{"id":207360,"date":"2019-03-28T05:25:57","date_gmt":"2019-03-28T09:25:57","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=207360"},"modified":"2019-03-28T05:25:57","modified_gmt":"2019-03-28T09:25:57","slug":"chinese-viewers-balk-at-bohemian-rhapsody-film-censorship","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/03\/28\/chinese-viewers-balk-at-bohemian-rhapsody-film-censorship\/","title":{"rendered":"Chinese viewers balk at &#8216;Bohemian Rhapsody&#8217; film censorship"},"content":{"rendered":"<figure id=\"attachment_207361\" aria-describedby=\"caption-attachment-207361\" style=\"width: 640px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/640px-Bohemian_Rhapsody_cast_on_MTV_Movies.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-207361\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/640px-Bohemian_Rhapsody_cast_on_MTV_Movies.jpg\" alt=\"\" width=\"640\" height=\"358\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/640px-Bohemian_Rhapsody_cast_on_MTV_Movies.jpg 640w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/640px-Bohemian_Rhapsody_cast_on_MTV_Movies-300x168.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><figcaption id=\"caption-attachment-207361\" class=\"wp-caption-text\">FILE: (Left to right) Joe Mazzello, Rami Malek, and Gwilym Lee promoting the film in 2018. (<a href=\"https:\/\/commons.wikimedia.org\/w\/index.php?curid=74114936\">Photo By MTV International\/Wikimedia commons, CC BY 3.0<\/a>)<\/figcaption><\/figure>\n<p class=\"p1\">BEIJING \u2014 A huge fan of rock legends Queen, Peng Yanzi rushed to see &#8220;Bohemian Rhapsody,&#8221; the biopic about the band&#8217;s late lead singer, Freddie Mercury, while he was travelling in Britain last October.<\/p>\n<p class=\"p1\">It was a touching film that made him cry hard, Peng says. He loved it enough to watch it a second time in his home city of Guangzhou after the film garnered a surprise China release.<\/p>\n<p class=\"p1\">But the version of &#8220;Bohemian Rhapsody&#8221; he saw this past weekend was notably different from the original. Moviegoers in China say key scenes about Mercury&#8217;s sexuality have been either abruptly muted or cut altogether.<\/p>\n<p class=\"p1\">&#8220;The cut scenes really affect the movie,&#8221; said Peng, a Chinese LGBT rights activist. &#8220;The film talks about how (Mercury) became himself, and his sexuality is an important part of becoming who he was.&#8221;<\/p>\n<p class=\"p1\">Scenes that were deleted include one in which Mercury reveals to his long-time partner that he is not heterosexual. In the part of the film where Mercury tells the band that he has AIDS, the dialogue goes silent.<\/p>\n<p class=\"p1\">&#8220;It&#8217;s a pity&#8221; the scenes were removed, said Hua Zile, chief editor of VCLGBT, an LGBT-themed account with more than a million followers on Weibo, one of China&#8217;s top social media platforms.<\/p>\n<p class=\"p1\">&#8220;This kind of deletion weakens his gay identity. It&#8217;s a bit disrespectful to his real experience and makes the character superficial,&#8221; Hua said. &#8220;There is no growth and innermost being of him.&#8221; Hua said he also watched both versions of the movie, in the semi-autonomous region of Hong Kong, which enjoys greater freedoms from censorship than mainland China, and the Chinese city of Guangzhou.<\/p>\n<p class=\"p1\">The missing scenes confused some moviegoers. Su Lei read Mercury&#8217;s biography online before watching the movie Wednesday afternoon so that she could better understand the plot and character development.<\/p>\n<p class=\"p1\">&#8220;Now it&#8217;s a very open era, influenced by some American and British TV dramas. People now can understand and accept this,&#8221; said Su, who works for an accounting firm. She called the film &#8220;inspiring&#8221; and said cutting the gay content was &#8220;unnecessary.&#8221;<\/p>\n<p class=\"p1\">Lu, a freelancer in Shanghai who asked to be identified only by his family name, watched the original version online after seeing the movie in a Chinese theatre, where he said he found parts of the dialogue incoherent.<\/p>\n<p class=\"p1\">Lu said that despite some lines being erased, it was still obvious the main character is gay. &#8220;But the movie has been deleted like this, which affects its entirety,&#8221; he said.<\/p>\n<p class=\"p1\">While LGBT content is generally less taboo than other topics that Chinese authorities deem sensitive, same-sex relationships are still virtually absent from mainstream media.<\/p>\n<p class=\"p1\">In 2017, a government-affiliated internet TV association warned streaming content providers against depicting homosexuality, labeling it an &#8220;abnormal&#8221; sexual behaviour. A similar move last year from Weibo provoked an outcry that prompted the website to backtrack and state that a &#8220;cleanup of games and cartoons will no longer target gay content.&#8221;<\/p>\n<p class=\"p1\">When Chinese video site Mango TV livestreamed the Academy Awards in February, &#8220;Bohemian Rhapsody&#8221; lead actor Rami Malek&#8217;s speech was subtitled to read &#8220;special group&#8221; when in fact he said &#8220;gay man.&#8221;<\/p>\n<p class=\"p1\">Mango TV also censored two LGBT-themed performances during last year&#8217;s Eurovision song contest, causing Eurovision to terminate its partnership with the Chinese broadcaster in the middle of the competition season.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BEIJING \u2014 A huge fan of rock legends Queen, Peng Yanzi rushed to see &#8220;Bohemian Rhapsody,&#8221; the biopic about the &hellip;<\/p>\n","protected":false},"author":44,"featured_media":207361,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-207360","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","mauthors-yanan-wang","mauthors-shanshan-wang"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/207360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=207360"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/207360\/revisions"}],"predecessor-version":[{"id":207362,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/207360\/revisions\/207362"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/207361"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=207360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=207360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=207360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}