{"id":21706,"date":"2014-08-13T14:21:11","date_gmt":"2014-08-13T06:21:11","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=21706"},"modified":"2014-08-13T12:31:19","modified_gmt":"2014-08-13T04:31:19","slug":"dimasalang-artists-mount-exhibit","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2014\/08\/13\/dimasalang-artists-mount-exhibit\/","title":{"rendered":"Dimasalang artists mount exhibit"},"content":{"rendered":"<p><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0580.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-21707\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0580.jpg\" alt=\"DSC_0580\" width=\"3737\" height=\"1994\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0580.jpg 3737w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0580-300x160.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0580-1024x546.jpg 1024w\" sizes=\"auto, (max-width: 3737px) 100vw, 3737px\" \/><\/a> <a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0584.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-21708\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0584.jpg\" alt=\"DSC_0584\" width=\"4288\" height=\"2848\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0584.jpg 4288w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0584-300x199.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0584-1024x680.jpg 1024w\" sizes=\"auto, (max-width: 4288px) 100vw, 4288px\" \/><\/a> <a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0594.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-21709\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0594.jpg\" alt=\"DSC_0594\" width=\"4288\" height=\"2848\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0594.jpg 4288w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0594-300x199.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0594-1024x680.jpg 1024w\" sizes=\"auto, (max-width: 4288px) 100vw, 4288px\" \/><\/a> <a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0598.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-21710\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0598.jpg\" alt=\"DSC_0598\" width=\"4288\" height=\"2848\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0598.jpg 4288w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0598-300x199.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0598-1024x680.jpg 1024w\" sizes=\"auto, (max-width: 4288px) 100vw, 4288px\" \/><\/a> <a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0600.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-21711\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0600.jpg\" alt=\"DSC_0600\" width=\"4288\" height=\"2848\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0600.jpg 4288w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0600-300x199.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2014\/08\/DSC_0600-1024x680.jpg 1024w\" sizes=\"auto, (max-width: 4288px) 100vw, 4288px\" \/><\/a><\/p>\n<p>Dimasalang III International Group of Artists led by Sym Mendoza, mounted an exhibit entitled, \u201cDimasalang Expressions\u201d at the Vancouver Moat Gallery. The show will run till August 30. \u00a0Below are highlights of the opening night on August 7. Photos by Laarni Liwanag<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dimasalang III International Group of Artists led by Sym Mendoza, mounted an exhibit entitled, \u201cDimasalang Expressions\u201d at the Vancouver Moat &hellip;<\/p>\n","protected":false},"author":44,"featured_media":21707,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1480],"tags":[],"class_list":["post-21706","post","type-post","status-publish","format-standard","has-post-thumbnail","category-seen-scenes","mauthors-philippine-canadian-inquirer"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/21706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=21706"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/21706\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/21707"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=21706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=21706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=21706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}