{"id":210015,"date":"2019-04-15T04:07:30","date_gmt":"2019-04-15T08:07:30","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=210015"},"modified":"2019-04-15T04:07:30","modified_gmt":"2019-04-15T08:07:30","slug":"shazam-bests-newcomers-with-25-1m-second-weekend","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/04\/15\/shazam-bests-newcomers-with-25-1m-second-weekend\/","title":{"rendered":"&#8216;Shazam!&#8217; bests newcomers with $25.1M second weekend"},"content":{"rendered":"<figure id=\"attachment_207688\" aria-describedby=\"caption-attachment-207688\" style=\"width: 1080px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/53759598_263387864566530_2382173401417325479_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-207688\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/53759598_263387864566530_2382173401417325479_n.jpg\" alt=\"\" width=\"1080\" height=\"1080\" \/><\/a><figcaption id=\"caption-attachment-207688\" class=\"wp-caption-text\">FILE: Meet DC\u2019s next hero ZacharyLevi has just arrived at the #SHAZAM! World Premiere! (<a href=\"https:\/\/www.instagram.com\/p\/Bvk2CT2lCfF\/\">Photo<\/a>: <a href=\"https:\/\/www.instagram.com\/shazammovie\/\">@shazammovie\/Instagram<\/a>)<\/figcaption><\/figure>\n<p>NEW YORK \u2014 A rush of newcomers couldn&#8217;t shake \u201cShazam!\u201d from the top spot, as the superhero comedy led the box office for the second straight weekend with $25.1 million in ticket sales, according to studio estimates Sunday.<\/p>\n<p>Lionsgate&#8217;s \u201cHellboy\u201d reboot, the animated Laika Studios release \u201cMissing Link,\u201d the college romance \u201cAfter\u201d and even the long-delayed \u201cMary Magdalene,\u201d originally to be released by the Weinstein Co., all opened in theatres. But the strongest new release of them all was, predictably, the Will Packer-produced one: \u201cLittle.\u201d<\/p>\n<p>The body-swap comedy \u201cLittle\u201d came in second with $15.5 million for Universal Pictures. Made for just $20 million, \u201cLittle\u201d is just the most recent profit-maker for Packer, the \u201cGirls Trip\u201d producer.<\/p>\n<p>The film, directed by Tina Gordon Chism, stars 14-year-old Marsai Martin as the child an abusive tech executive (Regina Hall) reverts to after a magical spell is cast on her. Martin, the \u201cblack-ish\u201d star, also executive produced the film, the youngest ever so credited in Hollywood history.<\/p>\n<p>\u201cLittle\u201d drew a largely female (65 and African American (43%) audience. Jim Orr, Universal Pictures distribution chief, credited the cast, Chism&#8217;s direction and Packer&#8217;s overall know-how.<\/p>\n<p>\u201cHe&#8217;s done it with different kinds of films. &#8216;Breaking In&#8217; was a thriller, &#8216;Girls Trip&#8217; was an R-rated comedy. &#8216;Little&#8217; is kind of an all-ages film, PG-13 rated,\u201d&#8217; said Orr, whose studio signed a first-look deal with Packer in 2013. \u201cHe&#8217;s a brand. And he has a great idea of what is going to be successful at the box office.\u201d<\/p>\n<p>It was an out-of-body weekend at the box office. The body-swap comic-book adaptation \u201cShazam!\u201d \u2014 about a teenage boy (Asher Angel) who can turn into an adult-sized superhero (Zachary Levi) with a simple command \u2014 held solidly in its second week. Capitalizing on good reviews and word-of-mouth, \u201cShazam!\u201d is Warner Bros.&#8217; New Line&#8217;s latest DC Comics success. It has grossed $94.9 million through Sunday with a worldwide total of $258.8 million.<\/p>\n<p>Lionsgate and Millennium&#8217;s \u201cHellboy\u201d had been expected by many to vie with \u201cShazam!\u201d on the weekend. But on the heels of terrible reviews (just 15% \u201cfresh\u201d on Rotten Tomatoes), it flopped with $12 million against a $50 million budget.<\/p>\n<p>That&#8217;s significantly less than the debuts of the 2004 original ($23 million opening) and the 2008 sequel ($34.5 million opening). Those films were directed by Guillermo de Toro and starred Ron Perlman; the new \u201cHellboy\u201d stars David Harbour (\u201cStranger Things\u201d) and is directed by Neil Marshall.<\/p>\n<p>\u201cMissing Link\u201d also missed. It opened with a disappointing $5.8 million, marking a new low for Laika, the maker of eccentric animated tales such as \u201cCoraline,\u201d \u201cParaNorman\u201d and \u201cKubo and the Two Strings.\u201d \u201cMissing Link,\u201d distributed by United Artists Releasing, is about the discovery of a creature in the Pacific Northwest. Its voice cast includes Zach Galifianakis, Hugh Jackman and Zoe Saldana.<\/p>\n<p>Expectations had varied widely for Aviron Pictures&#8217; \u201cAfter,\u201d an adaption of Anna Todd&#8217;s 2014 bestseller. The young-adult drama fared well with $6.2 million in 2,138 theatres.<\/p>\n<p>And \u201cMary Magdalene,\u201d starring Rooney Mara as Mary and Joaquin Phoenix as Jesus, finally opened, more than three years after production. Harvey Weinstein had once conceived of the film, directed by Garth Davis (\u201cLion\u201d) as his next Oscar contender.<\/p>\n<p>After the fallout of Weinstein and the bankruptcy of the Weinstein Co., IFC Films acquired the biblical biopic. Critics dismissed it (44% fresh on Rotten Tomatoes) and audiences mostly did, too. It grossed about $62,000 on 62 screens.<\/p>\n<p>Estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included.<\/p>\n<ol>\n<li>\u201cShazam!\u201d $25.1 million ($35.9 million international).<\/li>\n<li>\u201cLittle,\u201d $15.5 million ($1.9 million international).<\/li>\n<li>\u201cHellboy,\u201d $12 million ($10.1 million international).<\/li>\n<li>\u201cPet Sematary,\u201d $10 million ($12.6 million international).<\/li>\n<li>\u201cDumbo,\u201d $9.2 million ($22 million international).<\/li>\n<li>\u201cCaptain Marvel,\u201d $8.6 million ($8 million international).<\/li>\n<li>\u201cUs,\u201d $6.9 million ($4.4 million international).<\/li>\n<li>\u201cAfter,\u201d $6.2 million ($11.7 million international).<\/li>\n<li>\u201cMissing Link,\u201d $5.8 million ($8.9 million international).<\/li>\n<li>\u201cThe Best of Enemies,\u201d $2 million.<\/li>\n<\/ol>\n<p>\u2014\u2014\u2014<\/p>\n<p>Estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included.<\/p>\n<ol>\n<li>\u201cShazam!\u201d $35.9 million.<\/li>\n<li>\u201cDumbo,\u201d $22 million.<\/li>\n<li>\u201cP Storm,\u201d $19.6 million.<\/li>\n<li>\u201cPet Sematary,\u201d $12.6 million.<\/li>\n<li>\u201cAfter,\u201d $11.7 million.<\/li>\n<li>\u201cWonder Park,\u201d $11.2 million.<\/li>\n<li>\u201cAndhadhun,\u201d $10.4 million.<\/li>\n<li>\u201cHellboy,\u201d $10.1 million.<\/li>\n<li>\u201cCaptain Marvel,\u201d $8 million.<\/li>\n<li>\u201cThe Crimes That Bind,\u201d $4.4 million.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>NEW YORK \u2014 A rush of newcomers couldn&#8217;t shake \u201cShazam!\u201d from the top spot, as the superhero comedy led the &hellip;<\/p>\n","protected":false},"author":44,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-210015","post","type-post","status-publish","format-standard","category-entertainment","category-hollywood","mauthors-jake-coyle","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/210015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=210015"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/210015\/revisions"}],"predecessor-version":[{"id":210016,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/210015\/revisions\/210016"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=210015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=210015"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=210015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}