{"id":210113,"date":"2019-04-15T21:49:51","date_gmt":"2019-04-16T01:49:51","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=210113"},"modified":"2019-04-15T21:49:51","modified_gmt":"2019-04-16T01:49:51","slug":"a-devastated-art-world-wept-and-watched-as-notre-dame-burned","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/04\/15\/a-devastated-art-world-wept-and-watched-as-notre-dame-burned\/","title":{"rendered":"A devastated art world wept and watched as Notre Dame burned"},"content":{"rendered":"<figure id=\"attachment_210114\" aria-describedby=\"caption-attachment-210114\" style=\"width: 2048px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/04\/41538592331_05ca409f90_k.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-210114\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/04\/41538592331_05ca409f90_k.jpg\" alt=\"\" width=\"2048\" height=\"1323\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/04\/41538592331_05ca409f90_k.jpg 2048w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/04\/41538592331_05ca409f90_k-300x194.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/04\/41538592331_05ca409f90_k-768x496.jpg 768w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/04\/41538592331_05ca409f90_k-1024x662.jpg 1024w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/04\/41538592331_05ca409f90_k-20x13.jpg 20w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/a><figcaption id=\"caption-attachment-210114\" class=\"wp-caption-text\">FILE: Notre-Dame de Paris at night (<a href=\"https:\/\/www.flickr.com\/photos\/so8\/41538592331\/\">Photo<\/a> By <a href=\"https:\/\/www.flickr.com\/photos\/so8\/\">Safia Osman\/Flickr<\/a>, <a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/2.0\/\">CC BY-NC-ND 2.0<\/a>)<\/figcaption><\/figure>\n<p>NEW YORK \u2014\u00a0Notre\u00a0Dame, a survivor of wars and revolutions, has stood for centuries as not merely the greatest of the Gothic cathedrals and a towering jewel of Western architecture.<\/p>\n<p>It has stood, in the words of one shell-shocked art expert, as \u201cone of the great monuments to the best of civilization.\u201d<\/p>\n<p>And so it was that across the globe Monday, a stunned and helpless art world wept alongside the people of France as a massive fire ravaged the beloved cathedral.<\/p>\n<p>\u201cCivilization is just so fragile,\u201d said Barbara Drake Boehm, senior curator at the Metropolitan Museum of Art&#8217;s medieval Cloisters branch in New York, her voice shaking as she tried to put into words what the cathedral meant. \u201cThis great hulking monument of stone has been there since 1163. It&#8217;s come through so many trials.\u201d<\/p>\n<p>\u201cIt&#8217;s not one relic, not one piece of glass \u2014 it&#8217;s the totality,\u201d she said, struggling to find words expansive enough to describe the cathedral&#8217;s significance. \u201cIt&#8217;s the very soul of Paris, but it&#8217;s not just for French people. For all humanity, it&#8217;s one of the great monuments to the best of civilization.\u201d<\/p>\n<p>Boehm spoke shortly before the Paris fire chief announced that firefighters had been able to finally save the structure, including its two main towers. Much of the roof was destroyed.<\/p>\n<p>The exact cause of the blaze wasn&#8217;t known, but French media quoted the fire brigade as saying it was \u201cpotentially linked\u201d to a 6 million-euro ($6.8 million) renovation project on the church&#8217;s spire and its 250 tons of lead. The Paris Prosecutor&#8217;s office, which was investigating, said it was treating it as an accident.<\/p>\n<p>Construction on\u00a0Notre\u00a0Dame\u00a0\u2014 French for \u201cOur Lady\u201d \u2014 began in the 12th century and continued for nearly 200 years. It sustained damage and fell into neglect during the French Revolution, but received renewed attention following the 1831 publication of Victor Hugo&#8217;s novel \u201cThe Hunchback of\u00a0Notre-Dame.\u201d This led to two decades of restorations, including the cathedral&#8217;s famous flying buttresses and a reconstructed spire.<\/p>\n<p>While most kings were crowned elsewhere, Napoleon Bonaparte made sure he was crowned there in 1804, and married there in 1810.<\/p>\n<p>Experts note that\u00a0Notre\u00a0Dame\u00a0is an esthetically smooth synthesis of different centuries. \u201cIt all blends together so harmoniously,\u201d said Nancy Wu, a medieval architecture expert and educator at the Met Cloisters. She said she was struck by delicacy of the structure, as well as that in the three stunning stained-glass rose windows, and the elegant exterior carvings.<\/p>\n<p>\u201cThere are a lot of details that remind one of intricate lace,\u201d she said, \u201ceven though it&#8217;s a building of cold hard stone.\u201d<\/p>\n<p>Aside from the structure, art experts were concerned about the fate of countless priceless artworks and artifacts inside, including relics like the crown of thorns, which is only occasionally displayed.<\/p>\n<p>\u201cThis cathedral has a number of elements that are not just famous but religiously significant,\u201d said Julio Bermudez, professor at the school of architecture and planning at Catholic University in Washington, D.C. \u201cOne of course is the crown of thorns &#8230; the faithful believe this is the crown that the Savior put on his head. It&#8217;s kept in a very safe place. But you know the fire is tremendously damaging.\u201d He also expressed concern about the beautiful stained-glass windows, which he called \u201creally irreplaceable.\u201d<\/p>\n<p>Those worried about the cathedral&#8217;s durability could, perhaps, take solace in one of\u00a0Notre\u00a0Dame&#8217;s more fascinating survival stories. In 1977, workers demolishing a wall in another part of Paris discovered 21 heads belonging to 13th-century statues from the cathedral. The kings of Judea, which were a prime example of Gothic art, had been taken from\u00a0Notre\u00a0Dame\u00a0during the French Revolution and guillotined by antiroyalists who mistakenly thought they represented French kings.<\/p>\n<p>The heads, which were thought to be lost, are now displayed in the capital&#8217;s Cluny Museum.<\/p>\n<p>The mourning was not limited to the art world. Religious leaders, too, expressed deep sorrow over the devastation.<\/p>\n<p>Cardinal Timothy Dolan, the archbishop of New York, said he was praying for\u00a0Notre\u00a0Dame, which he called \u201csecond maybe to St. Peter&#8217;s Basilica, (in) &#8230; the ability of a church to lift our minds and hearts back to the Lord.\u201d<\/p>\n<p>\u201cFor the French, my God, for the world,\u00a0Notre\u00a0Dame\u00a0Cathedral represents what&#8217;s most notable, what&#8217;s most uplifting, what&#8217;s most inspirational about the human project,\u201d he said.<\/p>\n<p>Boehm, at the Cloisters, found herself thinking about how the cathedral is at once of the past, and of the present \u2014 a living, vibrant building, despite its age.<\/p>\n<p>\u201cWhen you step inside it, you have at once the sense of everything that came before, and everything that&#8217;s still current,\u201d she said.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NEW YORK \u2014\u00a0Notre\u00a0Dame, a survivor of wars and revolutions, has stood for centuries as not merely the greatest of the &hellip;<\/p>\n","protected":false},"author":44,"featured_media":210114,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-210113","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art-and-culture","mauthors-jocelyn-noveck","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/210113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=210113"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/210113\/revisions"}],"predecessor-version":[{"id":210115,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/210113\/revisions\/210115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/210114"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=210113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=210113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=210113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}