{"id":219613,"date":"2019-06-20T04:00:14","date_gmt":"2019-06-20T08:00:14","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=219613"},"modified":"2019-06-20T04:00:14","modified_gmt":"2019-06-20T08:00:14","slug":"canadian-indie-rock-outfit-rheostatics-release-first-new-song-in-over-15-years","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/06\/20\/canadian-indie-rock-outfit-rheostatics-release-first-new-song-in-over-15-years\/","title":{"rendered":"Canadian indie rock outfit Rheostatics release first new song in over 15 years"},"content":{"rendered":"<figure id=\"attachment_219615\" aria-describedby=\"caption-attachment-219615\" style=\"width: 640px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/06\/Rheostatics.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-219615\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/06\/Rheostatics.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/06\/Rheostatics.jpg 640w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/06\/Rheostatics-300x225.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><figcaption id=\"caption-attachment-219615\" class=\"wp-caption-text\">Rheostatics became a staple of the Canadian indie music scene after forming in the Toronto suburb of Etobicoke during the late 1970s. (File <a href=\"https:\/\/www.flickr.com\/photos\/sfllaw\/496509611\/\">photo<\/a>: <a href=\"https:\/\/www.flickr.com\/photos\/sfllaw\/\">Simon Law\/Flickr<\/a>, <a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/2.0\/\">CC BY-SA 2.0<\/a>)<\/figcaption><\/figure>\n<p>TORONTO \u2014 Fifteen years after Rheostatics last released an album of new material, the Canadian indie rock band is back.<\/p>\n<p>\u201cHere Come the Wolves,\u201d a six-minute song structured in three parts, landed Wednesday on digital music platforms ahead of a full-length album due later this year.<\/p>\n<p>Vocalist Dave Bidini tweeted to fans saying he hopes the song \u201cterrifies and makes you weep, not in an entirely bad way.\u201d<\/p>\n<p>Rheostatics became a staple of the Canadian indie music scene after forming in the Toronto suburb of Etobicoke during the late 1970s.<\/p>\n<p>They hit their peak popularity in the mid-1990s when their songs \u201cClaire\u201d and \u201cRecord Body Count\u201d were regularly played on MuchMusic.<\/p>\n<p>The band&#8217;s most recent album, titled \u201c2067,\u201d was a loosely themed project exploring the state of Canada 200 years after Confederation.<\/p>\n<p>In the years after its 2004 release, the band disintegrated.<\/p>\n<p>Bidini went on to become publisher of the West End Phoenix, a monthly broadsheet community newspaper for Toronto&#8217;s west end, while occasionally resurrecting parts of the Rheostatics line-up.<\/p>\n<p>The 12-track album \u201cHere Comes the Wolves\u201d is slated for release on Sept. 6.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TORONTO \u2014 Fifteen years after Rheostatics last released an album of new material, the Canadian indie rock band is back. &hellip;<\/p>\n","protected":false},"author":33,"featured_media":219615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-219613","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/219613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=219613"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/219613\/revisions"}],"predecessor-version":[{"id":219616,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/219613\/revisions\/219616"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/219615"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=219613"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=219613"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=219613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}