drive to the other side of town, Fleischer said Wednesday in an interview from Los Angeles.<\/p>\n<p>&#8220;He was sitting right there.&#8221;<\/p>\n<p>Out the window of the car, Sullivan wrote, he saw Wulff, now 60, sipping a cup of coffee in the sunshine.<\/p>\n<p>Older, said Fleischer, but unmistakable.<\/p>\n<p>&#8220;With the cane, big gold watch. All white, white shoes, white shorts, white shirt open down to the navel, nice coiffed blond hair. And I just couldn&#8217;t believe it. It was like seeing a unicorn,&#8221; said Fleischer.<\/p>\n<p>The way Fleischer tells it, Wulff was born in Calgary in 1954, to a construction worker and a Hudson&#8217;s Bay Company clerk. As a young man, he went to New York City to work in finance, catching a few lucky breaks in the stock market.<\/p>\n<p>He travelled to L.A. in 1982, because during the recession &#8220;he was really kind of running out of money.&#8221; He was also struggling with his identity &#8212; was he &#8220;a musician or a money-man,&#8221; Fleisher said.<\/p>\n<p>He made &#8220;L&#8217;Amour,&#8221; and sent copies of the dreamy, romantic, synth-pop folk album to some of his New York stockbroker friends.<\/p>\n<p>&#8220;They really didn&#8217;t know what to make of it,&#8221; said Fleischer.<\/p>\n<p>Then he seemed to drop off the map, though he did self-produce a second record at Thunder Road Studios in Calgary in 1985. And in the late 1990s, he was making recordings at a studio in Vancouver called Fiasco Brothers.<\/p>\n<p>Studio manager Len Osanic said Wednesday that Wulff (a.k.a. Lewis and Randy) is definitely still alive and somewhere in Canada _ or Hawaii, he added. (Both Osanic and Fleischer were careful not to say too much to protect Wulff&#8217;s privacy.)<\/p>\n<p>&#8220;Randy&#8217;s the real deal,&#8221; said Osanic, who said he hadn&#8217;t been familiar with Wulff&#8217;s prior recordings while they worked together up until 2005. &#8220;He&#8217;s spent a lot of time thinking about his music and songs.&#8221;<\/p>\n<p>But he said was surprised by the musician&#8217;s sudden popularity.<\/p>\n<p>&#8220;It&#8217;s kind of like a Bob Dylan thing. You might hear him sing and not know that he&#8217;s going to be famous,&#8221; he said. &#8220;Maybe his music is just coming in vogue,&#8221; he said, 31 years late.<\/p>\n<p>Sullivan&#8217;s record company has re-released &#8220;L&#8217;Amour,&#8221; and will soon reissue the 1985 album, &#8220;Romantic Times.&#8221; But Wulff told Sullivan and Fleischer that he didn&#8217;t want to cash in.<\/p>\n<p>&#8220;He has a lot of funny ways of phrasing things,&#8221; said Fleischer, who said Wulff told Sullivan that he wasn&#8217;t into &#8220;coin,&#8221; because &#8220;you get too many zeroes attached to things, things get complicated.&#8221;<\/p>\n<p>Wulff told Fleischer that now, he just makes music.<\/p>\n<p>&#8220;He stays up until 4 a.m. playing his guitar.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TORONTO &#8212; An American record label&#8217;s search for a long-lost musician has found the enigmatic runaway hiding somewhere over the &hellip;<\/p>\n","protected":false},"author":44,"featured_media":22082,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1482,2],"tags":[],"class_list":["post-22012","post","type-post","status-publish","format-standard","has-post-thumbnail","category-breaking","category-entertainment","mauthors-anne-marie-vettorel","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/22012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=22012"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/22012\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/22082"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=22012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=22012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=22012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}